Messiah (1999)

Filmmaker William Klein takes on Handels Messiah and has created a concert film that mixes the sacred with the profane Performed in its entirety the oratorio provides a narrative of Christs nativity passion and resurrection juxtaposed against images of absurdities and abuses against the human species across the world The film reveals a wide array of worshippers from the Bodybuilders of Christ to the Lavender Light Gay and Lesbian Interracial Choir to the Dallas police choir