The Great Gatsby (2013)

The Great Gatsby (2013)
Midwest native Nick Carraway (Tobey Maguire) arrives in 1922 New York in search of the American dream. Nick, a would-be writer, moves in next-door to millionaire Jay Gatsby (Leonardo DiCaprio) and across the bay from his cousin Daisy (Carey Mulligan) and her philandering husband, Tom (Joel Edgerton). Thus, Nick becomes drawn into the captivating world of the wealthy and -- as he bears witness to their illusions and deceits -- pens a tale of impossible love, dreams, and tragedy.
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Release Date: May 10th, 2013

DVD Release Date: August 27th, 2013

PG-13 |2 hr 22 min

Plot Summary

Midwest native Nick Carraway (Tobey Maguire) arrives in 1922 New York in search of the American dream. Nick, a would-be writer, moves in next-door to millionaire Jay Gatsby (Leonardo DiCaprio) and across the bay from his cousin Daisy (Carey Mulligan) and her philandering husband, Tom (Joel Edgerton). Thus, Nick becomes drawn into the captivating world of the wealthy and -- as he bears witness to their illusions and deceits -- pens a tale of impossible love, dreams, and tragedy.

Cast: Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher, Jason Clarke, Amitabh Bachchan, Elizabeth Debicki

Director: Baz Luhrmann

Genres: Drama

Production Co: Bazmark Films, Red Wagon Entertainment

Distributors: Warner Bros. Pictures

Keywords: Husband , Forbidden love , Fall , Murder , Car ,

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Ratings & Reviews

50
Steven ReaPhiladelphia Inquirer
There are so many things wrong with Luhrmann's Great Gatsby - the filmmaker's attention-deficit-disorder approach, the anachronistic convergence of hip-hop and swing, the choppy elision of Fitzgerald's plot, the jarring collision of Jazz Age cool and Millennial cluelessness. But at the crux of things, the problem is that it's impossible to care. show more
70
Todd McCarthyThe Hollywood Reporter
No matter how frenzied and elaborate and sometimes distracting his technique may be, Luhrmann's personal connection and commitment to the material remains palpable, which makes for a film that, most of the time, feels vibrantly alive while remaining quite faithful to the spirit, if not the letter or the tone, of its source. show more
30
Joe MorgensternWall Street Journal
What's intractably wrong with the film is that there's no reality to heighten; it's a spectacle in search of a soul. show more