Hamfat Asar (1965)

The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death the Elysian fields of Homer Dantes Purgatorio de Chiricos stitched plain A moving single picture Evolving the structure or script for the film involved a process of controlled hallucination whereby I sat quietly without moving looking at the background until the pieces began to move without my inventing things for them to do I found that given the chance they really did have important business to attend to and my job was to furnish them with the power of motion I never deviated from this plan Canyon Cinema