Kelly MacdonaldQuotes

Kelly Macdonald
Birthday
February 23rd, 1976
Actor

No Country for Old Men - Confrontation Over Money and Loss

Carla Jean Moss: I knew this wasn't done with.
Carla Jean: I ain't got the money. What little I had is long gone and there's bills a-plenty to pay yet. I buried my mother today. I ain't paid for that neither.
Chigurh: I wouldn't worry about it.
Carla Jean: I need to sit down. You got no cause to hurt me.
Chigurh: No, but I gave my word.
Carla Jean: You gave your word?
Chigurh: To your husband.
Carla Jean: That don't make sense. You gave your word to my husband to kill me?
Chigurh: Your husband had the opportunity to save you. Instead, he used you to try to save himself.
Carla Jean: Not like that. Not like you say. You don't have to do this.
Chigurh: People always say the same thing.
Carla Jean: What do they say?
Chigurh: They say, "You don't have to do this.
Carla Jean: You don't.
Chigurh: [sighs; tosses a coin] Okay. This is the best I can do. Call it.
Carla Jean: I knowed you was crazy when I saw you sittin there. I knowed exactly what was in store for me.
Chigurh: Call it.
Carla Jean: No, I ain't gonna call it.
Chigurh: Call it.
Carla Jean: The coin don't have no say. It's just you.
Chigurh: Well, I got here the same way the coin did.

No Country for Old Men - A Conversation About Choices and Consequences

Carla Jean Moss: What're you goin to do?
Llewelyn Moss: I'm fixin to do somethin dumber'n hell but I'm goin anyways. If I don't come back, tell Mother I love her.
Carla Jean: Your mother's dead, Llewelyn.
Llewelyn: Well then, I'll tell her myself.

Trainspotting - Consequences of Choices in Uncertain Lives

Diane: [narrating, while Renton is reading a letter from her] Dear Mark, I'm glad you've found a job and somewhere to live. School is fine at the moment. I'm not pregnant, but thanks for asking. Your friend Sick Boy asked me last week if I would like to work for him, but I told him where to go. I met Spud, who sends his regards, or at least I think that's what he said. No one seen Tommy for ages, and finally, Francis Begbie has been on television a lot this week, as he is wanted by the police, in connection with an armed robbery in a jewellers in Corstorphine. Take care. Yours with love, Diane.
Diane: Francis Begbie.
Renton: [realises it's Begbie] Oh no.
Begbie: Armed robbery? What? With a replica? I mean, how can it be an armed robbery with a fucking replica? Fucking scandal. And the gear? Look! Supposed to be fucking solid silver, it's fucking garbage. There's young couples investing their hopes in that stuff and all.
Renton: It's a scandal, Franco.
Begbie: Too fucking right that is!
Begbie: [[w:Lee Marvin|Lee Marvin] And I don't want any pot noodles, by the way. I'm fucking ] (i.e. starving).

Trainspotting - A Memorable Introduction Between Two Characters

Renton: Excuse me, excuse me. I don't mean to harass you, but I was very impressed with the capable and stylish manner in which you dealt with that situation. I was thinking to myself, now this girl's special.
Diane: Thanks.
Renton: What's your name?
Diane: Diane.
Renton: Where are you going, Diane?
Diane: I'm going home.
Renton: Where's that?
Diane: It's where I live.
Renton: Great.
Diane: What?
Renton: I'll come back with you if you like, but I'm not promising anything.
Diane: Do you find that this approach usually works? Or, let me guess, you've never tried it before. In fact, you don't normally approach girls, am I right? The truth is that you're a quiet, sensitive type. But if I'm prepared to take a chance, I might just get to know the inner you: witty, adventurous, passionate, loving, loyal... Taxi! ...a little bit crazy, a little bit bad. But, hey, don't us girls just love that?
Renton: Eh?
Diane: [enters taxicab] Well... what's wrong, boy? Cat got your tongue?
Renton: [confused] I left something...
Taxi Driver: You getting in or not, pal?

Gosford Park - Consequences of Words and Their Impact

Lady Trentham: Could you imagine someone being hanged because of something I said?
Mary Maceachran: I know. And what purpose could it possibly serve?

Gosford Park - The Fate of William's Maid

Lady Trentham: Tell me, what happened to William's little maid? I never saw her again after that dinner.
Lady Trentham: Hmm.
Mary Maceachran: She's gone.
Lady Trentham: Aw, it's a pity, really. I thought it was a good idea to have someone in the house who is actually sorry he's dead.

Gosford Park - An Unlikely Conversation About Stabbing Corpses

Mary Maceachran: Nobody can stab a corpse and not know it.
Robert Parks: Really? When was the last time you stabbed a corpse?

Elizabeth - A Conversation on Beauty and Worth

Isabel Knollys: No, my lord.
Dudley: Then you should be, or waste all that beauty.

Nanny McPhee - Finding Confidence Before the Wedding

Evangeline: Oh, Nanny McPhee, I'm so nervous.
Nanny McPhee: Deep breaths.
Evangeline: I don't look much like a bride, do I?
Nanny McPhee: You will.
Nanny McPhee: How's the reading coming along?
Evangeline: It's much better. But I still haven't got to the end of the story.
Nanny McPhee: No need. You are the end of the story.
Nanny McPhee: (narrating) There is something you should understand about the way I work. When you need me, but do not want me, then I must stay. When you want me, but no longer need me, then I have to go.

Nanny McPhee - Children's Choices Lead to Unexpected Outcomes

Mr. Brown: Nanny McPhee! Now she can't take the donkey, so what have you done?
Nanny McPhee: I have done nothing, sir. The children have decided amongst themselves.
Mr. Brown: Decided what?
Great Aunt Adelaide: (off in distance) There you are, my dear.
Mr. Brown: Not little Chrissy. (runs from the house) Chrissy!
Great Aunt Adelaide: (in the carriage) Now, then, you'd better tell me your name, little girl.
Mr. Brown: (bolts down the road) Chrissy!
Great Aunt Adelaide: Don't be shy, my dear. What is your name?.
Mr. Brown: (in the forest) Chrissy!
Great Aunt Adelaide: Sit up straight, and tell me your name.
Mr. Brown: (the carriage fades in the distance) NO! Christianna!
Christianna: Papa! Papa!
Mr. Brown: Oh, thank... (the other children run up to him) Oh... Then who is...?
Evangeline: (raises head for Aunt Adelaide to see) Evangeline. My name is Evangeline.
Great Aunt Adelaide: (chuckles) And what a pretty name it is too.
Mr. Brown: (disbelief) Evangeline... Oh...

Anna Karenina - Confronting Expectations in St. Petersburg Society

Dolly: Kitty's coming by to see you. She's all grown-up, and a bit frightened of you — the belle of St. Petersburg society!
Anna: [Dolly bursts into tears. Anna embraces her.] Is that who I am? Dolly... Stiva has told me. Dolly, I'm so sorry from the bottom of my heart.
Dolly: I don't know what to do.
Anna: I know, I know.
Dolly: I can't bear to be with him. And he doesn't care, he's got what he wants.
Anna: What he wants is you. He loves you, Dolly. You and the children are everything to him.
Dolly: Are we? And there is room for a governess?
Anna: That was shameful, disgraceful. But it was not love. It was the animal in man, not the soul. Stiva's remorse is from the soul.
Dolly: What about me? Does his remorse make it easier for me?
Anna: I know you are suffering. But, Dolly, you must tell me... is there enough love left in your heart... enough to forgive him?
Dolly: When I think of them together, I can't forgive him, no!
Anna: My poor lamb. So you'd rather accept your fate...
Dolly: My fate? But I haven't done anything! It’s him who's—
Anna: [Dolly nods tearfully.] Do you love him, Dolly? You love him, and he loves you, but you can't forgive, so your lives must continue like this forever, with both of you wretched.