Highlights
The Friend - Bill Murray Exclusive Interview
The Friend
Elio - Teaser Clip 2
Elio
Springsteen: Deliver Me from Nowhere - Teaser Clip
Springsteen: Deliver Me from Nowhere
Barrio Triste - Tainy, Stillz and Bad Bunny at the NYFF Screenings
Barrio Triste
Words of War - Sean Penn Exclusive Interview
Words of War
Barrio Triste - Esteban Zuluaga, James Clauer, Stillz, Eric Kohn and Adam Robinson at the NYFF Screenings
Barrio Triste
TRON: Ares - Jared’s Journey Clip
TRON: Ares
After The Hunt - Andrew Garfield at the New York Film Festival
After the Hunt
Mortal Kombat II - Official Featurette
Mortal Kombat II
Now You See Me: Now You Don't - Woody Harrelson Character Poster
Now You See Me: Now You Don't
Foundation Season 4 - Teaser Announcement Clip
Foundation
Playdate - First Look at Kevin James and Alan Ritchson
Playdate
Ironheart - Official Trailer
Ironheart
Anemone - Sean Bean at the New York Film Festival World Premiere
Anemone
Freakier Friday - Even Freakier Clip
Freakier Friday
Black Rabbit Season 1 - Jason Bateman and Jude Law
Black Rabbit
How to Fly

How to Fly (1981) Where to Watch Online

Can’t wait to see 'How to Fly' on your favorite screen? Discovering a streaming service to buy, rent, download, or watch the Ed Bowes-directed movie via subscription can be confusing, so we here at Moviefone want to help you out.

Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'How to Fly' on each platform when they are available. Now, before we get into all the details of how you can watch 'How to Fly' right now, here are some finer points about the The Walsung Company, WXXI-TV flick.

How to Fly starring Joe Hannon, Gregor Hornyak, Phil O'Reilly, Kathleen Kiernan has a Not Rated rating, a runtime of about 31 min, and a scheduled release date of January 1st, 1981.

Need a quick rundown of the movie? Here's the plot: "With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas" .