1 2 3 4 Light Cheeks

ince the 1970s Robakowski has been experimenting with the category of the author transferring the authorship of his works onto the film camera Implementing the strategy of biologicalmechanical records Robakowski continues his experiments carried out since the 1970s consisting in the transfer of the authorship of the film onto the film camera as well as initiates relations between the mechanical medium and the human organism On the one hand it embraces collaboration on the other human struggle with the machine extending from the integration of its logic and the attempts at its anthropomorphisation