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Imagine watching Otto Preminger's equally silly 1960 "Exodus" now and you'll have O Jerusalem, minus Paul Newman's blue-eyed wink.Full Review
What is evident from the film is that there was never any chance these two peoples could make a peaceful coexistence.Full Review
Features some first-rate cinematography and solid acting, but absolutely no sense of emotional boundaries.Full Review
Alas, it aspires to be an epic drama but suffers from an acute identity crisis: It can't decide if it wants to be history, drama, or a cry for peace in the Mideast.Full Review
