John MalkovichQuotes

John Malkovich
Birthday
December 9th, 1953
From
Christopher, Illinois, USA
Actor

The Ogre - Abel's New Responsibility with the Boys

Obersturmbanfuehrer Raufeisen: [''To the new boys''] Did you bring up these boys, Abel? Heil!
Boys: Heil!
Raufeisen: This is excellent, Abel. You showed initiative. In fact, I think I'm going to make this your regular job here. Plus, you like the boys, don't you?
Abel: Yes, sir, very much.
Raufeisen: Yes, and the boys like you. Excellent. You see, here's our problem. We have such a wonderful school, and all the best families in Germany are proud to have their children come here but the common people, especially the peasants here, you see... they are so crude and uneducated that they don't want their children to attend our school. They even hide them from us.
Frau Netta: Bravo, Abel.
Raufeisen: Now we want to give everyone the benefit of the Reich, and that's why I want you to help us, Abel. You consider yourself an ordinary fellow. So it's simply ideal. All right, my boy? I'm relying on you. Cover the entire countryside, and don't worry about insisting when you have to. Just bring me the boys.

Places in the Heart - Resilience in the Face of Adversity

Mr. Will: [after a tornado] How bad is it?
Moze: Everything's a little bent, but it's still here.

Places in the Heart - Self-Description and Personal Reflection

Mr. Will: Mrs. Spalding, can I ask you a question?
Mr. Will: What do you look like?
Edna Spalding: I have long hair and I tie it up in the back. And I have brown eyes. I always wanted to have blue eyes, like my Mama, but Margaret got those. And my teeth stick out in front, a little, because I sucked my thumb a long time when I was a little girl. I'm no real beauty. I'm all right.

Places in the Heart - Determining the Workforce for Cotton Picking

Edna Spalding: We'll start right now!
Mr. Will: Well, you got 30 acres to pick.
Edna Spalding: Frank and Possum can help.
Mr. Will: Well, that's not going to be nearly enough.
Edna Spalding: Then, I'll pick 24 hours a day.
Moze: Did you ever pick cotton? After an hour, the hulls start cuttin your fingers. Then by noon both of your hands is bleedin'. And later on, your fingers start to swell. And after a little more time, they ain't no feelin in your hands whatsoever. And I ain't even speakin about what it does to your knees and I ain't even talkin about what it does to your back. Now, we can't do it. Now, get that through your head. Once and for all, we can't do it. Now, you best stop thinkin about it before you end up killin yourself!
Edna Spalding: Now you listen to me. If we lose this place, then you're goin back to beggin for every single meal. Mr. Will, they're gonna put you in a state home. And I'm gonna lose what's left of my family. I'm not gonna let that happen. I don't care what it takes. I don't care if it kills me. I don't care if it kills you. I'm not gonna give up. And if the two of you do, you can go straight to Hell!

Places in the Heart - Seeking Solitude Amidst Unwanted Assistance

Mr. Will: Mrs. Spalding, I don't want me to be here anymore than you want me to be. Now, I won't be any more trouble than is necessary. And all I'll ask in return is to be left alone in peace and quiet.
Edna Spalding: Well, I just thought...
Mr. Will: I know what you just thought. But I don't need your help, and I don't need you to feel sorry for me.

Places in the Heart - Desire for Solitude and Dignity

Mr. Will: Mrs. Spalding, believe me, if I had anyplace else to go tonight besides the State Home for the Infirm, I'd gladly leave right now. Now, when I came here, all I asked was to be left alone. I am not some kind of freak that is here on display for the amusement of those hooligans you call children.

Ripley's Game - The Easing of Guilt Over Time

Tom Ripley: Do you the interesting thing about doing something terrible?
Tom Ripley: Often, after a few days, you can't even remember it.

Ripley's Game - The Burden of Waiting

Jonathan Trevanny: Jesus, this waiting! I can't stand this waiting.
Tom Ripley: [pause] When I was a little boy, I waited on the beach for hours for my parents to come back from a boat ride. They drowned. I waited forever.

Ripley's Game - Consequences of Past Actions and Self-Perception

Jonathan Trevanny: Are we going to get away with it?
Tom Ripley: Why not?
Jonathan Trevanny: I've just never been the sort of person to get away with things. At school, other kids got away with all sorts. But not me. I always got caught.
Tom Ripley: You know why you got caught?
Tom Ripley: Because you didn't think of just killing your teachers.

Ripley's Game - Confronting Fear in Uncertain Circumstances

Jonathan Trevanny: Are you scared?
Tom Ripley: [pause, still calmly] No. I am fucking terrified.

Ripley's Game - Discussion of a Failed Assassination

Jonathan Trevanny: One of them's still alive.
Tom Ripley: How do you know?
Jonathan Trevanny: Well, I heard it on the world news.
Tom Ripley: Jesus. I always figured you for a talk radio man. Okay, well, I guess I didn't strangle him long enough. It's not like a garrote comes with a manual.
Jonathan Trevanny: Ah, one of them got a very, very good look at me.
Tom Ripley: Jonathan, that's the first rule of the game. Don't ever worry about anything you can't control, ever. Anyway, I don't think they can trace us here and if they get close, I'll let you know.
Jonathan Trevanny: What about my family? I'm just worried about my family.
Tom Ripley: Well, don't worry. If they come for anyone, they'll come for me. I think these Balkan types tend to take strangling quite personally.

Ripley's Game - The Nature of Conscience and Existence

Jonathan Trevanny: [crying] I know I should thank you, because I wouldn't be alive now if you hadn't helped me.... but I can't. I can't say thank you. I don't know anything about you. Who are you?
Tom Ripley: I'm a creation. A gifted improviser. I lack your conscience and, when I was young, that troubled me. It no longer does. I don't worry about being caught because I don't think anyone is watching. The world is not a poorer place because those people are dead — it's not. It's one less car on the road, a little less noise and menace. You were brave today. You'll go home and put some money away for your family. That's all.
Jonathan Trevanny: If you "lack my conscience," then why did you help me on the train?
Tom Ripley: [smiles] I don't know, but it doesn't surprise me. If there's one thing I know, it's that we're constantly being born.
Jonathan Trevanny: But why me? Why did you pick me?
Tom Ripley: [checks watch] Partly because you could. Partly because you insulted me. But mostly because that's the game. We need to catch this flight. Shall we?

Ripley's Game - Innocence and Ignorance in Conversation

Sarah Trevanny: I don't know how much you...
Tom Ripley: How much I...drink? Bathe? Work out?
Sarah Trevanny: How much you know about Jonathan's condition.
Tom Ripley: Nothing. I'm an innocent.
Sarah Trevanny: Jonathan has chronic myeloid leukemia.
Tom Ripley: [ingenuously] My God, you're kidding! I'm so sorry.
Sarah Trevanny: [quietly] Thank you. So, this opportunity came up for him to get a second opinion at this research foundation. He doesn't talk about it much, but I know he's angry. He's angry because... he'll probably die soon, while the rest of us go on living. And he's angry to be so young. And he's angry that he might not see Matthew grow up.
Tom Ripley: And what about you? Are you angry?
Sarah Trevanny: [sadly] Sometimes. I love him completely, but... I feel there's a part of me that will be glad when it's all over...and that's a terrible thing to say.
Tom Ripley: I don't think you could say anything that terrible, or think it. I don't think what you're feeling is terrible at all. I think Jonathan is very, very fortunate to have someone like you, and I imagine he knows it.

Ripley's Game - Cultural Commentary on English Behavior

Luisa Harari: [about Jonathan] He's got leukaemia.
Tom Ripley: Is drunken pomposity a symptom?
Luisa Harari: No. He's just English.

Ripley's Game - Adding Spice to the Evening

Jonathan Trevanny: [embarrassed] Oh, hi. You're here, then. Excellent. We were hoping you'd come.
Tom Ripley: [icy] Why?
Jonathan Trevanny: Well, to... to add spice to the evening.
Tom Ripley: Meaning?
Jonathan Trevanny: You're a bit of a local personality.
Tom Ripley: Meaning?
Jonathan Trevanny: People have heard about you.
Tom Ripley: Meaning?
Jonathan Trevanny: Nothing. Just... nothing.

Ripley's Game - Tension at the Doorstep

Tom Ripley: You're not planning on singing me through the door, are you?
Reeves: I've got the Carregio in here.
Tom Ripley: Well, you're not coming in.
Reeves: I'm fucking coming in.
Tom Ripley: No, because it's not a Carr-egg-io, it's a Correggio. Just like it's not tacco but ta-a-cco. Not pasto but pasta, see? Your entire education comes from classic car magazines and you dress like you're on a condom run for the mob. By the way, it isn't a Correggio, it's a fake Rembrandt, and until you know that, you're not coming in with me.
Reeves: Don't fuck me over here, prat!
Tom Ripley: Don't threaten me. I'm not the one wearing an earring.

Ripley's Game - Threats and Tension on the Train

Tom Ripley: Hold my watch, because if it breaks, I'll kill everyone on this train.

Ripley's Game - A Threat with a Tempting Offer

Tom Ripley: I want you to call the man who sent you here. I want you to tell him you got a very long look at the two of us, we were definitely not the people on the train. Do you understand? If you do that, you do it convincingly, you walk out of here, we give you half a million dollars, okay? If you don't do it convincingly, I take you out back, and I run my fucking tractor over your head the rest of the day. Okay?

The Killing Fields - Moral Conflict Over Personal Ambition

Al Rockoff: It bothers me that you let Pran stay in Cambodia because you wanted to win that fucking award and you knew you needed him.
Sydney Schanberg: I had no idea that-
Al Rockoff: The fuck you didn't! The fuck you didn't!

The Killing Fields - Identifying a Disguised Individual

Jon Swain: Where do they get this crap?
Al Rockoff: That guy across the gate there. The little guy. Could we all not look at once, please? I have it on reliable sources that that's none other than Hugh Elder.
Jon Swain: You're kidding . . .
Al Rockoff: He's disguised, but I got a little suspicious about it, you know what I mean?
Dith Pran: How does he get his copy out?
Al Rockoff: How does he get his copy out? Specially trained hens. Yeah, the BBC has commissioned them to walk past the Khmer Rouge like they're regular fowl, and then they've been crossing the border into Thailand every day and every night.

The Killing Fields - Reflections on Food and Life Choices

Al Rockoff: Anything I eat's gotta be absolutely dead. That is why I can never eat an oyster. I read somewhere that they put that lemon juice on them just to stun them. What's the difference?

The Killing Fields - Al Rockoff's Perspective on Cooking Eggs

Al Rockoff: I can't eat eggs, someone told me they shrink with fright when you cook them.

Johnny English - Conflict During a Crowning Ceremony

Archbishop: [preparing to crown Sauvage] I crown you--
Johnny English: [fails to grab the banner; swings back and forth on the wire] Dammit!
Pascal Sauvage: [hands the orb and scepter back to the Archbishop and then springs up from the throne] Give it back!
Pascal Sauvage: That is my crown!
Pascal Sauvage: GIVE IT BACK!!!
Johnny English: Never in a million years, Sauvage!

Johnny English - Cultural Clashes and Unpleasant Encounters

Lorna Campbell: [watching Sauvage, who Johnny thinks is a waiter, standing just behind him] You obviously haven't met our host, Monsieur Sauvage.
Johnny English: No, thank God! You know, I think I'd rather have my bottom impaled on a giant cactus than exchange pleasantries with that jumped-up Frenchman. As far as I'm concerned, the only thing the French should be allowed to host is an invasion.
Johnny English: Sorry, can I help?
Pascal Sauvage: Pascal Sauvage, jumped-up Frenchman.
Lorna Campbell: Lorna Campbell. I've been so looking forward to meeting you.
Pascal Sauvage: Enchanté.
Pascal Sauvage: But of course, you're Johnny English. I've heard all about you.

Johnny English - Frustration Over a Country's Compliance

Pascal Sauvage: [furious because his coronation has been interrupted by English, pulls a gun on crowd] Shut up! All this stupid little country has to do is stand in line and do what it's told for one miserable day! But can it do that? My fragrant French Ass it can!

Johnny English - English's Foolishness Highlighted by Sauvage

Pascal Sauvage: Clearly, the aptly-named English is a fool.

The Man in the Iron Mask - Desire and Unspoken Expectations

Athos: Your eyes ask too much.

The Man in the Iron Mask - A Foreboding Promise of Death

Athos: The next time we meet, one of us will die.

The Man in the Iron Mask - Loyalty to the Plan

Athos: Whatever the plan, I am with you.

The Man in the Iron Mask - Unity and Sacrifice in Brotherhood

Athos: One for all. All for one.

The Man in the Iron Mask - Accusation of Betrayal

Athos: You're the traitor.

The Man in the Iron Mask - The Challenge of Escape from Prison

Athos: It's a prison. Of course, there's no trouble getting in. The problems will come when we want to get out.

The Man in the Iron Mask - Athos Critiques the King’s Character

Athos: It has everything to do with it. The king is a dog. A dog and a coward.

The Man in the Iron Mask - A Father's Quest for Meaning and Justice

Athos: Yes, Raoul is my reason for being here, but not in the way you think. Once I, once all of us believed in spending our lives in the service of something greater than ourselves. Aramis had his faith, Porthos his lust for life, D'Artagnan his devotion and I had Raoul. But we all had a common dream; that one day, we would finally be able to serve a king worthy of the throne. It is what we dreamt, what we bled for and what we have spent a lifetime waiting to see. I taught Raoul to believe in this dream... and now my son is dead. So I am here to find out if his life was in vain, and the only one who can answer that question is you.

In the Line of Fire - A Reluctant Duty to Save a Life

Frank Horrigan: Take my hand. If you don't, you'll die.
Mitch Leary: You want to save me, Frank?
Frank Horrigan: To be completely fair and honest with you, no. But it's my job.

In the Line of Fire - Debate on Life and Death Choices

Mitch Leary: Do you believe in the nobility of suicide?
Frank Horrigan: No. But if you wanna blow your goddamn head off, go ahead, be my guest.
Mitch Leary: Nicely put, except I don't want to leave this miserable world alone.
Lilly Raines: West tower, do you have a shot?
Sniper: Negative, too dark. Target unclear.
Leary: It's better to die with a friend, don't you think Frank?
Horrigan: A friend? You're a damn killer, you sick bastard.
Leary: Don't talk to me like that! I saved your life. You owe me.
Horrigan: I don't owe you shit.
Leary: I was always honest and fair with you.
Horrigan: [the other agents hear him on the ground floor] Go ahead and shoot. Go ahead.
Agent Chavez: [to people reacting at the audio] It's Frank. Quiet! Quiet!
Horrigan: Come on, dammit.
Raines: Frank are you talking to me?
Horrigan: [trying to keep talking to Leary] Well, what are you waiting for?
Leary: [aims pistol as Horrigan moves back] What am I waiting for? I'm waiting for you to show me some goddamn gratitude. Without me, you'd still just be another sad-eyed, piano-playing drunk. I brought you into this game. I let you keep up with me. I made you a goddamn hero today.
Horrigan: You didn't make me anything.
Leary: I redeemed your pathetic, shitty life.
Horrigan: I just did my job. You're the one with the fucking pathetic life. Go ahead and shoot, dammit.
Raines: They can't see inside. If they fire, you'll be hit.
Leary: I want you to thank me first, Frank.
Horrigan: Shut up and shoot.
Raines: All right, Frank.
Leary: [kneels to him] All right, Frank.
Raines: Shooters, standby to fire. Wait for my command.
Leary: Sleep well, my friend.
Horrigan: Just one thing: Aim high.
Leary: What?
Raines: Aim high.
Horrigan: NOW!
Raines: Fire!
Leary: [finally sees that Horrigan was on the radio the whole time; snipers shoot] You bastard!

In the Line of Fire - Confrontation Between Life and Death

Frank Horrigan: I want you to give yourself up.
Mitch Leary: So I can live a long and fruitful life?
Horrigan: We can work something out.
Leary: Fuck you. Don't fucking lie to me. I have a rendezvous with death, and so does the President, and so do you if you get too close.
Horrigan: You have a rendezvous with my ass, motherfucker!
Leary: Frank. Do you know how easily I could kill you, Frank? Do you know how many times I've watched you go in and out of that apartment? You're alive because I have allowed you to live. So you show me some goddamn respect!

In the Line of Fire - Struggle with Identity and Morality

Mitch Leary: Frank, you of all people, I want you to understand because we both USED to think this country was a very special place...
Frank Horrigan: You don't know what I used to think!
Leary: Oh, but you know about me? Do you have any idea what I've done for God and country? Some pretty FUCKING HORRIBLE things! I don't even remember who I was before they sunk their claws into me!
Horrigan: They made you into a real monster, right?
Leary: That's right and now they want to destroy me because we can't have monsters roaming the quiet countryside, now can we?
Horrigan: What do you see when you're in the dark, and the demons come?
Leary: I see you, Frank. I see you standing over the grave of another dead president.
Horrigan: That's not going to happen. I'm onto you.
Leary: Forget it, Frank. I am willing to trade my life for his. I am smart, and I am willing, and that is all it takes. That president is coming home from California in a box.
Horrigan: Where in California?
Leary: Uh, the address? Come on, Frank. I'll keep you in the game, but I'm not going to throw it for you.

In the Line of Fire - Unexpected Recognition in a Serious Conversation

Mitch Leary: [on phone] Frank?
Leary: Frank Horrigan, the Secret Service agent?
Horrigan: Yeah, what'd I win?
Leary: My God, that really was you in my apartment this afternoon!
Horrigan: [turns off stereo] McCrawley?
Leary: [[w:John Wilkes Booth|Booth] Why not call me ]?
Horrigan: [[w:Lee Harvey Oswald|Oswald] Why not ]?
Leary: [[Abraham Lincoln|Lincoln] Because Booth had flair, panache - a leap to the stage after he shot ].

In the Line of Fire - The Finality of Friendship and Competition

Mitch Leary: [last words, left on Frank's answering machine] Hello, Frank. By the time you hear this, it'll be over. The President is most likely dead, and so am I. I wonder, Frank, did you kill me? Who won our game? Not that it really matters, for among friends like you and me, it's not whether you win or lose but how you play the game, and now the game is done and it's time to get on with your life. But I worry, that you have no life to get on with, Frank. You're a good man, and good men like you and me are destined to travel a lonely road. Goodbye, and good luck.

In the Line of Fire - Reflections on Choices and Consequences

Mitch Leary: What did happen to you that day? Only one agent reacted to the gunfire, and you were closer to Kennedy than he was. You must have looked up at the window of the Texas Book Depository, but you didn't react. Late at night, when the demons come, do you see the rifle coming out of that window, or do you see Kennedy's head being blown apart? If you'd reacted to that first shot, could you have gotten there in time to stop the big bullet? And if you had - that could've been your head being blown apart. Do you wish you'd succeeded, Frank? Or is life too precious?

Empire of the Sun - Survival and Strategy in Uncertain Times

Jim: We'll have to leave the camp.
Basie: That's the idea, Jim. First one side feeds you and the other side tries to get you killed, then it's turned around; it's all timing.

Empire of the Sun - Lessons Learned from Survival and Sacrifice

Basie: Jim, didn't I teach you anything?
Jim: Yes. You taught me that people will do anything for a potato.

Empire of the Sun - A New Name for a New Life

Basie: What did you say your name was boy?
Jim: Jamie and I'm building a man-flying kite and writing a book called Contract Bridge.
Basie: Jim: a new name for a new life.

Empire of the Sun - Exploring Memories of Wealth and Abandonment

Jim: [as Frank and Basie are about to leave him in the street] Basie, first I could show you some rich pickings. Hundreds of houses left empty. I could show you some of the houses I lived in before Frank found me. They were luxuriant!
Basie: Luxuriant? You had good sense being born there, Jim. I'm sure there was good living.
Jim: There certainly was good living, Basie. There - there was opulence!
Basie: Heh heh. Opulence. Frank, we'll go and take a look at some of these houses. Let's go, Frank. Opulence.

Rounders - Confrontation Over a High-Stakes Card Game

Teddy KGB: [motioning to Grama; splashing the pot repeatedly, with a flourish] It hurts, doesn't it? You can't believe what fell. All your dreams... dashed. Hopes down the fucking drain. Your fate is sitting right beside you. That ace could not have helped you. I bet it all.
Mike: [revealing his hand] You're right that the ace didn't help me. I flopped the nut straight.
Teddy KGB: [throwing cards and chips] Motherfucker! ёб твою мать! Motherfucker! That is it!
Grama: That's it? What the fuck you talkin about, "that's it"? Take him out, Teddy!
Teddy KGB: Nyet! Nyet! No more! No, not tonight! This son of bitch, all night he check, check, check! He trapped me!
Mike: Well, you feelin satisfied now, Teddy? Cause I can go on bustin you up all night.
Teddy KGB: Nyet, nyet. He beat me. Straight up. Pay him. Pay that man his money.

Rounders - Gambling Tensions Rise at the Poker Table

Mike: All right, I'll call the two grand, I'll gamble. Don't splash the pot.
Teddy KGB: You're on a draw, Mike? Throw away this one. It's not good for you. And in my club, I will splash the pot whenever the fuck I please.

Rounders - Determination Against All Odds

Grama: Enough is enough, Teddy. Finish the fucking kid off.
Teddy KGB: Hanging around, hanging around. Kid's got alligator blood. Can't get rid of him.

Rounders - Poker Tensions and Financial Stakes

Mike: Uh, you know what? I got my five grand here. That's just fine by me. I'm going home.
Teddy KGB: Fine. It's a fucking joke anyway. After all, I am paying you with your money.
Mike: What did you say?
Teddy KGB: Your money... I am still up twenty grand... from this last time I stick it in you.
Mike: [Narrating] They're trying to goad me, trying to own me. But this isn't a gunfight. It's not about pride or ego. It's only about money. I can leave now, even with Grama and KGB... and halfway to paying Petrovsky back. That's the safe play. I told Worm you can't lose what you don't put in the middle. But you can't win much either.

Rounders - Feeling of Dissatisfaction and Discontent

Teddy KGB: Just like a young man coming in for a quickie. I feel so unsatisfied.

RED - Forewarning of Impending Trouble

Marvin Boggs: [as he and Frank run from Moldovan Ground Forces] I told you something bad was going to happen!

RED - Aging Perspectives on Identity and Ageism

Marvin Boggs: [After blowing up an assassin who insulted him] Old man" my ass!

RED - Unexpected Decision to Acquire a Pig

Marvin Boggs: I never thought I'd say this again...I am getting the pig!!