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Ugo Tognazzi

Ugo Tognazzi
Latest Trailers
Birthday
March 23rd, 1922
From
Cremona, Lombardy, Italy
Actor

Ugo Tognazzi Biography

Ottavio "Ugo" Tognazzi (23 March 1922 – 27 October 1990) was an Italian actor, director, and screenwriter. He is considered one of the most important faces of Italian comedy together with Vittorio Gassman, Nino Manfredi, Marcello Mastroianni, and Alberto Sordi. Tognazzi was born in Cremona, in northern Italy but spent his youth in various localities as his father was a travelling clerk for an insurance company.

After his return to his native city in 1936, he worked in a cured meats production plant where he achieved the position of accountant. During World War II, he was inducted into the Army and returned home after the Armistice of 8 September 1943, and joined the Black Brigades for a while. His passion for theater and acting dates from his early years, and also during the conflict he organized shows for his fellow soldiers.

In 1945, he moved to Milan, where he was enrolled in the theatrical company led by Wanda Osiris. A few years later, he formed his own successful musical revue company. In 1950, Tognazzi made his cinematic debut in The Cadets of Gascony directed by Mario Mattoli. The following year, he met Raimondo Vianello, with whom he formed a successful comedy duo for the new-born RAI TV (1954–1960).

Their shows, sometimes containing satirical material, were among the first to be censored on Italian television. After the successful role in The Fascist (Il Federale) (1961), directed by Luciano Salce, Tognazzi became one of the most renowned characters of the so-called Commedia all'Italiana (Italian comedy style). He worked with all the main directors of Italian cinema, including Mario Monicelli (My Friends), Marco Ferreri (La Grande Bouffe), Carlo Lizzani (La vita agra), Dino Risi, Pier Paolo Pasolini (Pigsty), Ettore Scola, Alberto Lattuada, Nanni Loy, Pupi Avati and others.

Tognazzi also directed some of his films, including the 1967 film The Seventh Floor. The film was entered into the 17th Berlin International Film Festival. He was a well-known actor in Italy, and starred in several important international films, which brought him fame in other parts of the world. Roger Vadim cast Tognazzi as Mark Hand, the Catchman, in Barbarella (1968).

He rescues Barbarella (Jane Fonda) from the biting dolls she encounters, and after her rescue, he requests payment by asking her to make love with him (the "old-fashioned" way, not the psycho-cardiopathic way of their future). In 1981, he won the Best Male Actor Award at the Cannes Film Festival for Tragedy of a Ridiculous Man, directed by Bernardo Bertolucci.

While he worked primarily in Italian cinema, Tognazzi is perhaps best remembered for his role as Renato Baldi, the gay owner of a St. Tropez nightclub, in the 1978 French comedy La Cage aux Folles which became the highest grossing foreign film ever released in the U.S. Tognazzi had various relationships during his life, being married to actresses Margarete Robsahm and later Franca Bettoia.

He had four children from three different women: his sons Ricky Tognazzi (b. 1955) and Gianmarco Tognazzi (b. 1967) are actors; another son, Thomas Robsahm (b. 1964), is a Norwegian film director and producer; his daughter, Maria Sole Tognazzi (b. 1971), is also a film director. ... Source: Article "Ugo Tognazzi" from Wikipedia in English, licensed under CC-BY-SA.

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Ugo Tognazzi Movies

Ugo Tognazzi TV Shows

Ugo Tognazzi Quotes

Old-Fashioned Ways Have Their Merits

Mark Hand: And now, Barbarella… don't you agree with me? That in some things, the old-fashioned ways are best after all?
Barbarella: What? Oh, that. Yes, I must admit it was rather… interesting. Still, I see what they mean by saying it's distracting.

A Grateful Offer and Unexpected Proposal

Barbarella: [[government] I'm so grateful for what you've done, I hardly know how to begin to thank you. I'm positive I can get you some sort of recompense from my ]. I mean, if— if there's anything you need, or that I can do, please tell me.
Mark Hand: Well, you could let me… make love to you.
Barbarella: Make love", did you say?
Mark Hand: Yes!
Barbarella: What do you mean? You don't even know my psychocardiogram!
Barbarella: Well, on Earth, for centuries, people haven't made love unless their psychocardiogram readings were in perfect confluence.
Barbarella: Do you have any pills?
Mark Hand: Pills?!
Barbarella: Oh, never mind. I have some here.
Mark Hand: Uh, b-b-uh… what is this pill?
Barbarella: It's an exaltation transference pellet, of course.
Mark Hand: Hmm. I know nothing of this.
Barbarella: I see. Well, on Earth, when our psychocardiogram readings are in perfect confluence, and we wish to "make love", as you call it, we take an exaltation transference pellet, and remain like this — here, let me show you…
Barbarella: … for one minute, or until full rapport is achieved.
Mark Hand: Ah! I don't care for that!
Mark Hand: This! This is what I mean. This! The bed.
Barbarella: That?! But nobody's done that for centuries! I mean, nobody except the very poor, who can't afford the pills and the psychocardiogram readings.
Mark Hand: Why not?
Barbarella: [[danger] Cause it was proved to be distracting and a ] to maximum efficiency! And… and because it was pointless to continue it when other substitutes for ego support and self-esteem were made available.

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