The Man in the Iron Mask - Finding Light in Darkness
D'Artagnan:
when all the sky is dark the night is light and will light the way
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The Man in the Iron Mask - A Willingness to Suffer for Others
D'Artagnan:
All that you have suffered... I would gladly have borne myself to keep it from you.
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The Man in the Iron Mask - Reflections on the Consequences of Violence
D'Artagnan:
I was told, each time I drew my sword, I should consider not what I killed, but what I allowed to live.
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The Man in the Iron Mask - A Father's Unwavering Love and Pride
D'Artagnan:
Even if I could give up my king, I could never give up my son. I loved your mother. I love her still. I never knew you existed, and I have never felt pride as a father until now.
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The Man in the Iron Mask - Compassion for the Suffering of Others
D'Artagnan:
Your people are most anxious to love you, but they are eating rotten food and sometimes none at all.
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The Man in the Iron Mask - A Conflict of Love and Loyalty
D'Artagnan:
Anne! I know that loving you is treason against France, but not loving you is treason against my heart.
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The Man in the Iron Mask - A Reflection on Leadership and Expectations
D'Artagnan:
For a moment, I thought you had become the king I had always wanted you to be.
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The Man in the Iron Mask - A King's Exchange of Power
D'Artagnan:
You take my king, and I shall take yours.
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Miller's Crossing - Cost of Silence
Tom Reagan:
If you want me to keep my mouth shut, it's gonna cost you some dough. I figure a thousand bucks is reasonable, so I want two.
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Miller's Crossing - A Critique of Authority and Power
Tom Reagan:
Tell Leo he's not God on the throne, he's just a cheap political boss with more hair tonic than brains.
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Miller's Crossing - Concern and Trust in Uncertain Times
Tom Reagan: [to Caspar]
My chin's hanging out right next to yours. I'd worry a lot less if I thought you were worrying enough.
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Miller's Crossing - Confrontation of Mortality and Silence
Tom Reagan: [to Bernie]
Shut up. You're dead, get me?
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Miller's Crossing - Illusion of Power in Governance
Tom Reagan:
You don't hold elected office in this town. You run it because people think you do. They stop thinking it, you stop running it.
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Miller's Crossing - A Warning of Future Chaos
Tom Reagan:
Sister, when I've raised hell, you'll know it.
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Miller's Crossing - A Bold Entrance Announced by Tom Reagan
Tom Reagan:
Close your eyes ladies! I'm comin in!
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Miller's Crossing - The Limits of Human Connection
Tom Reagan:
Nobody knows anybody. Not that well.
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Miller's Crossing - Regret Over Unexpressed Emotions in Words
Tom Reagan:
If I'd known we were gonna cast our feelings into words, I'd've memorized the Song of Solomon.
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Cool World - Reality and Creation in Cool World
Jack Deebs:
I'm a cartoonist. I drew all this. I have visions. I translate this.
Frank Harris:
You do nothing, man. This place exists with or without you. You believe me, right? I'm not one of your creations.
Jack Deebs:
Right. You're not pretty enough.
Frank Harris:
Good one. Have a seat.
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Hereditary - Balancing Good and Bad in Life
Steve Graham:
You know, Annie, you can always build a shrine to all the terrible things in the world, but it doesn't mean that you have to destroy anything that is good.
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Excalibur - Uther's Claim to Excalibur
Uther:
Nobody shall have the sword! Nobody shall wield Excalibur...but ME!
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Excalibur - Desire for Power Over Words
Uther:
Talk! Talk is for lovers, Merlin. I need the sword to be King!
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Excalibur - Claiming Strength and Destiny in Excalibur
Uther: [[sword]
Merlin, I am the strongest! I am the one! The ]! You promised me the sword!
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The Usual Suspects - A Conversation About Spook Hollis
Keaton:
A friend of mine in New York tells me you knew Spook Hollis.
Redfoot:
The way I hear it, you did time with ol Spook. Good man, wasn't he? I used to run dope for him. Too bad he got shivved.
Keaton: [pause]
Yeah. I shivved him. Better you hear it from me now than from somebody else later.
Redfoot:
Yeah, well, I appreciate that. Just out of curiousity, was it business or personal?
Keaton:
A bit of both.
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The Usual Suspects - Introduction of Verbal Kint
Keaton:
His name is Verbal. Verbal Kint.
McManus:
Verbal?
Keaton:
Yeah.
Verbal:
Roger, really. People say I talk too much.
Hockney:
Yeah, I was just about to tell you to shut up.
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The Usual Suspects - Unexpected Encounters in a High-Stakes Scenario
Verbal: [voiceover; suspects walk inside the police lineup; the lineup lights turn on]
It didn't make sense that I'd be there. I mean, these guys were hardcore hijackers. But, there I was. At that point, I wasn't scared. I knew I hadn't done anything they could do me for. Besides, it was fun. I got to make like I was notorious.
Cop:
All right, you all know the drill: When your number is called, step forward and repeat the phrase you've been given, understand? Number one, step forward.
Hockney: [sighs; deadpan]
Hand me the keys, you fucking cocksucker.
Cop:
Number two, step forward.
McManus:
GIMME THE FUCKIN KEYS, YOU COCKSUCKER MOTHERFUCKER!! AAAAAARGH!!
Cop:
Knock it off, get back. Number three, step forward.
Fenster:
Hand me the keys, you cocksucker.
Cop:
In English, please?
Fenster:
Excuse me?
Cop:
In English.
Fenster:
Hand me the fucking keys, you cocksucker. What the fuck?
Cop:
Number four, step forward.
Verbal: [voiceover]
It was bullshit. The whole rap was a setup.
Keaton:
Hand me the keys, you fucking cocksucker.
Verbal: [voiceover]
It was all the cops fault. You don't put guys like that into a room together.
Cop:
Number five, step forward.
Verbal: [voiceover]
Who knows what can happen?
Verbal:
Hand me the keys, you fucking cocksucker.
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The Usual Suspects - A Conversation Between Keyser Söze and Keaton
Keyser Söze:
How you doin', Keaton?
Keaton:
I can't feel my legs... Keyser.
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Ballerina - The Burden of Choices and Necessity
Javier:
You're a fucking coward. you're trying to convince yourself that fate absolves you of your actions.
The Chancellor:
There are no choices.
Javier:
Yeah. Does that make what you do any easier?
The Chancellor:
It makes what I do... necessary.
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Ballerina - Confrontation of Consequences and Choices
The Chancellor:
Did You Think You Could Just Walk Away?
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