Highlights
Margo's Got Money Troubles Season 1 - Unforgettable Nonverbal Acting Clip
Margo's Got Money Troubles
The Devil Wears Prada 2 - Runway Ready Clip
The Devil Wears Prada 2
Sugar Season 2 - Sugar and Wiley Clip
Sugar
House of the Dragon Season 3 - Emma D’Arcy at the World Premiere After-Party
House of the Dragon
The Devil Wears Prada 2 -  He Hired Me Last Night Clip
The Devil Wears Prada 2
The Dog Stars - Jacob Elordi as Hig
The Dog Stars
Enola Holmes 3 - Exclusive Interview with Millie Bobby Brown
Enola Holmes 3
Dune: Part Three - Director Denis Villeneuve and Zendaya Behind The Scenes
Dune: Part Three
Toy Story 5 - Sheriff Joke Clip
Toy Story 5
The Odyssey - Tom Holland at the World Premiere
The Odyssey
Ted Lasso Season 4 - Relationship Advice from Mum Clip
Ted Lasso
Elle Season 1 - Official Poster
Elle
Cape Fear Season 1 - What Is Your Worst Fear Clip
Cape Fear
House of the Dragon Season 3 - Harry Collett at the World Premiere After-Party
House of the Dragon

Sidney Berthier

Sidney Berthier
Latest Trailers
From
Paris, France
Director

Sidney Berthier Biography

Sidney Berthier is a French-Australian filmmaker whose work spans narrative film, broadcast television, and branded storytelling. He trained in film at the University of Warwick and completed a Masters at the University of Cambridge. His practice combines directing, editing, and cinematography, with a focus on character-driven storytelling. Born in Paris, France, Sidney Berthier graduated with a Baccalauréat at the age of 15, three years ahead of the usual age for high school students.

Passionate about cinema since childhood, he was then accepted into the University of Warwick at the age of 16 to study Film and Television within the department co-founded by V.F. Perkins. Keen to pursue his passion, Sidney then moved to the University of Cambridge at the age of 19, making him one of the youngest students ever to undertake a Masters degree.

Some of his research on James Bond, which dealt with David Bordwell's concept of "intensified continuity" editing and Svetlana Boym's notion of "restorative" nostalgia, was also published in the British Guild of Film and TV Editors magazine.

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