The Sound Is Innocent

As if directing a sciencefiction film Johana Ožvold dissects the story of electronic music From the pioneer sound engineers working behind the Iron Curtain through the French avantgarde composers up to the postmodern creators of digital sonic artefacts the firsttime filmmaker summons an abstract landscape that is haunting and yet achingly beautiful A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multilayered way