Theatre of Blood - The Cost of Creative Criticism
Peregrine Devlin:
You did kill Larding and the others, didn't you?
Edward Lionheart:
How many actors have you destroyed as you destroyed me? How many talented lives have you cut down with your glib attacks? What do you know of the blood, sweat and toil of a theatrical production? Of the dedication of the men and the women in the noblest profession of them all? How could you know, you talentless fools who spew vitriol on the creative efforts of others because because you lack the ability to create yourselves! No, Devlin, no! I did not kill Larding and the others. PUNISHED them, my dear boy, punished them. Just as you shall have to be punished.
Peregrine Devlin:
Well, get it over with then, just so you don't have to make me listen to that demented rubbish of yours. Go on, kill me then!
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Theatre of Blood - A Clash of Artistic Perspectives
Peregrine Devlin:
Nothing you can do will sway me from my original judgement.
Edward Lionheart:
Your judgement was ill-considered and irresponsible.
Peregrine Devlin:
It was neither. We gave the award to William Woodstock as your performances lacked originality.
Edward Lionheart:
Lacked originality? My Julius Caesar, cut down by a drunken mob in an abandoned warehouse? My Titus Andronicus: This Is Your Dish, Meredith Merridew? My Othello, one of the greatest performances in the history of the theatre?
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Theatre of Blood - Lionheart's Triumph Over Death
Peregrine Devlin:
Lionheart!
Edward Lionheart:
Alive and triumphant. And you thought me slain? Lionheart is immortal! He can never be destroyed, never!
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Theatre of Blood - Striving for Approval in the Spotlight
Peregrine Devlin:
You don't understand.
Edwina Lionheart:
I understand that the greatest actor of all time never earned your approval for one single performance. Never. Not one good review.
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Theatre of Blood - Critique and Consequences in Theatre of Blood
Edwina Lionheart:
I'm busy, Devlin.
Peregrine Devlin:
Edwina, four of my colleagues have been murdered. And their deaths relate directly to your father's last season.
Edwina Lionheart:
If you were as imaginative in your reviews, Devlin, you'd be a better critic.
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Theatre of Blood - Confrontation Between Devlin and Lionheart
Peregrine Devlin:
Hello, Edwina. I thought it was you.
Edwina Lionheart:
Well, the brilliant Peregrine Devlin. Wielder of the brutal aphorism, master of the killing phrase, my father's murderer.
Peregrine Devlin:
That's a bit melodramatic, isn't it?
Edwina Lionheart:
Oh, forgive me, I forgot. It was your reverence and admiration that drove him to take his own life.
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Theatre of Blood - Claiming Recognition After Years of Denial
Peregrine Devlin:
Lionheart! What the hell do you want here?
Edward Lionheart: [picking up the best actor award]
This. My just reward. The whole world knows it is mine by right. But you deliberately withheld it from me. You deliberately humiliated me before the press, my public and my peers. It was the culmination of your determined denial of my genius!
Peregrine Devlin:
We've denied you nothing....
Edward Lionheart:
For thirty years, the public has acknowledged that I was the master. And that this year, my season of Shakespeare was the shining jewel in the crown of the immortal Bard.
Meredith Merridew: [sotto voce, to Chloe Moon]
Quite insane!
Chloe Moon: [sotto voce, to Trevor Dickman]
He must be drunk.
Edward Lionheart:
But you, with your overweening malice, give the award to a twitching, mumbling boy who can barely grunt his way through an incomprehensible performance! No. No. It is mine!
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Theatre of Blood - The Risks of Criticism in Theatre
Inspector Boot:
Who hates you enough to kill two of your circle?
Peregrine Devlin:
Critics are likely to make enemies, inspector. You can call it an occupational hazard.
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Theatre of Blood - A Heartfelt Apology from Peregrine Devlin
Peregrine Devlin: [examining a note on a gift box; he opens it and it contains Dickman's bloody heart; [Shakespeare]
I am sorry to miss the meeting, but my heart is with you. Dickman." It's him, all right. Only Lionheart would have the temerity to rewrite ]!
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Theatre of Blood - Resentment in Critiquing an Actor's Performance
Peregrine Devlin:
You begin to resent an actor if you always have to give him bad notices.
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