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An experiment with 'anti-language' in detail (in composition, in changing plans, in exposition, etc.). Proof that the general rhythm and those miraculous 'pixels' that are not seen in the projection really mean a lot, if not everything.
An experiment with 'anti-language' in detail (in composition, in changing plans, in exposition, etc.). Proof that the general rhythm and those miraculous 'pixels' that are not seen in the projection really mean a lot, if not everything.
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