60
Early on Ugo Ulive with his short film Como el Uruguay no hay 1960 seeks to raise awareness and involve the viewer in political action and its radical transformation Through a collage of animations archival footage and a counterpoint sound montage Ulive attacks traditional leftwing and rightwing politics and exposes the contradictions of a pillar of national identity Uruguays famous democracy Note that we are in 1960 and while the voice over presents Montevideo as a small agitated city the images show a tense scenario with social protests and a politicized urban space with the presence of mounted police
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