In a Lonely Place poster
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In a Lonely Place Quotes

"The Bogart suspense picture with the surprise finish!"

NR 1950 · 1h 33m
76
Audience
76
Audience
22 quotes
The Complexity of Love and Loss
Dixon Steele I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.
[about Laurel]
Ordering Flowers for Someone Special
Dixon Steele Say, do me a favor, will you, pal?
[to man hosing down the sidewalk in front of the florist shop]
Dixon Steele I want to send two dozen white roses to a girl.
Flower Shop Employee Yes, sir. Do you want to write a card?
Dixon Steele No, there's no card. Her name's Mildred Atkinson.
Flower Shop Employee Mildred Atkinson. Yes, sir. What's her address?
Dixon Steele I don't know. Look it up in the papers. She was murdered last night.
Love Beyond Words in Everyday Moments
Dixon Steele That's because they're not always telling each other how much in love they are. A good love scene should be about something else besides love. For instance, this one: me fixing grapefruit, you sitting over there, dopey, half-asleep. Anyone looking at us could tell we were in love.
The Search for Connection and Identity
Dixon Steele I've been looking for someone for a long time. I didn't know her name or where she lived. I'd never seen her before. When a girl was killed - and because of that, I found what I was looking for. Now I know your name, where you live, and how you look.
Critique of Success and Creative Stagnation
Lloyd Barnes Are you in any position to be choosy? You haven't written a hit since before the war. And your last picture...
Dixon Steele So it stunk. Everybody makes flops except you. You haven't had one, because you've made and remade the same picture for the last twenty years. You know what you are? You're a popcorn salesman.
Subtlety in Love Scenes
Laurel Gray I love the love scene - it's very good.
[on a scene in Dix's script]
Dixon Steele Well that's because they're not always telling each other how much in love they are. A good love scene should be about something else besides love. For instance, this one. Me fixing grapefruit. You sitting over there, dopey, half-asleep. Anyone looking at us could tell we're in love.
The Art of Darkness in Relationships
Dixon Steele You put your right arm around her neck. You get to a lonely place in the road and you begin to squeeze. You're an ex-GI. You know judo. You know how to kill a person without using your hands. You're driving the car and you're strangling her. You don't see her bulging eyes or her protruding tongue. Go ahead, go ahead Brub, squeeze harder. You love her, and she's deceived you. You hate her patronizing attitude. She looks down on you. She's impressed with celebrities. She wants to get rid of you. Squeeze harder. Harder. Squeeze harder. It's wonderful to feel her throat crush under your arm. Now, are you convinced?
[setting up a reenactment; pause]
Sylvia Nicolai You forgot my hands. I could scratch his eyes out before he could kill me.
Dixon Steele Ah, but you didn't. Your first instinct was to grab his arm, try to loosen his grip. That's where you lost the battle, just as Mildred did. I've had a lot of experience in matters of this kind. I've killed dozens of people, in pictures. No, Sylvia, I didn't do it. I assure you, I could never throw a lovely body from a moving car. My artistic temperament wouldn't permit it...You see, we so-called creative artists have a great respect for cadavers. We treat them with the utmost reverence. Put them in soft beds, lay them out on fur rugs, leave them lying at the foot of a long staircase, but we definitely could never throw them from a moving car as though they were cigarette butts.
[pause]
Confidence in Crafting a Convincing Narrative
Dixon Steele He's a smart fellow, that Lochner. A couple times, he almost had me. It was his story against mine. But, of course, I told my story better...I was smart. I covered all the angles, I have an airtight alibi.
A Brief Love Remembered
Laurel Gray I lived a few weeks while you loved me. Goodbye, Dix.
A Writer's Disconnection from Their Work
Actress in Convertible Dix Steele! How are you? Don't you remember me?
Dixon Steele Sorry, can't say that I do.
Actress in Convertible You wrote the last picture I did... at Columbia.
Dixon Steele Oh, I make it a point to never see pictures I write.
A Mutual Understanding of Boundaries
Dixon Steele You know, when you first walked into the police station, I said to myself, "There she is - the one that's different. She's not coy or cute or corny. She's a good guy - I'm glad she's on my side. She speaks her mind and she knows what she wants.
Laurel Gray Thank you, sir. But let me add: I also know what I don't want - and I don't want to be rushed.
Loss of Meaning Over Time
Laurel Gray Yesterday, this would have meant so much to us. Now it doesn't matter. It doesn't matter at all.
[after the police tell her Dix is innocent]
The Perception of Actors and Their Lines
Mildred Atkinson Before I started to go to work at Paul's, I used to think that actors made up their own lines.
Dixon Steele When they get to be big stars, they usually do.
Appreciation for Unexpected Support
Dixon Steele It's a good thing you like my face. I'd have been in a lot of trouble without you.
Perceptions of Attractiveness and Affection
Dixon Steele You know, you're out of your mind - how can anyone like a face like this? Look at it...
Laurel Gray I said I liked it - I didn't say I wanted to kiss it.
Conflicting Promises of Love and Fear
Laurel Gray I'll stay with you, Dix, I promise. I'll stay with you. I love you, Dix. I'll marry you. I'll go away with you. Take me...
Dixon Steele You'd run away from me the first chance you get.
Laurel Gray Don't act like this, Dix, I can't live with a maniac.
Dixon Steele I'll never let you go.
[choking her]
The Challenge of Publicity and Privacy
Dixon Steele It's much easier to get people's names into the papers than to keep them out.
Critique of Hollywood Women's Education
Dixon Steele That's the trouble with these Hollywood dames. They all have such a sketchy education. They know absolutely nothing about the community chest, but they know everything there is to know about community property. Their arithmetic is not so hot, but just ask them how many minks make a coat.
Perception of Excitement in Abnormality
Sylvia Nicolai He's a sick man...There's something wrong with him....He's exciting because he isn't quite normal.
[about Dix]
Emotional Detachment in a Murder Investigation
Capt. Lochner You're told that the girl you were with last night was found in Benedict Canyon, murdered. Dumped from a moving car. What's your reaction? Shock? Horror? Sympathy? No - just petulance at being questioned. A couple of feeble jokes. You puzzle me, Mr. Steele.
[Dixon has replied with sarcasm to Lochner's questions]
Dixon Steele Well, I grant you, the jokes could've been better, but I don't see why the rest should worry you - that is, unless you plan to arrest me on lack of emotion.
Unequal Perspectives on Privacy and Trust
Dixon Steele You know, Ms. Gray, you're one up on me - you can see into my apartment but I can't see into yours.
[noting the geography of their apartments]
Laurel Gray I promise you, I won't take advantage of it.
Dixon Steele I would, if it were the other way around.
The Complexity of Trust and Violence
Laurel Gray Dix doesn't act like a normal person. You don't go around hitting people, smashing cars, torturing your best friend. I'm scared of him. I don't trust him. I'm not even sure he didn't kill Mildred Atkinson.
Mel Lippmann Laurel! You're going too far.
Laurel Gray Am I? Have you forgot what you asked me when we first met? You weren't sure of him either, and you knew him better than anybody else. Why can't he be like other people?
Mel Lippmann Like other people - would you have liked him? You knew he was dynamite - he has to explode sometimes! Years ago, I tried to make him go and see a psychiatrist. I thought he'd kill me! Always violent. Well it's as much a part of him as the color of his eyes, the shape of his head. He's Dix Steele. And if you want him, you've gotta take it all, the good with the bad. I've taken it for 20 years and I'd do it again.
Laurel Gray You make me feel ashamed, Mel.