Bill SkarsgårdQuotes

Bill Skarsgård
Birthday
August 9th, 1990
From
Vällingby, Sweden
Actor

Boy Kills World - Disguise and Understanding in Conversation

Boy: That's not a very good disguise. Butterflies don't exactly blend in.
Mina: Exactly. I'll stand out more.
Boy: I don't think you know how disguises work.
Mina: I don't think you know how butterflies work.

The Crow - Confrontation Over Past Choices and Consequences

Vincent: [''In Crow purgatory''] What is this place?
Eric: This is the place where it all ends. Where you pay for what you did to her... to all of them. Are you scared? You should be.
Vincent: [''After fighting, he was held in a puddle that was a portal to an ocean''] Oh, you stupid boy. Is this what you want?! You think she’s worth it?! All this?! Eternal hell?! For what?! For some fucking whore?! You have no idea what hell awaits you!
Eric: [''The demons start to scratch Vincent's face and pull him underwater''] Yeah, I do!
Shelly: [''Emerges from water, Eric brings her up and she gasps''] Eric. I had this terrible dream. I was falling. I thought I’d lost you.
Eric: It’s okay, baby. It’s over. It’s all over. You get to go back.
Shelly: Eric... what have you done? I can’t come with you.
Eric: What? This was the only way.
Shelly: [''She gasps from being shocked by [[w:defibrillation|defibrillation paddles] ] in real life] No. I’m going with you. This isn’t the way it was supposed to end.
Eric: [''She gasps''; ''They passionately kiss''] I would do it again. All of it. Every moment. I love you. Forever.

The Crow - Confrontation of Love and Hate

Vincent: You corrupt people. You can’t corrupt what’s not already there. A pearl. It’s a seed.
Eric: Hmm.
Vincent: Look at yourself. Look at what you’ve become. Those eyes. That face. Why would she want to be with you? You have no love left. Only hate. You fool. You don’t feel anything. Do you? You don’t feel any of it.
Eric: [''Vincent whisper demonic inseminating spell''] I feel it all.
Vincent: You have no love left. Only hate. She’s not what you thought she was.
Shelly: [''Flashbacks''; ''Vincent ends up becoming Crow transformed, and they fight then smashing through window into Crow purgatory''] When I’m hard to love, love me harder. Love me harder. How many people have you loved? Like seriously, seriously loved? Don’t leave me. I don’t want it to end.

The Crow - The Nature of Love and Doubt

Eric: [''In the Crow purgatory''] Why am I back here?!
Kronos: You couldn’t see it through.
Eric: [''walks after Kronos''] Hey! Why, why did I stop healing?!
Kronos: I said your love needed to remain pure. The enemy of love is not hate. It’s doubt.
Eric: I never doubted her!
Kronos: [''Puts hand on Eric's left shoulder''] Didn’t you? You had a chance and you wasted it. You were given the power of a god. In the end, you were just a boy. At least your soul can move on. Her soul is gone forever into the darkness. For you, eternity is easy. You just have to breathe. And let her go.
Eric: I can’t.
Kronos: [''Walks away''] I’m sorry.
Eric: [''Walks up to Kronos''] Mine for hers. My soul for hers.
Kronos: Her soul is damned. The place she’s going, you can’t imagine it.
Eric: It’s not about me.
Kronos: Even if you save her, you will never be with her again.
Eric: I know. Now let me do this.
Kronos: [''All crows start swarming circularly''; ''Cuts hand with knife and then clasps Eric's hand tightly with blood becoming black then pouring out Eric's eyes and then Kronos smears the blood over Eric's eyes and down cheeks''; ''Eric becomes revived in bathtub and then proceeds to finish all Wickham's thugs with shoutgun and bashes Wickham's head''] It’s not up to me. There is no going back from this. With this black blood, you will move between worlds, just like them. Go put the wrong things right.

The Crow - The Complexity of Love and Connection

Eric: [''Talking about Shelly''] I loved her, you know? I loved her like an ocean loves water.
Chance: An ocean is water.

The Crow - Confrontation between Thug and Eric

Thug: [''Eric points gun at him through vehicle window''] I fucking killed you.
Eric: [''Shoots him''] Yeah. You did. Don’t move.

The Crow - Confrontation and Denial in a Tense Encounter

Dorm: [''Eric grabs him walking in warehouse''] Fuck. I’m just... don’t hurt me, man. Please.
Eric: Why the fuck not?
Dorm: I didn’t do anything, man.
Eric: I saw you.
Dorm: What?
Eric: In the club.
Dorm: You brought them to us.
Eric: No, no. I was just trying to get her out. I was just trying to help her get away, man.
Dorm: Get away from what? Huh? That woman who was after her, who is she?
Eric: Who, Marion? No. No. She’s just part of it. She just works for him.
Dorm: Who are you talking about? Who?
Eric: His name is Vincent Roeg, man. He used to have us over to party. I thought it was just an easy place to score. That shit got so dark. He made it so dark. He’s got this voice, man. Voice. He... burrows inside you. Finds the darkest parts of your soul and gives them a voice. And it just gets louder and louder until you do something evil. I still hear it. I never would have made that fucking video if I’d known what would have happened, man.
Eric: What video? Where is it?
Dorm: Shelly had it on her phone. Said she had it hidden. She didn’t want anyone to see it. I tried to warn her, but she wouldn’t leave without you. I knew Shelly a long time. When I saw the way she looked at you, something was different. I tried to do something right, man. I just fucked it up. I’m sorry. They won’t be far behind me. You do what we couldn’t do.
Eric: Get the fuck out.
Dorm: Thanks, man.

The Crow - Unraveling the Truth of a Tragic Loss

Eric: [''Sophia gets in limo with Eric''] I’m a friend of your daughter’s. We need to talk.
Sophia: Who was after her? Why did you come for her that day? I saw you there with the people who killed her.
Eric: What are you talking about? It was an overdose.
Sophia: How would you know?
Eric: Because I was there.
Sophia: You don’t understand who you’re dealing with.
Eric: I loved her. I need to know who these people are because I’m going to kill them. Every single one of them. And I’m gonna bring her back.
Sophia: [''Shatters pitcher on floor and collapses to floor''] She’s not coming back. My baby’s gone. She’s gone. And she’s not coming back. Please leave me. Just stop. She’s gone.

The Crow - Unexpected Reunion and Request for Help

Chance: [''Opens door with chain on''; ''Opens door entirely''; ''Hugs hum''] Holy shit. Eric, what the fuck?! Where have you been? Everyone thought you was dead.
Eric: Everyone was right.
Chance: Very funny. Just come inside.
Eric: I need your help, man.
Chance: What do you need?
Eric: [''Sitting on couch''] I need a gun.
Chance: [''Sitting on chair''; ''Pours bullets into Eric's hand''] A gun. Eric, what... what are you gonna do with a... you know what, it’s not my... you’re going to need these.

The Crow - Confronting Death and Identity in The Crow

Eric: She’s dead, isn’t she? We’re both dead.
Kronos: I’m afraid so.
Eric: What are you? Some kind of angel?
Kronos: [''Laughs''] Do I look like an angel?
Eric: I don’t understand. Why am I here and she isn’t?
Kronos: You’re not gonna like the answer.
Eric: Just tell me.
Kronos: She’s on her way down. To a place far worse than this.
Eric: You said I could make the wrong things right. What does that mean?
Kronos: The one who killed you is not supposed to be in your world. They made a deal with the devil to gain eternal life by sending the innocent to hell. That’s not balance. Kill them. Kill them all. And you get your lives back.
Eric: You’re saying I can get her back?
Kronos: Yeah. Kill the ones who killed you, and you will get her back.
Eric: When I was up there, I got shot.
Kronos: And it taught you something, didn’t it?
Eric: What I, um... I can heal? I can’t die?
Kronos: Your body? No. Feel pain? Yes. If your love remains pure, you cannot die.
Eric: How am I supposed to trust you?
Kronos: [''Puts arms across Eric's back''; ''Pushes Eric into puddle''] Do you have another choice? Are you ready?

The Crow - Searching for a Missing Cell Phone

Cop: [''Wandering mafia loft''] I’m here. What am I looking for exactly?
Marion: Her cell phone.
Cop: All right.
Marion: We looked, but we were interrupted.
Cop: What’s on it?
Marion: You don’t need to know. Just find it.
Cop: All right. All right. You can come out, boy.
Eric: Who are you?
Cop: I’m a cop. Here. Come on.
Eric: Okay.
Cop: It’s okay. Drop that. Drop that. Yeah.
Eric: [''Drops knife''; ''Cop shoots Eric''] Listen, I think I’m going crazy. I don’t know what’s real or not anymore. I just think something really bad has happened with my girlfriend-
Cop: [''Disgusted with self''; ''Eric gets back up''; ''They fight with Eric finishing off the cop by stabbing him''] Fuck. What the fuck?

The Crow - Uncertainty in a Mysterious Afterlife

Eric: [''In Crow Purgatory''] Where am I? What is this place?
Kronos: You’d think they’d come up with something better, wouldn’t you? But you know, they don’t expect us to linger. How long we stay here is entirely up to you.
Crows: [''Echoes''] ...we stay here is entirely up to you.
Eric: What the fuck is happening to me?
Kronos: [''Puts hand on Eric's left shoulder''] People once believed when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it... and the soul cannot rest.
Eric: What are you talking about?
Kronos: The crow will guide you to put the wrong things right.
Eric: [''Walks away''; ''Kronos laughs''] What do you mean? Oh, fuck this. This isn’t real. You stay the fuck away from me.
Kronos: There’s nothing there but here.
Eric: This is all just a fucking nightmare. This is just a fucking nightmare.
Kronos: [''Appears in front of him with hand on Eric's chest''; ''Pushes Eric backwards into puddle''] Then go wake up.
Eric: [''He wakes up in mafia loft''] The sadness is killing...

The Crow - Connection Through Perception and Vulnerability

Eric: [''Both laugh''] Pretty good.
Shelly: What’s the first thing you liked about me when you saw me?
Eric: [''both laugh''] What’s, um... there’s like an aura about you. It feels powerful. What’s the first thing you liked about me?
Shelly: I thought that you were quite brilliantly broken.
Eric: [''Shelly chuckles''] You are. What’s the, um... what’s the worst thing you’ve ever done?
Shelly: [''Both laughs''; ''Scrapes aside cupboard and opens a wall safe taking out a box''] I once escaped rehab with a complete fucking degenerate. Probably the best thing I’ve ever done. Hmm. Wait, I just remembered something.
Eric: [''They sit on floor''] You have a secret stash here? All right.
Shelly: [''Takes out a bag of pills''] Hello. Aha.
Eric: [''Puts pill on his tongue''] Those are the ones?
Shelly: [[w:Lamb of God|Lamb of God; ''Drinking wine''; ''pokes his chest tattoo''] Hmm-hm. ]. Stop looking at me or I’ll poke your eye out.
Eric: Poke out my eye?
Shelly: Hmm-hm. You don’t need that. You’ve got me now.

The Crow - A Moment of Uncertainty and Choices

Eric: [''Walking through opulent apartment in [[w:Chicago|Chicago] Jesus, this is crazy.
Shelly: [[w:Antigua|Antigua; [w:sleep|me crash here] It’s my friend’s place. He lives in ]. Lets ] sometimes.
Eric: So, um... what now?
Shelly: You know, you don’t have to stay. Maybe it’s safer if you don’t.
Eric: I want to stay.
Shelly: Okay. Well, then, we’ll hide out here for a while.
Eric: And then what?
Shelly: We’ll hide somewhere else. Just figure it out.
Eric: Good plan.
Shelly: It is a good plan. You stink, dude.
Eric: [''Chuckles''; ''They passionately kiss''] I’m sorry. Do you mind if I use the shower?
Shelly: [''They then proceed to make love''] Not yet.

The Crow - Reflections on Past Lives and Connections

Eric: [''Riding in pick up truck after flagging it down in forest''] Who were those people?
Shelly: A former life.
Eric: Right. Got one of those.
Shelly: I bet you do.

The Crow - Separation in a Confining Environment

Eric: [''Sits at table of Eric in institution mess hall''] Hi.
Shelly: They don’t like you in here, do they?
Eric: No, not really. They have a thing about men and women not sitting together.
Shelly: I know. They told me.
Eric: I like your tattoo.
Shelly: Thanks.
Eric: “Laugh now. Cry later.”
Shelly: It’s kind of how things have been playing out for me.
Eric: Well, for me, it’s more like “cry now, cry later.”
Shelly: Wanna hear a joke?
Eric: Uh, I don’t know. Is it funny?
Shelly: Not really.
Eric: Great. Go for it.
Shelly: What kind of tea is hard to drink?
Eric: I don’t know.
Shelly: Reali-ty.
Eric: [''chuckles''] Yeah. Wow. Well, that’s... that’s something.
Shelly: I’ll keep working on it.
Institution staff: Hey, time for your group session.
Shelly: [''Referring to warden''] Here he comes, like fucking clockwork.

The Crow - Confrontation Over Responsibility and Consequences

Institution exercise instructor: [''Shoves Eric's head with inmates doing jumping jack in exercise yard''] You know why we still out here? It’s because of your bullshit!
Eric: Huh?

The Crow - Enduring Love Beyond Life's Boundaries

Eric: Our love will live on in everything she does. Someday, I know... our souls will find each other again. Till then, I will have just the memory. That perfect sensation of loving her. And that’s enough. Almost enough.

The Crow - A Soul's Sacrifice for Love

Eric: My soul for hers!

The Crow - Vow of Revenge and Retribution

Eric: I'm going to kill them, every last one of them.

It Chapter Two - Pennywise's Taunt About Acceptance and Rejection

Pennywise: Ohh... Nobody wants to kiss the fat boy!

It Chapter Two - Concerns About Change After the Battle

Beverly: You okay, new kid?
Ben: Yeah! No, I'm fine. I guess I'm just... worried that... we're not all going to be the same. After the fight.
Beverly: As long as we can still hang out, who cares?
Ben: You really mean that?
Beverly: ["Beverly" takes Ben's hand; Ben leans in to kiss "Beverly" and she backs away; Ben turns to "Beverly" to see her head is on fire, Ben runs from the classroom as "Beverly" chases him] Well, yeah, of course, dummy. You and me. Oh, my God! I meant as a friend! You... You actually thought I could like someone as fat and gross and disgusting like you? No matter how many stupid poems you write! Your hair is winter fire! January embers! My heart burns there too!
Pennywise: Kiss me, fat boy!

It Chapter Two - Friendship in Fear and Isolation

Pennywise: [chuckles] Hello, Vicky! Isn't that what your friends call you? Vicky? How did I know that? I guess I must be your friend too!
Vicky: [IT/Pennywise sobs loudly] If you're my friend, why are you hiding in the dark? You're not my friend. You're scary. Why are you crying?
Pennywise: People always make fun cause of the way I look. I thought if you couldn't see my face maybe you'd want to be my friend. Oh, never mind. Silly old Pennywise, you’ll never have any friends!
Vicky: People make fun of me too.
Pennywise: They do?
Vicky: [Vicky taps the birthmark on her right cheek] cause of this.
Pennywise: Isn't that silly? That little thing? I can blow that thing right away.
Vicky: You could?
Pennywise: [laughs] Oh, yes! One poof and it'd be gone! But you would have to get close enough to see my face. I don't know, Vicky.
Vicky: It's okay! I won't make fun. I promise!
Pennywise: [Vicky nods; stops and stares] Promise promise? Well, okey dokey! Just come on in a little closer, and we'll blow it away on the count of three! One. Two.
Vicky: [It/Pennywise lunges and bites her face] You're supposed to say thr—

John Wick: Chapter 4 - Power and Sacrifice in a Dangerous Game

Marquis: [to Caine, as he picks out another bullet] Arrête! As your sponsor, I claim the coup de grâce. Your weapon. Give it to me.
Caine: Is my daughter free now?
Marquis: Oui. You and your daughter. Enjoy.
Marquis: Rules.
Winston: Ha! You arrogant asshole. He didn't shoot.
John Wick: Consequences.

John Wick: Chapter 4 - The Old Ways of Loyalty and Life

Marquis: A man's Second, like his sponsor, either walks out with his champion or is buried beside him. The Old Ways.
Winston: Such is life.

John Wick: Chapter 4 - Identity and Consequences in John Wick's World

Marquis: There is no John out there. No happy man with a normal life. There is only John Wick: The Killer.
John Wick: Yeah. And he's about to kill you.

John Wick: Chapter 4 - Reflections on Honor and Responsibility

Charon: [as he dies] It was... an honor... my friend.
Winston: It should have been me.
Marquis: You're right. It should've. Now go and think about why it wasn't.

It - A Friendly Encounter with a Dark Twist

Pennywise: [from inside a sewer grate] Hiya, Georgie! What a nice boat. Do you want it back?
Georgie: Um... Yes, please.
Pennywise: You look like a nice boy. I bet you have a lot of friends.
Georgie: Three, but my brother is my best best.
Pennywise: Where is he?
Georgie: In bed. Sick.
Pennywise: I bet I could cheer him up. I'll give him a balloon. Do you want a balloon too, Georgie?
Georgie: I'm not supposed to take stuff from strangers.
Pennywise: [Georgie laughs] Oh! Well, I'm Pennywise the Dancing Clown! "Pennywise?" "Yes?" "Meet Georgie. Georgie, meet Pennywise." Now we aren't strangers. Are we?
Georgie: I guess so. What are you doing in the sewer?
Pennywise: [chuckles] Storm blew me away. Blew the whole circus away. Can you smell the circus, Georgie? There's peanuts, cotton candy, hot dogs, and...?
Georgie: Popcorn?
Pennywise: Popcorn! Is that your favorite?
Georgie: Uh-huh.
Pennywise: [laughs] Mine, too! Because they pop! Pop, pop! Pop, pop! Pop, pop, pop!
Georgie: Um... I should get going now.
Pennywise: Oh! W-Without your boat? You don't wanna lose it, Georgie. Bill's gonna kill you. Here. Take it. Take it, Georgie.
Georgie: BILLY!!!

Nosferatu - A Struggle Between Love and Identity

Ellen Hutter: You. I have felt you... crawling like a serpent in my body.
Count Orlok: It is not me. It is your own nature.
Ellen Hutter: No. I love Thomas.
Count Orlok: Love is inferior to you. I told you, you are not of humankind.
Ellen Hutter: You are a villain to speak so.
Count Orlok: I am an appetite, nothing more. O'er centuries, a loathsome beast, I lay within the darkest pit. Til you did wake me, enchantress, and stir me from my grave. You are my affliction.
Ellen Hutter: I care nothing of your afflications!
Count Orlok: Yet, even now, we are fated. Your husband has signed his name covenanted you to my person for but a sack of gold.
Count Orlok: For gold did he absolve his nuptial bond.
Ellen Hutter: You know nothing of him-
Count Orlok: And the resignation must be completed by you, freely of thine own will.
Ellen Hutter: You are a deceiver!
Count Orlok: You deceive yourself.
Ellen Hutter: I was but an innocent child-
Count Orlok: And thought you I would not return? Thought you I would not? Your passion is bound to me.
Ellen Hutter: You cannot love.
Count Orlok: I cannot. Yet, I cannot be sated without you.
Count Orlok: Remember how once we were? A moment. Remember?
Ellen Hutter: I... abhor you.
Count Orlok: Then you are FALSE!
Count Orlok: So you wish me to prove my enmity as well?! I will leave you three nights! Tonight was the first! Tonight you denied yourself, and thereby you suffer me to vanish up the lives of those you love!
Ellen Hutter: Denied myself?! You revel in my torture!
Count Orlok: Upon the third night you will submit, or he you call your husband shall perish by my hand.
Count Orlok: ‘Til you bid me come, shall you watch the world become as naught.

Nosferatu - A Struggle Between Health and Obedience

Thomas Hutter: I have been enduring the most irregular dreams. I fear I have taken ill.
Count Orlok: It is a black omen to journey in poor health. You will remain and well rest yourself.
Thomas Hutter: I must object, my lord.
Count Orlok: You will obey this, my counsel.

Nosferatu - Superstitions and Rituals in Nosferatu

Thomas Hutter: I have-- My lord, I have questions about the, um... unfamiliar customs of the peasantry and the... errant wanderers. Last night, I saw... or rather, I believe I saw a band of gypsies, they... ventured to a small birch grove and--
Count Orlok: I fear we yet keep close many superstitions here that may seem backward to a young man of your high learning.
Thomas Hutter: These gypsies, they... exhumed a corpse.
Count Orlok: It is their filthy ritual.
Thomas Hutter: What manner of ritual?
Count Orlok: SPEAK NOT OF IT AGAIN!

Nosferatu - Count Orlok's Demand for Respect and Honor

Count Orlok: [to Thomas] I will be addressed as the honour of my blood commands it.

Nosferatu - Count Orlok's Disappointment with Timekeeping

Count Orlok: [to Thomas] You are late. The midnight hour is passed, and my attendants have all retired.

Nosferatu - Awakening from Darkness: A Warning to Humanity

Count Orlok: [to young Ellen] You awakened me from an eternity of darkness. You... You... You are not for the living. You are not for humankind.