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With the lightdark contrasts and light courses Manuel Knapp brings in addition cinematic elements into the game for example the complex visual development is disturbed in part by diffuse shadows transparencies and also reflections which fracture the potential precision of the linear computergenerated structures By taking away viewers spatial orientation Knapp also achieves a decentralization of the gaze which can never grasp the image space as a whole the processes of seeing are thereby questioned in a very appealing but also drastic way In the end the audiovisual work strains the senses and leaves them behind positively vexed Christa Benzer