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Fritz Leiber

Fritz Leiber
Latest Trailers
Birthday
January 29th, 1882
From
Chicago, Illinois, USA
Actor

Fritz Leiber Biography

Fritz Reuter Leiber Sr. was an American actor. A Shakespearean actor on stage, he also had a successful career in film. He was the father of science fiction and fantasy writer Fritz Leiber Jr., who was also an actor for a time. Leiber and his wife spent much of their time touring in a Shakespearean acting company, known by the 1930s as Fritz Leiber & Co.

Leiber made his film bow in 1916, playing Mercutio in the Francis X. Bushman version of “Romeo and Juliet.” With his piercing eyes and shock of white hair, Leiber seemed every inch the priests, professors, musical professors, and religious fanatics that he was frequently called upon to play in films. His many silent-era portrayals included Caesar in Theda Bara's 1917 “Cleopatra” and Solomon in the mammoth 1921 Betty Blythe vehicle “The Queen of Sheba.

” He thrived as a character actor in sound films, usually in historical roles. In the film “Champagne Waltz” he portrayed an orchestra maestro; the role required him to play classical music on a violin and jazz on a clarinet. One of Leiber's larger assignments of the 1940s, and his most notable musical role, was as Franz Liszt in the Claude Rains' remake of “Phantom of the Opera” (1943).

Leiber appears together with his son Fritz Leiber Jr. in the wedding-feast scene of Greta Garbo's film “Camille” (1936) and in Warner Bros.' “The Great Garrick” (1937). Leiber also appeared with his son Fritz Leiber Jr. in “The Hunchback of Notre Dame” (1939), but Fritz Leiber Jr. was not credited for his small speaking part. Late in his career, Leiber performed briefly opposite Charles Chaplin as the priest who visits Monsieur Verdoux in his prison cell.

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Fritz Leiber Movies

Fritz Leiber Quotes

The Battle Against Invisible Microbes

Dr. Louis Pasteur: [speaking to the Emperor] Sire, the hospitals of Paris are pesthouses. There's scarcely a doctor in the city who's not carrying death on his hands and instruments.
Dr. Charbonnet: Because of microbes, Monsieur? Your private menagerie of invisible beasts?
Dr. Louis Pasteur: Exactly. Doctor Charbonnet could see them for himself if he took the trouble to use his microscope. He could watch them multiply into murderous millions. They breed in filth. They may start from the gutters of Paris tonight and by tomorrow claim some mother from this very court.
Dr. Charbonnet: Preposterous! To think that a human being could be destroyed by an animal ten thousand times smaller than a flea. It's as though an army of ants were to overthrow your Majesty's empire.

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