Even if the story grates in places, Laurence Anyways is perfectly enjoyable as an immersive orgy of pure sensory pleasure. show more
Laurence Anyways flows naturally, both thematically and stylistically, from Dolan's previous movies; here, though, he succeeds more than ever at incorporating his visual idiosyncrasies into the narrative. In "I Killed My Mother" and even more so in "Heartbeats," the director's long slow-motion sequences and overbearing, eclectic soundtracks could feel like crutches, overused particularly during characters' moments of vulnerability. show more
It takes cojones for a filmmaker to chase Fassbinder's ghost, but it takes heart and talent to damn near catch up with it. show more
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