Empreinte

This birth of the human silhouette metonymically takes us back to the origins of cinema to Marey or Muybridges precinema Baért with his model wanted to refind the dancer Loie Fullers aerial movements such as one can see in Fire Dance 1901 This research for origins continues with the malleability of the imprints of the dancer and the circulation of materials and lights Imprint plays from the point of view of form with the material the identity the hybridization between film and skin material and light towards the constitution of a new organism where skin and celluloid acquire an even esthetical status a true melting pot of malleable images and thoughts