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Komal Gandhar

Komal GandharCast and Crew

Movie"A Soft Note on a Sharp Scale"

Cast

S
Supriya Choudhury
as Ansuya
A
Abanish Banerjee
as Bhrigu
A
Anil Chatterjee
as Rishi
S
Satindra Bhattacharya
as Shibnath
G
Gita Dey
as Shanta
G
Gyanesh Mukhopadhyay
as Debu Bose
B
Bijon Bhattacharya
as Gagan
M
Mantu Ghosh
D
Dwiju Bhawal
S
Satyabrata Chattopadhyay
as Prabhat
N
Nirmal Ghosh
A
Arun Mukherjee
T
Tilottama Bandyopadhyay
A
Arun Chowdhury
D
Devi Neogy
M
Mohammed Israil
K
Ketaki Dutta
M
Mani Srimani
as Speaker
S
Sunil Bhattachaya
N
Nripen Lahiri
S
Sunit Mukherjee
S
Sumita Dasgupta
N
Narayan Dhar
D
Debabrata Biswas
A
Abhi Bhattacharya
S
Salil Choudhury
C
Chitra Sen

Crew

R
Ritwik Ghatak
Screenplay
D
Dilip Ranjan Mukhopadhyay
Director of Photography
R
Ravi Chatterjee
Art Direction
B
Basir Ahmed
Makeup Artist
S
Subodh Das
Set Decoration
R
Ritwik Ghatak
Director
M
Manotosh Roy
Makeup Artist
J
Jyotirindra Moitra
Original Music Composer
R
Ritwik Ghatak
Producer
B
Barju Mohanty
Art Department Assistant
M
Mrinal Guhathakurta
Sound Recordist
R
Ramesh Joshi
Editor
S
Suresh Chandra Chandra
Art Department Assistant
S
Shailen Ghosh
Production Manager
C
Chhedilal Sharma
Art Department Assistant
P
Patito Mondal
Production Manager
D
Debesh Ghosh
Sound Recordist
P
Punu Sen
Second Unit
G
Govinda Chatterjee
Editorial Production Assistant
N
Nitai Basu
Title Graphics
P
Prabhas Bhattacharya
Lighting Camera
S
Sujit Sarkar
Sound Recordist
A
Ajit Lahiri
Producer

Partition Trilogy

Ritwik Ghatak was averse to the term “refugee problem”. In one of his interviews, he said, “I have tackled the refugee problem, as you have used the term, not as a ‘refugee’ problem. To me it was the division of a culture, and I was shocked”. This shock would give birth to a trilogy on the Partition – Meghe Dhaka Tara (The Cloud-Capped Star), 1960; Komal Gandhar (E-Flat), 1961; and Subarnarekha (The Golden Thread), 1962. In them, he highlighted the insecurity and anxiety engendered by the homelessness of the refugees of Bengal; tried to convey how Partition struck at the roots of Bengali culture; and sought to express the nostalgia and yearning that many Bengalis felt for their pre-Partition way of life.