Keanu Reeves

Keanu Reeves
Birthday
September 2nd, 1964
From
Beirut, Lebanon
Actor

Keanu Reeves Highlights

Outcome - Reef Hawk: Nobody’s Favorite Clip
Outcome - Keanu Reeves, Matt Bomer, Cameron Diaz and Jonah Hill at the World Premiere
Outcome - Everyone Knows Reef Hawk Clip
Outcome - There’s a Video Clip
Outcome - Keanu Reeves as Reef Hawk
Outcome - Keanu Reeves as Reef Hawk
Outcome - Keanu Reeves and David Spade
Outcome - Keanu Reeves and Martin Scorsese
Outcome - Susan Lucci and Keanu Reeves
Outcome - Laverne Cox, Jonah Hill and Keanu Reeves
Outcome - Keanu Reeves and Jonah Hill
Outcome - Keanu Reeves, Cameron Diaz and Matt Bomer
Outcome - Keanu Reeves as Reef Hawk
Good Fortune - Keanu Reeves, Sandra Oh and Aziz Ansari at the New York Premiere

Keanu Reeves Biography

Keanu Charles Reeves is a Canadian actor. Reeves is known for his roles in Bill & Ted's Excellent Adventure, Speed, Point Break, and The Matrix franchise as Neo. He has collaborated with major directors such as Stephen Frears (in the 1988 period drama Dangerous Liaisons); Gus Van Sant (in the 1991 independent film My Own Private Idaho); and Bernardo Bertolucci (in the 1993 film Little Buddha).

Referring to his 1991 film releases, The New York Times' critic, Janet Maslin, praised Reeves' versatility, saying that he "displays considerable discipline and range. He moves easily between the buttoned-down demeanor that suits a police procedural story and the loose-jointed manner of his comic roles." A repeated theme in roles he has portrayed is that of saving the world, including the characters of Ted Logan, Buddha, Neo, Johnny Mnemonic, John Constantine and Klaatu.

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Keanu Reeves Movies

Keanu Reeves TV Shows

Keanu Reeves Quotes

Concern and Family Dynamics in Dialogue

Simon Wyler: Where's your brother?
Alex Wyler: I sent him away. He wasn't feeling well. You know how he is, he worries.
Simon Wyler: Yeah, I know. He gets that from your mother, I'm afraid. She always worried too much.
Alex Wyler: [looks at architectural plans] What are you looking at?
Simon Wyler: Hmm? Oh, yeah, here, take a gander. It's a proposal for a museum.
Alex Wyler: Who is it?
Simon Wyler: Someone new.
Alex Wyler: Oh, I like the walkways, where the light falls. What are the materials?
Simon Wyler: Granite. Aluminum.
Alex Wyler: White panels are straight out of Meier... but the interior color coming through the front windows, that's different. It's not new, but it's clean, uncluttered. I like it.
Simon Wyler: When was the last time you were in Barcelona?
Alex Wyler: Years ago, with you, Mom and Henry.
Simon Wyler: Do you remember visiting Casa de la Caritat?
Alex Wyler: The almshouse.
Simon Wyler: That's right. You mentioned Meier. His Barcelona museum stands in the same area as Casa de la Caritat. It drinks the same light. Meier designed a series of louvered skylights to capture that light and cast it inward to illuminate the art within, but indirectly. And, that was important, because although light enhances art, it can also degrade it. But, you know all that already, you son of a gun. Now, this... where do you suppose this is to be built?
Alex Wyler: I have no idea.
Simon Wyler: Oh, but you said you liked it.
Alex Wyler: Conceptually.
Simon Wyler: Now, come on. You know as well as I do that the light in Barcelona is quite different from the light in Tokyo. And, the light in Tokyo is different from that in Prague. A truly great structure, one that is meant to stand the tests of time never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature. He must be captivated by the light. Always the light. Always.

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