Metamorphic

It is well known that the disposition of the images drawn by Escher are neither for animation nor for preanimation actually quite the opposite His images appear to be the carrying out of metamorphic dissolves A bird gives way to the recognition of a house which turns into fish which turns into birds and so on Not a single flapping of wings takes place everything is reiterated and fixed becoming immersed in and reemerging from a static continuum All of Escher is an homage to one of the major animating forces of the cinema the crossdissolve Precisely there I found cinematic attitudes in the house which turns into fish and in everything that transforms into something else I gradually managed to figure out various types of nonexistent sequences and then finally found myself dissolved crossing over metamorphically PG