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About
In Our Nazi we are plunged into a situation we barely and only slowly understand the filming of Thomas Harlans experimental feature Wundkanal 1984 in which truelife exSS officer Alfred Filbert now very old is put on trial for the camera without him suspecting what is to come or why he is really there Kramers confronting film is an essay about the sticky complicity of everyone present at this event each bringing their own history their own political ideology their own desires to take revenge to seek redemption or compassion or just to put their heads down and get the job done professionally or in the case of Filbert to be a star a part of the magnificent magical seductive world of cinema even if it kills him
