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Kino-Pravda No. 23: Radio Pravda

Where to Watch Kino-Pravda No. 23: Radio Pravda

Looking to watch 'Kino-Pravda No. 23: Radio Pravda' in the comfort of your own home? Tracking down a streaming service to buy, rent, download, or view the Dziga Vertov-directed movie via subscription can be a huge pain, so we here at Moviefone want to do the work for you.

Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'Kino-Pravda No. 23: Radio Pravda' on each platform when they are available. Now, before we get into all the details of how you can watch 'Kino-Pravda No. 23: Radio Pravda' right now, here are some specifics about the Kultkino, Goskino USSR documentary flick.

Released , 'Kino-Pravda No. 23: Radio Pravda' stars The movie has a runtime of about 20 min, and received a user score of 54 (out of 100) on TMDb, which put together reviews from 13 knowledgeable users.

Want to know what the movie's about? Here's the plot: "Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry." .

Kino-Pravda

Between 1922 and 1925, a total of 23 issues of Dziga Vertov’s newsreel series KINO-PRAVDA (KINO-TRUTH) appeared (albeit irregularly and in very few copies). Vertov’s goal was to create a kind of ‘screen newspaper’; the title is a tribute to the newspaper Pravda founded by Lenin. Just like the KINONEDELJA (KINO-WEEK) newsreel series (1918-19), the KINO-PRAVDA issues offer a fascinating insight into the early Soviet Union and demonstrate the rapid development of Vertov’s film language. The 22 surviving issues (No. 12 is lost) have been digitized and subtitled in German and English by the Austrian Film Museum.