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Viewer Score

63
Viewer score based on 625 votes.

Critic Score

49
Critics' score based on 33 reviews.
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Your Reviews

I loved the movie. The main character, Guido lives through his internal mirage of sensations and visions, he allows his inner experience to create a... wall around him, shielding him from the pain and from the emotional experience of the people that surrounds him in the outer world. He can't resist surrendering to the creations of his mental and emotional inner experience, leaving everyone that loves him or needs him behind. The question here is, is he wrong or is he right? If he is so lucky as to have a rich soul that demands all of his consciousness, should we blame him for that ? isn't that the very thing that makes him so irresistible? should we just pity the unsuspecting women that fall under his spell unaware that he will never see them as they see them? He does appreciate their beauty and their souls, but his loyalty remains with the call of his own soul. A much more powerful and alluring mistress that tolerates no competition. The visuals are stunning and the music is great, I would love to see a classic myth brought about in this style by the director of Nine. Full Review

May 08,2011
wh00000000090504

NINE, it's celebration of being woman that's for every women like us so celebrate ourselves!

September 14,2010
PHPoling

You really have to pay attention on how the movie is interpreted by the songs the women sing, and then you're in. Kate Hudson, in partincular, did... n extraordinary performance. Who knew? Especially, if you rent it, then you can see the actual recordings and see the extraordinary work and peerformances, and the meaning behind the songs. This is not just a movie for ******************* a story that's told really well through song and dance. I rented it and watched it over and over again. The more I watched it, the more I was enthralled. This isn't AVATAR (basically popular bacause of special effects). This is a really good story told really well through music. I think it's right up there with "Fiddler on the Roof." Full Review

August 21,2010
airbanas211@hotmail.com

The movie Nine is based on Frederico Fellini's life, as it is a remake of 8/12 (9 follows 8 1/2). This remake is a musical version and departs from 8... 1/2 in many ways, but is essentially the same. I think it is better than 8 1/2. Fellini made one great film - La Strada. Most of his more celebrated films attracted and exploited viewer interest by using bizarre characters or situations, like rock stars who dress in strange ways (KISS). Cheap theatrics. I believe Nine is better than 8 1/2 was. Fellini was a passionate, self-centered film maker who experienced early success, married Giulietta Masina, who starred in his early films, and made her life miserable with his selfish pleasure pursuits and time spent away from her in film making. This inability to balance his priorities led to disorganization and a lack of focus in his life from which he never fully recovered in elevating his work. 8 1/2 tells this story, but Nine tells it better. Unless you like musicals this film is not for you, in spite of a great cast, excellent performances, songs, and dances, and highly skilled direction. Full Review

July 04,2010
drarthurwells

This movie could have been better. I felt like I paid to watch a made for T.V. movie.

February 14,2010
Leone4791
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Critic Reviews

Sophisticated, sexy and stylishly decked out, Rob Marshall's disciplined, tightly focused film impresses and amuses.Full Review

Todd McCarthy
Variety

The carnival is loud, brash, brassy, sexy and sometimes tacky or silly, but always entertaining.Full Review

Joe Morgenstern
Wall Street Journal

Rob Marshall's flawed but frequently dazzling Nine is a hot-blooded musical fantasia full of song, dance, raging emotion and simmering sexuality.Full Review

Peter Travers
Rolling Stone

Despite following its stage inspiration and bringing structure to Fellini's "8 1/2" (the ultimate source material), Nine still suffers at times from a lack of narrative drive and it doesn't have the surreal, dreamlike quality of "8 1/2" to fall back upon.Full Review

James Berardinelli
ReelViews

This kind of movie is superfluous yet strangely compelling. We don't need to see Daniel Day-Lewis and Nicole Kidman sing a duet next to a Roman fountain any more than we need to see an elephant pirouette in a tutu, but wouldn't you be crazy to pass up the opportunity to see either?Full Review

Dana Stevens
Slate
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