The Bad and the Beautiful poster

The Bad and the Beautiful Quotes

"I took you out of the gutter... I can fling you back!"

NR 1953 · 1h 58m
73
Audience
73
Audience
14 quotes
Ambition and Struggle in Pursuit of Success
Taglines The story of a blonde who wanted to go places, and a brute who got her there - the hard way!
The Art of Directing and Humility
Shields You call that directing?
Von Ellstein That is what I've been calling it for thirty-two years.
Shields Why, there are values and dimensions in that scene you haven't begun to hit.
Von Ellstein Perhaps not the values and dimensions I wish to hit. I could make this scene a climax. I could make every scene in this picture a climax. If I did, I would be a bad director. And I like to think of myself as one of the best. A picture with all climaxes is like a necklace without a string. It falls apart. You must build to the big moment and sometimes, you must build slowly. You see this picture one way, and I another. It will be done your way, but not by me, and not by any other director who respects himself. You know what you must do, Mr. Shields, so that you'll have it exactly as you want it? You must direct this picture yourself. To direct a picture, a man needs humility. Do you have humility, Mr. Shields?
Questioning Unconventional Perspectives on Relationships
Georgia Lorrison You're the first person I ever knew who began by hating him and ended up liking him. Do you always do everything backwards?
[to Bartlow, about Shields]
Love, Work, and After-Picture Blues
Shields When I work on a picture, it's like romancing a girl. You see her, you want her, you go after her. The big moment. Then, the let-down, every time, every picture, the after-picture blues.
Amiel Don't worry. Some day, you'll learn to love em and leave em.
Shields You think so?
Power and Control in Relationships
Taglines I took you out of the gutter . . . I can fling you back!
Desire for Romance Over Awards in Film
Harry Pebbel I've told you a hundred times. I don't want to win awards. Give me pictures that end with a kiss and black ink on the books.
Perception of Greatness in Men
Lila She gets to be a star. I get to park the convertible.
[about Georgia]
Gaucho Don't talk like that about Georgia - or Jonathan. He's a great man.
Lila Ha, ha. There are no great men, buster. There's only men.
Struggles with Identity and Legacy in Filmmaking
Shields The best legal counsel advised me to change my name.
Amiel Because the town thought your father was a heel?
Shields He wasn't a heel. He was the heel. Yeah, we couldn't stand living in the same town together but I liked him a lot. He made great pictures. So will I.
Amiel You haven't much to begin with.
Shields No, he brought me up to start at the top. How do you start at the bottom?
Amiel Are you, uh, gonna change your name?
Shields Change it? I'm gonna ram the name of Shields down their throats.
Collaboration Amidst Conflict in Filmmaking
Bartlow I know the legend, Jonathan Shields, the man will do anything to get what he wants...Shields Pictures Incorporated. Well, I'm flattered you want me, and bitter you got me. Where do I start?
Shields Just read these scripts, see how it's done, rough out a story line, and then we'll get to work. And don't worry, some of the best movies are made by people working together who hate each other's guts.
Bartlow Then we should make a great movie.
Shields I usually do.
Bartlow What about your last two?
Shields I like em.
Love and Marriage Perspectives in Conversation
Shields Georgia, love is for the very young.
Georgia For the very young. I like that. Would you marry me, Jonathan?
Shields Not even a little bit.
Georgia That's too bad.
Shields Why?
Georgia Because I'd make you a good wife.
Shields Well, right now, I don't need a wife. I need a star.
A Party Without Company
Georgia Well, you wouldn't come to my party, so I brought my party to you. Jonathan, it was so wonderful. Everything you wanted for me just as you promised. They applauded and cheered, and they oohh-ed and aahh-ed.
Shields Georgia, go back and enjoy it.
Georgia But there's no one to enjoy it with.
Shields Why that's silly! Everybody in town is fighting with each other to be near the new star.
Georgia You know what I mean, Jonathan.
Shields Georgia, I have to be alone tonight. After a picture is finished, something happens to me. It's a feeling of letdown, emptiness. It's bad. It gets worse. I can't help it.
Georgia I know, Syd and Harry have told me about that. Oh, but tonight.
Shields I will only depress you. I want you to go back, now. You've got bows to take. Take them.
Georgia Darling, I was afraid you might be angry or resent my coming here, but - but I had to take that chance. Why, right in the middle of everything, suddenly I knew one thing so clearly, the party's where you are. Depressed, or gay, or angry, or tender, or in any of your moods, I know them all.
Shields Georgia.
Georgia Oh, let's have our party, darling. We've got so much to celebrate. We'll ice the champagne, we'll light the fire, and we'll put on the records and dance, and I'll help you pull yourself out of this - the way you helped me. Oh, give me that chance, darling, please! Please don't shut me out. Please!
[She hugs him]
Lila I thought you said you were gonna get rid of her quick.
Shields Now will you go back to your party?
[to Georgia]
Lila The picture's finished, Georgia. You're business. I'm company.
Shields Shut up! Shut up and get back upstairs.
[to Lila]
Lila All right. I forgot to tell you, Georgia, I saw the picture. Thought you were swell.
Shields Stop looking like that. Remember, I didn't ask you here. You couldn't stay where you belong, could you? You couldn't enjoy what I made possible for you. No. You'd rather have this. Well, congratulations, you've got it all laid out for you so you can wallow in pity for yourself. The betrayed woman. The wounded doe with all the drivel that goes with it going through your mind right now. Oh, he doesn't love me at all. He was lying. All those lovely moments, those tender words. He's lying. He's cheap and cruel. That low-woman Lila. Well, maybe I like Lilas. Maybe I like to be cheap once in a while. Maybe everybody does, or don't you remember? Get that look off your face! Who gave you the right to dig into me and turn me inside out and decide what I'm like. How do you know how I feel about you, how deep it goes? Maybe I don't want anybody to own me. You or anybody. Get out! Get out! Get out!
[She recoils; He grabs her by the hair]
Struggles with Identity and Legacy
Georgia I'm one girl who doesn't want to be a star.
Shields Make up your mind. You hate him and you build this shrine to him. He died over ten years ago and you've been holding your own private wake ever since. You can't be a star in a cemetery... Because he was a drunk, you're a drunk. Because he loved women, you're a tramp. But you forget one thing. He did it with style.
Georgia Don't waste any sleep over me, Mr. Shields. The last time I tried to commit suicide was six months ago. There won't be any next time...People who knew my father give me extra work and a line to say now and then. I drink what I want, sleep where I want. Who knows? Some day, I may even get married to a nice, upright assistant assistant.
Shields And make him miserable for the rest of his life because you're a Lorrison, haunted, born to live by make-believe. Look at you. You're acting now, playing the doomed daughter of the great man. Well, let me tell you something. The acting isn't good enough. It's a cheap performance of a bit player, not a star. And that's all it'll ever be until you can pull yourself out of this tomb. Until you can see people as they really are, yourself as you really are, until you can do this to your father's picture, , and laugh the way he would have laughed. That's not a God talking, Georgia, that's only a man.
[he draws a mustache on a profiled picture of her father]
Negotiation and Regret in Creative Relationships
Shields If you put me on, say at $300 a week, I could pay you off slowly but surely, $6,351 dollars.
Pebbel You think you blackmailed me...Well, get this, my unit turns out 18 pictures a year. I cry for ideas. If you'd have sweat out a story for me the way you sweat out losing that $6,351 dollars, I'd have hired you anyway. Why didn't you come to me in the first place? What are you, proud?
Shields I tried to see you, Harry. I couldn't get in.
Pebbel Do you know who gave me my first job?
Shields My father.
Pebbel Yes, and you're just like him, got to angle everything the cute way.
Shields Look, I'll pay you off a hundred a week.
Pebbel I wouldn't take a dime. Just bring me a picture I can shoot, genius boy.
Shields You're all right, Harry. One day, you'll work for me.
The Allure of Jonathan's Charismatic Presence
Fred Amiel Jonathan is more than a man. He's an experience, and he's habit-forming. If they could ever bottle him, he'd out-sell Ginger Ale.