Peeping Tom poster

Peeping Tom Quotes

"What made this the most diabolical murder weapon ever used?"

NR 1961 · 1h 41m
75
Audience
75
Audience
14 quotes
A Request for Cinematic Experience
Mrs. Stephens Take me to your cinema.
The Nature of Fear and Anticipation
Vivian What would frighten me to death? Oh, set the mood for me, Mark.
Mark Imagine... someone coming towards you... who wants to kill you... regardless of the consequences.
Vivian A madman?
Mark Yes. But he knows it, and you don't. And just to kill you isn't enough for him. Stay there, Viv. You're just right.
Vivian But I can't imagine what you've thought of.
Mark Imagine... this would be one of his weapon.
[he opens the tripod of his movie camera]
The Fleeting Nature of Time
Mark The lights fade too soon!
Mrs. Stephens They always do.
The Psychology of Scoptophilia Explained
Mark I-I don't remember what he called it, but it has something to do with what... what causes people to be Peeping Toms.
Dr. Rosan Scoptophilia, that would interest him. Most fertile mind.
Mark Scopto...
Dr. Rosan ...philia. The morbid urge to gaze.
Character's Frustration with Scene Timing
Arthur The silly bitch! She's fainted in the wrong scene!
Trust and Perception of Character
Mrs. Stephens I don't trust a man who walks quietly.
Helen He's shy.
Mrs. Stephens His footsteps aren't. They're stealthy.
The Nature of Fear and Death
Mark Do you know what the most frightening thing in the world is? It's fear. So I did something very simple. Very simple. When they felt the spike... touching their throat, and knew I was going to kill them, I made them watch their own deaths. I made them see... their own terror as the spike went in. And if death has a face, they saw that too. But not you. I promised I'd never photograph you. Not you.
Fear and Acceptance in Peeping Tom
Mark I'm afraid. And I'm glad I'm afraid.
Unspoken Concerns Between Mother and Daughter
Mrs. Stephens Helen?
Helen Yes?
Mrs. Stephens Doesn't matter.
Helen Mother, what's worrying you?
Mrs. Stephens The price of whiskey.
Gift for the Observer in the Window
Mrs. Stephens Why don't we make him a present of that window? He practically lives there.
Helen How did you know he was there?
Mrs. Stephens The back of my neck told me. The part that I talk out of.
Reflections of Observation and Identity
Vivian Now what are you doing?
Mark Photographing you photographing me.
The Impact of Surveillance on Childhood Privacy
Helen Mark, what was he trying to do to you?
Mark Watch me grow up. He wanted a record of a growing child, complete in every detail, if such a thing were possible. And he tried to make it possible by training a camera on me at all times. I never knew the whole of my childhood one moment's privacy. And those lights in your eyes and that thing. He was interested in the reactions... of the nervous system to... to fear.
Listening to Instincts and Seeking Help
Mrs. Stephens Instinct's a wonderful thing, isn't it, Mark? A pity it can't be photographed. So, I'm listening to my instinct now. And it says all this filming isn't healthy, and that you need help.
[...]
The Loss of Captured Moments
Mark Whatever I photograph, I always lose.