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About
New York City’s bridges dissolve into shifting abstractions through montage, superimposition, and color. Set to an electronic score by Louis and Bebe Barron, the film transforms familiar urban structures into an uncanny, alien landscape (an alternate version of the film features a jazz score by Teo Macero).
Theatrical
Dec 16, 1958
Keywords
Bridges-Go-Round Collection
Set of experimental films by Shirley Clarke, visualizing New York City.
