Hermitage

Hermitage defined by Bene as a rehearsal for lenses beyond any literal rendition its narrative trace comes from one of his antinovels Credito Italiano VERDI displays his immediate attitude to thinking a cinematic language completely based on actors movements and actions and more specifically on his presence and his schemes Camouflaged or naked still or moving his body seems to play and be played at the same time shifted by objective and subjective tensions both metaphorically and visually speaking