About
Orbital Squares by the media art collective Moojin Brothers points to deeper understandings of a cultural and political moment unfolding despite and because of human intervention As elusive as it is utterly gripping the film juxtaposes and intersperses three scenes A snails movements tentative curious on a grooved mound of clay are contrasted against the powerful rhythms of a horserace shot at 240 frames per second both of these are bookended by a shadowy display of a living sculptural humanoid seemingly tormented by a weblike concoction of thread and nails fully enveloping its head as a soundscape of terror and flickering embers unfolds
Theaters
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