The Feature

The Feature does not reconcile fact and fiction instead it blurs the definitions seemingly represented by the films two clearly demarcated registers that of the archival footage and that of the new theatrical material In his guise as Michel Auder living a fulsome and extravagant life replete with beautiful women and a rockcut pool overlooking Los Angeles the art world is revealed as a sham and his character exhibits a repulsive narcissism And yet when caught in quiet moments something poignant emergesa glimmer of truth that rebels against the entire endeavour Or maybe thats what makes The Feature