Highlights
Disclosure Day - Exclusive Interview
Disclosure Day
The Odyssey - Christopher Nolan Exclusive Interview
The Odyssey
Enola Holmes 3 - Exclusive Interview with Millie Bobby Brown
Enola Holmes 3
The Terminal List Season 2 - First Look at Chris Pratt as James Reece with Military Equipment
The Terminal List
Thrash - Trapped Between Flood and Sharks Clip
Thrash
Without Blood - Salma Hayek Pinault as Nina
Without Blood
The Devil Wears Prada 2 -  He Hired Me Last Night Clip
The Devil Wears Prada 2
Emily in Paris Season 6 - First Look at Lily Collins as Emily Cooper Takes a Selfie
Emily in Paris
Off Campus Season 1 - Absolutely Obsessed with Justin Kohl Clip
Off Campus
The Whisper Man - Adam Scott, Robert De Niro and Michelle Monaghan at the New York Premiere
The Whisper Man
Ice Age: Boiling Point - Official Teaser
Ice Age: Boiling Point
Emily in Paris Season 6 - First Look at Lily Collins and Ashley Park
Emily in Paris
The Dink - Float Like a Pickleball Clip
The Dink
Stick Season 2 - First Look at Owen Wilson as Pryce Cahill
Stick

Liliana Villaseñor

Liliana Villaseñor
Latest Trailers
Birthday
January 9th, 1990
From
Mexico City, México
Sound

Liliana Villaseñor Biography

Liliana Villaseñor is a production Sound mixer specializing in fiction and documentary filmmaking. Over more than a decade working in the audiovisual industrial, se has collaborated on productions filmed in Mexico, Brazil, Guatemala and Paraguay consolidating a practice that combines technical precision with an ethical and narrative approach to sound.

Her work was recognized with the Ariel Award for Best Sound in 2024. Her experience ranges from feature films with complex technical demands—such as long takes or shoots under extreme environmental conditions—to intimate projects where sound operates as a language of closeness and care. In addition to her fieldwork, she has developed a critical line of thought around cinematic sound as a narrative and political device.

She has given masterclasses and talks at film schools and independent training spaces, where she proposes sensitive methodologies for capturing direct sound. Her approach stands out for linking technical practice with a reflection on the role of the body, listening, and memory in cinematic processes. Her work engages with a tradition of committed cinema that understands sound not only as a record, but as an expressive field capable of articulating emotions, social tensions, and forms of resistance.

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Liliana Villaseñor Movies

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