Mark RuffaloQuotes

Mark Ruffalo
Birthday
November 22nd, 1967
From
Kenosha, Wisconsin, USA
Actor

My Life Without Me - Confessions of Love and Vulnerability

Lee: Ann, there's something I have to tell you and I have to tell you now.
Ann: Lee, I'm...
Lee: I love you. I'm in love with you. And the world seems less terrible because you exist. I feel like I wanna be with you for the rest of my life. And all that, the palpitations, and the nerves, the pain, the happiness and the fear. I wanna... I wanna touch you all the time! I wanna take care of you and your girls and even find your husband a decent job and get you a house that doesn't have wheels and...
Ann: Be careful. That sounds like a classic case of falling in love.
Lee: I am in love. I'm classically in love. The classic husband is gonna to be here any minute. And the classic depression that sets in everytime you go off with him... and the crying and the tears and everything.

The Kids Are All Right - Unwanted Observations and Strong Reactions

Paul: Just making an observation.
Nic: Yeah? Well I need your observations like I need a dick in my ass!

The Kids Are All Right - Sperm Donation Compared to Blood Donation

Laser: Why did you donate your sperm?
Paul: Because it seemed more fun than donating blood.

The Last Castle - Conflict and Command in the Prison Yard

COL Winter: [the prisoners remain standing; Winter turns to Irwin] All prisoners will get on the ground, now! I will give that command one, final time. Then I will fire into them. Surely you don't want that on your conscience, Prisoner Irwin? All prisoners, get down on the ground, now!
Irwin: Wait.
Yates: We don't have to do this. We'll fight on.
Irwin: [raises his voice; the prisoners obey, lying prone, but Yates doesn't move; Yates complies; Colonel Winter approaches Irwin] No. It ends here. Men, get down. You, too, Yates. That's an order.
COL Winter: Now... Give me my flag.
Irwin: It's not your flag.

13 Going on 30 - Trust Issues Rooted in Childhood Experiences

Matt Flamhaff: It doesn't matter what Lucy said. I stopped trusting her after she stole my Pop Rocks in the third grade.

13 Going on 30 - Dreams and Reality in Life's Journey

Matt Flamhaff: [to Jenna] You don't always get the dream house, but you get awfully close, you know?

Thor: Ragnarok - Banner's PhDs Outnumber Hulk's Knowledge

Bruce Banner / Hulk: Okay. How many PhDs does Hulk have? Zero! How many PhDs does Banner have? Seven!

Thor: Ragnarok - Struggle for Control Between Bruce and Hulk

Bruce Banner / Hulk: In the past, I always felt like Hulk and I each had a hand on the wheel. But this time it's like he had the keys to the car and I was locked in the trunk!

Thor: Ragnarok - Struggling with Constant Anger and Frustration

Bruce Banner / Hulk: I just get so angry all the time. Hulk always... always angry.

Now You See Me 2 - The Weight of Lost Control

Dylan Rhodes: Hey, tell me you're safe. Where are you?
Thaddeus Bradley: Right where you left me. 18 months ago, Agent Rhodes.
Dylan: Thaddeus?
Thaddeus: How does it feel to lose everything? Your job. Your identity. Your reason for living. How does it feel to be out of control, perhaps for the first time?
Dylan: What do you want?
Thaddeus: You're a fool, Agent Rhodes. You always have been.
Dylan: Where are they?
Thaddeus: I'm not telling you on the phone!
Dylan: Don't lie to me, Thaddeus. Where are they?!
Thaddeus: And if you're wondering if I was behind the Horsemen's recent debacle... well, I'll let you work that out for yourself.
Dylan: Hey, I burned you once; I'll burn you again. And I'm not playing, Thaddeus.
Thaddeus: It's not my game, Agent Rhodes. It's yours. You started it when you locked me in a cell. This is simply my move. Next one is yours, and yours alone.

Now You See Me - The Mystery of the Playing Card

Alma Dray: So if you had nothing to do with it, then how did the playing card get in the vault?
Daniel Atlas: Oh, yes. That would be...What do the kids call it these days? Oh, yeah, that's right, magic.
Dylan Rhodes: Just answer the question, okay, smart-ass.
Daniel Atlas: You can keep that. Don't share it with him. Um, as far as I understand it, when the man from Paris put on the magical helmet, I guess it was -
Dylan Rhodes: Listen to me. If you didn't rob that bank, then you knew about it. Which makes you an accomplice. So if you wanna walk out of here today, I suggest that you start -
Daniel Atlas: Okay, now you listen to me. Unless you think there's a DA in the state of Nevada who'd be willing to make sense of all this to a jury, then we have a show to perform. And you, Agent Rhodes, have a drawing board to get back to.
Dylan Rhodes: You are literally begging to be arrested, you know that?
Daniel Atlas: [to Alma; back to Rhodes] If it means you would actually do it, then yeah, but you won't. Because if you did, it means that you, and the FBI, and your friends at Interpol actually believe - at an institutional level - in magic. The press would have a field day. And we'd be even more famous than we already are. And you guys would look like idiots even more than you already are. Well, not you, but him, right? You have, what we in the business like to call "nothing up your sleeve". And you know it.
Dylan Rhodes: You wanna know who sat in that chair before you? Mob bosses, murderers and thieves. And you know who put em there? The guy who's sitting in this chair. So I warn you, I can maintain my resolve much longer than you can maintain that phony arrogance. And the instant that you even show the slightest crack in that smug façade, I'll be there. I will be all over you like -
Daniel Atlas: Like white on rice? Sorry, that's unfair. Let me warn you. I want you to follow. Because no matter what you think you might know, we will always be one step, three steps, seven steps ahead of you. And just when you think you're catching up, that's when we'll be right behind you. And at no time will you be anywhere other than exactly where I want you to be. So come close, get all over me; because the closer you think you are, the less you'll actually see.
Dylan Rhodes: [lunges towards Atlas] I’m gonna nail you!
Daniel Atlas: Something wrong with that soda, miss?
Daniel Atlas: [grabs Rhodes' phone before the liquid can touch it] Oh, shit. First rule of magic: Always be the smartest guy in the room.

Now You See Me - Introduction to the Eye

Dylan Rhodes: Welcome to the Eye.

Now You See Me - The Eye's Influence on Ambition and Revenge

Dylan Rhodes: So here's my new theory: the legend is that the Eye is everywhere, waiting for the truly great magicians to distinguish themselves from the mediocre ones. Maybe that was you. Deep down inside, you wanted nothing more than to be part of the Eye, but you were never invited, so you tried to destroy them, but instead, what happens? You pissed them off.

Now You See Me - Staying Ahead in the Game

Dylan Rhodes: As of this instant, we are ahead of them. We need to keep it that way, understand?

Shutter Island - Planning an Escape from the Island

Teddy Daniels: So, what's our next move?
Chuck Aule: You tell me.
Teddy Daniels: [pause] I gotta get off this rock, Chuck. Get back to the mainland. Whatever the hell's going on here, it's bad. Don't worry, partner, they're not gonna catch us.
Chuck Aule: That's right, we're too smart for em.
Teddy Daniels: [pause] Yeah, we are, aren't we? You know, this place makes me wonder.
Chuck Aule: Yeah, what's that, boss?
Teddy Daniels: Which would be worse - to live as a monster, or to die as a good man?
Chuck Aule: Teddy?

Shutter Island - The Dangers of Disregarding Mental Health Voices

Teddy Daniels: They're experimenting on people here.
Chuck Aule: I don't know, boss. How can you believe a crazy guy?
Teddy Daniels: That's the beauty of it. Mental Patients make the perfect subjects, if they talk nobody listens to them!

Shutter Island - Confrontation and Resilience in Military Backgrounds

Dr. Jeremiah Naehring: You both served overseas, huh?
Chuck Aule: It's not much of a stretch, Doc. For all you know, we're both paper pushers over there.
Dr. Jeremiah Naehring: No, you are not. - Since the schoolyard, neither of you has ever walked away from a physical conflict. No, no, not because you enjoyed it, but because retreat isn't something you consider an option.
Chuck Aule: We weren't raised to run, Doc.
Dr. Jeremiah Naehring: Ah, yes. Raised. And who raised you, Marshal?
Teddy Daniels: Me? Wolves.
Dr. Jeremiah Naehring: Very impressive defense mechanisms.

Shutter Island - Understanding Violence and Assumptions

Dr. Jeremiah Naehring: Men like you are my specialty, you know. Men of violence.
Chuck Aule: Now, that's a hell of an assumption to make.
Dr. Jeremiah Naehring: No assumption, no, not at all. You misunderstand me. I said, you are men of violence'. I'm not accusing you of being violent men. That's quite different.

Avengers: Infinity War - Last Chance for the Hulk

Bruce Banner / Hulk: [Trying to change into the Hulk while fighting Cull Obsidian in the Hulkbuster armor; '''Hulk: No!'''] Hulk. Hulk, I know you like making your entrance at the last second. Well, this is it, man! This is the last, last second! Hulk! Hulk! Hulk! Oh, screw you, you big green asshole! I'll do it myself!

Avengers: Infinity War - Assembling the Team for Battle

Bruce Banner / Hulk: ['''Natasha Romanoff:''' After the whole [[Captain America: Civil War|Accords situation; [w:house arrest|house arrest; '''Steve Rogers:''' Ant-Man.] We need all hands on deck. Where's Clint? ], he and Scott took a deal. It was too tough on their families. They're on ].] Who's Scott? There's an Ant-Man and a Spider-Man?

Avengers: Infinity War - Struggle for Hulk's Emergence

Bruce Banner / Hulk: [Trying to change into the Hulk in New York; slapping himself; '''Hulk: No-o-o-o!'''] Come on, Hulk. What're you doin to me? Come out! Come out! Come out! What do you mean, "No"?!

Poor Things - A Proposal with Dark Humor

Duncan Wedderburn: I will fucking throw you overboard!
Bella Baxter: So you wish to marry me, or kill me? Is that the proposal?

Poor Things - Discussion on Limits and Strengths in Men

Bella Baxter: I am rested, let us go again.
Duncan Wedderburn: Again? Unfortunately, even I have my limits. Men cannot keep coming back for more.
Bella Baxter: It is a physiological problem? A weakness in men.
Duncan Wedderburn: Well... perhaps so.

Poor Things - A Conversation About Unpleasant Experiences

Duncan Wedderburn: [''After she spits out her food''] Bella!
Bella Baxter: Why keep it in my mouth if it is revolting?
Kitty: [''She laughs''] I've said that before to Gerald.

Poor Things - Beauty and Experience in Unexpected Comparisons

Duncan Wedderburn: You’re the most beautiful woman I’ve ever seen. I will not lie, I’ve been with many.
Bella Baxter: Missus Prim said you were wolf, with scent of a hundred women on you.
Duncan Wedderburn: She undersells it, okay. Oysters, have you had them before?
Bella Baxter: I have not.

Poor Things - Embracing Freedom in the Present Moment

Duncan Wedderburn: You, like me, are a creature of freedom in the moment.

Poor Things - Confidence in Unmatched Passion

Duncan Wedderburn: Well at the risk of being immodest, you have just been thrice fucked by the very best. It's probable no other man will ever bring you to the raptures I will. I feel bad for you.

Poor Things - Self-Mastery and Personal Responsibility

Duncan Wedderburn: [''Mockingly to Max in a mental institution''] We're all masters of our own ships." You cunty cuntface dipshit!