Prism (2021)

For Prism Belgian filmmaker An van Dienderen invited Brusselsbased Rosine Mbakam from Cameroon and Parisbased Eléonore Yameogo from Burkina Faso to work together on a film in which the differences in their skin color serves as a departure to explore their experiences with the biased limitations of the medium Photographic media are technologically and ideologically biased favoring Caucasian skin Such whitecentricity means that the photographic media assume privilege and construct whiteness