The Power of Hate in Action
Taglines:
He's a Killer When He Hates!
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Quick-Witted and Quick on the Draw
Taglines:
He's as fast on the draw as he is in the drawing room!
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Conscience and Heart in Human Nature
Taglines:
A guy without a conscience! A dame without a heart!
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Explosive Story with Blazing Automatics
Taglines:
A story as explosive as his blazing automatics!
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The Weight of Dreams Explained
Polhaus: [lifting the fake falcon]
It's heavy. What is it?
Spade:
The, uh, stuff that dreams are made of.
Polhous:
Huh?
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Unraveling Trust in a Troubled Relationship
Spade:
Well, if you get a good break, you'll be out of Tehachapi in 20 years and you can come back to me then. I hope they don't hang you, precious, by that sweet neck...Yes, angel, I'm gonna send you over. The chances are you'll get off with life. That means if you're a good girl, you'll be out in 20 years. I'll be waiting for you. If they hang you, I'll always remember you.
Brigid:
Don't, Sam. Don't say it even in fun. Ha, ha, ha. Oh, I was frightened for a minute. I really thought...You do such wild and unpredictable things.
Spade:
Don't be silly. You're taking the fall.
Brigid:
You've been playing with me. Just pretending you care to trap me like this. You didn't care at all. You don't love me!
Spade:
I won't play the sap for you!
Brigid:
Oh you know it's not like that. You can't say that.
Spade:
You ever fight square with me for half an hour at a stretch since I've known you?
Brigid:
You know down deep in your heart and in spite of anything I've done I love you.
Spade:
I don't care who loves who! I won't play the sap for you. I won't walk in Thursby's - and I don't know how many other's - footsteps. You killed Miles and you're going over for it.
Brigid: [crying]
How can you do this to me, Sam? Surely, Mr. Archer wasn't so much to you as...
Spade:
When a man's partner's killed, he's supposed to do something about it. It doesn't make any difference what you thought of him, he was your partner, and you're supposed to do something about it. And it happens we're in the detective business. Well, when one of your organization gets killed, it's - it's bad business to let the killer get away with it. Bad all around. Bad for every detective everywhere.
Brigid:
You don't expect me to think that these things you're saying are sufficient reasons for sending me to the...
Spade: [interrupting]
Wait'll I'm through. Then you can talk. I've no earthly reason to think I can trust you, and, if I do this and get away with it, you'll have something on me that you can use whenever you want to. Since I've got something on you, I couldn't be sure that you wouldn't put a hole in me some day. All those are on one side. Maybe some of them are unimportant – I won't argue about that – but look at the number of them. And what have we got on the other side? All we've got is that maybe you love me and maybe I love you.
Brigid:
You know whether you love me or not.
Spade:
Maybe I do. Well, I'll have some rotten nights after I've sent you over, but that will pass. If all I've said doesn't mean anything to you, then forget it and we'll make it just this: I won't because all of me wants to, regardless of consequences, and because you counted on that with me the same as you counted on that with all the others. Don't be too sure I'm as crooked as I'm supposed to be. That sort of reputation might be good business, bringing high-priced jobs and making it easier to deal with the enemy, but a lot more money would have been one more item on your side of the scale.
Brigid:
If you'd loved me, you wouldn't have needed any more on that side.
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Negotiating Power and Threats in Conflict
Spade:
If you kill me, how are you gonna get the bird? And if I know you can't afford to kill me, how are you gonna scare me into giving it to you?
Gutman:
Well, sir, there are other means of persuasion besides killing and threatening to kill.
Spade:
Yes, that's, that's true. But - they're none of em any good unless the threat of death is behind them - do you see what I mean? If you start something, I'll make it a matter of your having to kill me or call it off.
Gutman: [chuckling]
That's an attitude, sir, that calls for the most delicate judgment on both sides. Cause as you know, sir, in the heat of action, men are likely to forget where their best interests lie and that their emotions carry them away.
Spade:
Then the trick from my angle is to make my play strong enough to tie you up, but not make you mad enough to bump me off against your better judgment.
Gutman:
By gad, sir, you are a character.
Spade: [To Wilmer; To Gutman]
Six, two and even, they're selling you out, sonny. I hope you're not letting yourself be influenced by the guns these pocket-edition desperados are waving around, because I've practiced taking guns away from these boys before so we'll have no trouble there.
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Astonishing Characters in High-Stakes Dialogue
Spade:
I'm in this up to my neck, Gutman. I've got to find somebody - a victim - when the time comes. If I don't, I'll be it. Let's give em the gunsel. He actually did shoot Thursby and Jacobi, didn't he? Anyway, he's made to order for the part, look at him. Let's give him to em.
Gutman: [laughing]
By gad, sir, you are a character, that you are. There's never any telling what you'll say or do next, except that it's bound to be something astonishing.
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The Value of the Maltese Falcon
Spade:
Are you ready to make the first payment, and take the falcon off my hands?
Spade:
Ten thousand? We were talking about a lot more money than this.
Gutman:
Yes sir, we were, but this is genuine coin of the realm. With a dollar of this, you can buy ten dollars of talk. And they're more of us to be taken care of now.
Spade:
That may be, but I've got the falcon.
Cairo:
You may have the falcon, but we certainly have you.
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The Price of Deception and Threats
Wilmer:
Keep on riding me and they're gonna be picking iron out of your liver.
Spade: [laughs]
The cheaper the crook, the gaudier the patter.
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Trust and Communication in Dialogue
Gutman: [They drink.]
We begin well, sir. I distrust a man who says "when". If he's got to be careful not to drink too much, it's because he's not to be trusted when he does. Well, sir, here's to plain speaking and clear understanding. You're a close-mouthed man.
Spade:
No, I like to talk.
Gutman:
Better and better. I distrust a close-mouthed man. He generally picks the wrong time to talk and says the wrong things. Talking's something you can't do judiciously unless you keep in practice. Now, sir, we'll talk if you like. I'll tell you right out - I'm a man who likes talking to a man who likes to talk.
Spade:
Swell. Will we talk about the black bird?
Gutman: [chuckling]
You're the man for me, sir. No beating about the bush, right to the point. Let's talk about the black bird, by all means. But first, answer me a question. Are you here as Miss O'Shaughnessy's representative?
Spade:
Well, there's nothing certain either way. It depends.
Gutman:
It depends on? Maybe it depends on Joel Cairo.
Spade:
Maybe.
Gutman:
The question is, then, which you represent. It'll be one or the other.
Spade:
I didn't say so.
Gutman:
Who else is there?
Spade:
There's me.
Gutman:
Ah. That's wonderful sir, wonderful. I do like a man who tells you right out he's looking out for himself. Don't we all? I don't trust a man who says he's not.
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Uncomfortable Conversations About Trust and Deceit
Spade:
Let's go someplace where we can talk.
Cairo:
No, no, no. Our private conversations have not been such that I'm anxious to continue them. Forgive my speaking so bluntly, but it is the truth.
Spade:
You mean last night? What else could I do? I had to throw in with her. I don't know where the bird is and neither do you. She does. How are we gonna get it if I don't play along with her?
Cairo:
You always have a very smooth explanation...
Spade:
What do you want me to do - learn to stutter?
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The Burden of Deception and Truth
Spade: [smiling]
You are a liar.
Brigid:
I am. I've always been a liar.
Spade:
Don't brag about it. Was there any truth at all in that yarn?
Brigid:
Some...not very much...Oh, I'm - I'm so tired, so tired of lying and making up lies, not knowing what is a lie and what's the truth.
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Trust and Loyalty in Relationships
Brigid:
It's more than I can ever offer you if I have to bid for your loyalty.
Spade:
That's good coming from you. What have you ever given me beside money? Have you ever given me any of your confidence, any of the truth? Haven't you tried to buy my loyalty with money and nothing else?
Brigid:
What else is there I can buy you with?
Spade:
I don't care what your secrets are. But I can't go ahead without more confidence in you than I've got now. You've got to convince me that you know what this is all about, that you aren't just fiddling around, hoping that it will all come out right in the end.
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Deceptive Appearances and Hidden Truths
Spade:
You, uh - you aren't exactly the sort of a person you pretend to be, are ya?
Brigid:
I'm not sure I know exactly what you mean.
Spade:
The schoolgirl manner, you know, blushing, stammering, and all that.
Brigid:
I haven't lived a good life - I've been bad, worse than you could know.
Spade:
That's good, because if you actually were as innocent as you pretend to be, we'd never get anywhere.
Brigid:
I won't be innocent.
Spade:
Good.
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Trust and Deceit in Desperate Times
Brigid:
You've got to trust me, Mr. Spade. Oh, I'm so alone and afraid. I've got nobody to help me if you won't help me. Be generous, Mr. Spade. You're brave. You're strong. You can spare me some of that courage and strength surely. Help me, Mr. Spade. I need help so badly. I've no right to ask you, I know I haven't, but I do ask you. Help me.
Spade:
You won't need much of anybody's help. You're good. It's chiefly your eyes, I think, and that throb you get in your voice when you say things like "Be generous, Mr. Spade.
Brigid:
I deserve that. But the lie was in the way I said it. Not at all in what I said. It's my own fault if you can't believe me now.
Spade: [smiling]
Now you are dangerous.
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A Confession of a Troubled Life
Brigid O'Shaughnessy:
I haven’t lived a good life—I’ve been bad.
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Confession of a Deceiver
Brigid O'Shaughnessy:
I’ve always been a liar.
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Frustration and Blame in a Heated Moment
Joel Cairo: [to Kasper Gutman]
You! It’s you who bungled it! You and your stupid attempt to buy it! You ... you imbecile! You bloated idiot! You stupid fat-head, you!
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The Illusion of Value and Authenticity
Kasper Gutman:
Fake! It’s a phony! It—it’s lead! It’s lead! It’s a fake!
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Value of Possessions Over Relationships
Kasper Gutman:
Well, Wilmer, I'm sorry indeed to lose you, but I want you to know I couldn't be fonder of you if you were my own son. Well, if you lose a son, it's possible to get another. There's only one Maltese falcon. When you're young, you simply don't understand these things.
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Confidence in one's own abilities
Sam Spade: [to Brigid O'Shaughnessy]
You won’t need much of anybody’s help. You’re good. It’s chiefly your eyes, I think, and that throb you get in your voice when you say things like ‘Be generous, Mr. Spade.’
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Recognition of Skill and Competence
Sam Spade: [to Brigid O'Shaughnessy; [lying|very good]
You’re good. You’re ].
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Confronting Reality in a Dangerous Situation
Sam Spade: [to Brigid O'Shaughnessy]
This isn’t the spot for the school girl act. The pair of us are sitting under the gallows.
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Experience and Foolishness in Detection
Sam Spade: [to Brigid O'Shaughnessy; Long pause, then, slowly]
Miles hadn't many brains, but he had too many years of experience as a detective to be caught like that, by a man he was shadowing, up a blind alley with his gun tucked away in his hip and his overcoat buttoned. But he would have gone up there with you, Angel. He was just dumb enough for that. He'd have looked you up and down and licked his lips and gone, grinning from ear to ear.
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Acknowledgment of Character Strength
Sam Spade: [to Effie Perine]
You're a good man, sister.
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Acceptance of Consequences in Adversity
Sam Spade: [to Cairo]
When you're slapped, you'll take it and like it.
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Caution in Front of Authority Figures
Sam Spade:
My guess might be excellent or it might be crummy, but Mrs. Spade didn't raise any children dippy enough to make guesses in front of a district attorney, and an assistant district attorney, and a stenographer.
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Trust and Money in Deception
Sam Spade:
We didn't exactly believe your story, Miss O'Shaughnessy; we believed your two hundred dollars...I mean, you paid us more than if you'd been telling us the truth, and enough more to make it all right.
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