Based on 6 Critics
Based on 4 Users
  • By the end of Children of the Corn, the only thing moving behind the rows is the audience, fleeing to the exits. show more

  • It’s ragged round the edges, but then Fritz Kiersch is working with a budget Roger Corman would laugh at, and he does a good job. show more

  • The idea that there is evil under the sun and amongst the verities out there in the clean-living heartland is not exactly new to fiction. Neither is the one about the bad seeds, the homicidal children. In combination, however -- the combination in Children of the Corn-- the elements have a perverse novelty. [19 Mar 1984, p.C6]

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