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Using his original 8mm films but blowing them up to 16mm he created a collage of images that became his fourpart film DÄMONISCHE LEINWAND The Haunted Screen 1969 quoting Lotte Eisners famous study of Weimar cinema in its title
Using his original 8mm films but blowing them up to 16mm he created a collage of images that became his fourpart film DÄMONISCHE LEINWAND The Haunted Screen 1969 quoting Lotte Eisners famous study of Weimar cinema in its title
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