Highlights
Thrash - When Disaster Meets the Deep Clip
Thrash
Masterplan - Teaser Trailer
Masterplan
Ladies First - Exclusive Interview
Ladies First
The Deputy - Duke Nicholson as Toby
The Deputy
Sugar Season 2 - Sugar and Wiley Clip
Sugar
The Dog Stars - Jacob Elordi as Hig
The Dog Stars
The Devil Wears Prada 2 - Runway Ready Clip
The Devil Wears Prada 2
The Odyssey - Cast at the World Premiere
The Odyssey
Outer Banks Final Season - Pogues For Life Clip
Outer Banks
Dune: Part Three - Official Poster
Dune: Part Three
Rooster - Officially Renewed for Season 2
Rooster
Unabomber - First Look at Jacob Tremblay as Ted Kaczynski
Unabomber
Ice Age: Boiling Point - Official Teaser
Ice Age: Boiling Point
Dune: Part Three - Zendaya as Chani
Dune: Part Three
TÁR

TÁR (2022) - Quotes

Audience Score
71

Parenting Perspectives in TÁR

Olga Metkina: You have a child?
Olga Metkina: I will never do that!
Lydia Tár: Pets are best for some people.

The Essence of Love in Music

Lydia Tár: [Referring to Mahler's Adagietto Symphony 5] And this piece was not born into aching tragedy. It was born into young love.
Adam Gopnik: And so you chose...
Lydia Tár: Love.
Adam Gopnik: Right, but precisely how long?
Lydia Tár: Well, seven minutes!

Conflict Between Max and Lydia Tár

Max: You're a fucking bitch.
Lydia Tár: And you are a robot.

Crocodiles in Unexpected Places

Lydia Tár: Is there something wrong with the water?
Cirio: No. There are crocodiles.
Lydia Tár: Oh. I didn't think they'd be this far inland.
Cirio: [[Marlon Brando] They escaped from a ] movie.
Lydia Tár: Wow. That was a long time ago.
Cirio: They survived.

Avoiding Unwanted Conversations with Similar Individuals

Eliot Kaplan: The last thing I need is to be buttonholed in here by someone exactly like me.

The Importance of Listener Engagement in Questions

Lydia Tár: It is always the question that involves the listener, never the answer.

Claiming Ownership in Creative Spaces

Lydia Tár: It's my score! You fucking, little nothing!

Embrace Individuality Over Conformity

Lydia Tár: There's no glory for a robot, Eliot. Do your own thing!

The Complexity of Artistic Evaluation

Lydia Tár: The problem with enrolling yourself as an ultrasonic epistemic dissident is that if Bach's talent can be reduced to his gender, birth country, religion, sexuality, and so on, then so can yours. Now, some day, Max, when you go out into the world, and you guest conduct for a major or minor orchestra, you may notice that the players have more than light bulbs and music on their stands. They will also have been handed rating sheets - the purpose of which is to rate you. Now, what kind of criteria would you hope that they use to do this? Your score reading and stick technique, or something else?

The Cost of Artistic Authenticity

Lydia Tár: You want to dance the mask, you must service the composer. You gotta sublimate yourself, your ego, and, yes, your identity. You must, in fact, stand in front of the public and God and obliterate yourself.

The Dangers of Overreacting to Differences

Lydia Tár: Don't be so eager to be offended. The narcissism of small differences leads to the most boring kind of conformity.