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The Runner - Damian Lewis as Caller
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Lost in Translation

Lost in Translation (2003) - Quotes

Audience Score
74

Acclaimed Film from Sofia Coppola

Taglines: The universally acclaimed new film from Sofia Coppola.

Journeying Far to Find Yourself

Taglines: Sometimes you have to go halfway around the world to come full circle.

Desire for Connection and Understanding

Taglines: Everyone wants to be found.

A Moment of Connection and Choice

Bob: I don't want to leave.
Charlotte: [[w:jazz music|start a jazz band] Then don't. Stay here with me. We'll ].

Unpleasant Lunch and Departure Plans

Charlotte: That was the worst lunch.
Bob: [[w:Yakiniku|What kind of restaurant makes you cook your own food?] So bad. ]
Charlotte: When are you leaving.
Bob: Tomorrow.
Charlotte: I'll miss you.

Generational Connections and Shared Experiences

Charlotte: Well, I guess she's more around your age. You guys could talk about things in common, like growing up in the fifties. Maybe she liked the movies you did in the seventies when you were still making them.
Bob: Wasn't there anyone else around to lavish you with attention?

Navigating Choices Amidst Uncertainty

Lydia: [''over the phone''] Is this a bad time?
Bob: No, it's always a good time.
Lydia Harris: The burgundy carpet is out of stock. It's going to take twelve weeks. Did you like any of the other colors?
Bob: Whatever you like. I'm just completely lost.
Lydia Harris: It's just carpet.
Bob: That's not what I'm talking about.
Lydia Harris: What are you talking about?
Bob: I don't know. I just want to... get healthy. I would like to start taking better care of myself. I'd like to start eating healthier – I don't want all that pasta. I would like to start eating like Japanese food.
Lydia Harris: [''icily''] Well, why don't you just stay there and you can have it every day?
Bob: How are the kids doing?
Lydia Harris: They're fine. They miss their father, but they are getting used to not seeing you. Do I need to worry about you, Bob?
Bob: Only if you want to.

Finding Clarity Through Self-Understanding

Charlotte: I'm stuck. Does it get easier.
Bob: No. Yes. It gets easier.
Charlotte: Oh yeah? Look at you.
Bob: Thanks. The more you know who you are, and what you want, the less you let things upset you.
Charlotte: Yeah. I just don't know what I'm supposed to be, you know. I tried being a writer, but I hate what I write. I tried taking pictures, but they were so mediocre. You know, every girl goes through a photography phase. You know, like horses... taking dumb pictures of your feet.
Bob: You'll figure that out. I'm not worried about you. Keep writing.
Charlotte: But I'm so mean.
Bob: Mean's okay.
Charlotte: Yeah? What about marriage, does that get easier?
Bob: That's hard. We used to have a lot of fun. Lydia would come with me when I made the movies, and we would laugh about it all. Now she doesn't want to leave the kids, and she doesn't need me to be there. The kids miss me, but they're fine. It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone, never to return. But they learn how to walk, and they learn how to talk and you wanna be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: [''beginning to fall asleep''] Hmm, that's nice.
Bob: Where'd you grow up?
Charlotte: Um, I grew up in New York, and I moved to Los Angeles when John and I got married. But it's so different there.
Bob: Yeah, I know.
Charlotte: John thinks I'm so snotty.
Bob: [''chuckles''] You're not hopeless.

Cultural Differences and Humor in Conversation

Charlotte: Why do they switch the r's and the l's here?
Bob: Uh, for yuks. You know? Just to mix it up. They have to amuse themselves, cause we're not making them laugh.
Charlotte: Let's never come here again because it will never be as much fun.
Bob: Whatever you say. You're the boss.

First Impressions in an Unlikely Encounter

Charlotte: You know, the first time I saw you, you were wearing a tuxedo at the bar. You were very dashing. I liked the mascara.
Bob: [''shakes his head''] But the first time I saw you was in the elevator.
Charlotte: Really?
Bob: You don't remember?
Charlotte: Mmm, I guess you do kind of blend in here, huh? Did I scowl at you?
Bob: No, you smiled.
Charlotte: I did?
Bob: Yes, it was a complete accident. A freak. I haven't seen it since. Just that one time.

Unexpected Pain and Relief in Conversation

Bob: I was feeling tight in the shoulders and neck, so I called down and had a Shiatsu massage in my room.
Charlotte: Mmh, that's nice!
Bob: And the tightness has completely disappeared and been replaced by unbelievable pain.
Charlotte: Yeah. I'm in pain, I got my foot banged up. Wanna see it?
Bob: [''to Chef, sarcastically''] How do you say no? Oh, my gosh! When did you do this?
Charlotte: I did it the other day. It hurts, y'know?
Bob: Didn't you feel any pain?
Charlotte: Yeah, it really hurt.
Bob: [''regarding Chef''] That toe is almost dead. I think I got to take you to a doctor. You can't just put that back in the shoe. Well, you either go to a doctor or you leave it here. He's smiling. You like that idea? See they love black toe in this country.

Confronting Mid-Life Crisis and Uncertainty

Charlotte: You really are having a mid-life crisis.
Bob: Really? I was afraid of that. I kept telling myself that I just wanted to be ready in case we go to war tonight.

Bar Conversations in Tokyo

Charlotte: How long are you here for?
Bob: I'll be in the bar the rest of the week.

A Playful Proposal for an Escape

Charlotte: You ever switch seats?
Bob: Uh, I like this one. If I fall, someone will notice.
Charlotte: Yeah. So, you having a nice time?
Bob: Can you keep a secret? I'm trying to organize a prison break. I need like, what, an accomplice. We have to first get out of this bar, then the hotel, then the city, and then the country. Are you in or you out?
Charlotte: I'm in.
Bob: Good.
Charlotte: I'll go pack my stuff.
Bob: Get your coat.
Charlotte: [''walks away''] See ya.
Bob: I hope you've had enough to drink. It's gonna take courage.

Perceptions of Body Image and Metabolism

Kelly: [In hotel ṛestạurạṇt; [w:Anorexia|you are anorexic] Everybody is always, like, "Kelly, ]." And I'm, like, "No, I'm not!" I eat so much junk food, you wouldn't believe it! Just because I have a high metabolism.
John: Because I thought you were anorexic too.
Kelly: Everybody does. Everybody thinks that.
John: Yeah, cause you look so--
Kelly: Thank you! I know, but it's-- I mean, I eat whatever. I have a really high metabolism. Yeah. But, um-- My dad was an anorexic.
Charlotte: [''sarcastically''] Really?
Kelly: [[w:Bay of Pigs invasion|the American side of the Bay of Pigs in Cuba] He, um, fought on ]. He was taken prisoner and the whole time he was there they tortured him about food. Every day they told him they put poison in the food. So, they would always make themselves throw up after every meal.
John: That's horrible!

Connection Through Culture and Shared Experiences

Kelly: [''being interviewed''; [w:Buddhism|Buddhism; [w:Midnight Velocity|Midnight Velocity; [w:Keanu Ŗeeves|Keanu Ŗeeves] You know, I guess the reason why I like Japan the best out of all Asian countries is because I really feel close to, um, ]. I really feel-- I really believe in reincarnation. That's part of what drew me to ] as well because although ] dies, he eventually gets reincarnated. So, there's hope. There's hope in reincarnation, I think.
Reporter: What was it like working with Keanu Reeves?
Kelly: [[w:Ļos Ạṇgeles|live in L.A.; [w:Mexican çusịṇe|like Mexican food; [w:yoga|yogạ; gestures; [w:karate|ķạrạte; ''reporters laugh''] He was always so-- He was always, you know, giving me ideas and, you know, really helpful. He made me feel really comfortable, so-- And we both have two dogs, and we both ]; so we have all these different things in common. So, you know, we both really ] and ] and ]!

Communication in a Multilingual Setting

Kelly: [''in hotel lobby''; [w:Evelyn Waugh|Evelyn Waugh] Listen, I'm under ]. Shh. Okay?
John: Okay, yeah!
Kelly: [''to Charlotte''] Okay, arigato. Arigato.
John: [''laughing''] Moshi moshi!
Charlotte: Evelyn Waugh?
John: What?
Charlotte: Ḛvḛlyṇ Ẉạugh was a man.
John: [''shocked''; [w:Yale|weṇt to Yale University] Oh, c'mon, she's nice. What? You know-- You know, not everyone ]. Its just a pseudonym, for Christ's sake.
Charlotte: Why do you have to defend her?
John: Well... why do you have to point out how stupid everybody is all the time?
Charlotte: I thought it was funny. Forget it.

A Compliment Amidst Awkwardness

Kelly: John, John. You are my favorite photographer.
John: Ohhh...
Kelly: [''both laugh''] No, you are. I only want you to shoot me. It's true. Oh my God, I have the worst B.O. right now. I'm sorry.

Life Choices and Unexpected Opportunities

Charlotte: So, what are you doing here?
Bob: Uh, a couple of things. Taking a break from my wife, forgetting my son's birthday. And, uh, getting paid two million dollars to endorse a whiskey when I could be doing a play somewhere.
Bob: [''Charlotte laughs''] But the good news is, the whiskey works. What are you doing?
Charlotte: My husband's a photographer, so he's here working. I wasn't doing anything so I came along. And we have some friends that live here.
Bob: [''lights Charlotte's cigarette''] How long you've been married?
Charlotte: Oh, thank you. Two years.
Bob: Try twenty-five.
Charlotte: [[w:Mid-life crisis|having a mid-life crisis; [w:Porsche|a Porsche] You're probably just ]. Did you buy ] yet?
Bob: You know, I was thinking about buying a Porsche.
Charlotte: Twenty-five years. That's, uh, well it's impressive.
Bob: Well you figure, you sleep one-third of your life, that knocks out eight years of marriage right there. So you're, y'know, down to sixteen and change. You know you're just a teenager, at marriage; you can drive it but there's still the occasional accident.
Charlotte: [''laughs''] Yeah.
Bob: What do you do?
Charlotte: I'm not sure yet, actually. I just graduated last spring.
Bob: What did you study?
Charlotte: [[w:Philosophy|Phịlosophy] ].
Bob: Yeah, there's a good buck in that racket.
Charlotte: Well, so far it's pro bono.
Bob: Well, I'm sure you'll figure out the angles.
Charlotte: Yeah. I hope your Porsche works out. Cheers to that, huh?
Bob: Cheers to that.

Martinis and Casual Conversation

Stills Photographer: [[w:James Bond|007?] You know ]
Bob: He drinks martinis, but all right.

Casual Conversation About Drinking

Stills Photographer: Are you drinking, no?
Bob: Am I drinking? As soon as I'm done.

Misunderstanding in a Cross-Cultural Encounter

Premium Fantasy woman: [''in Bob's hotel room''] Mr. Kazu sent me- premium fantasy. My stockings. Lip them. Lip my stockings. Yes, please, lip them.
Bob: What?
Premium Fantasy woman: Lip them. Hey! Lip my stocking!
Bob: [''Bob then rezlizes she is asking him to; [[w:Fetish|“rip” her stockings] Hey? Lip them? Lip them? What?

Directing a Scene in Lost in Translation

Director: [''to Bob, in Japanese''; [w:Ḫụmphrey Ḅogạrt|“like Bogie”; [w:Çạsạblạņçạ ⟨fịlm⟩|in ''Casablanca; ''gesturing, in English''] Mr. Bob-san, you are relaxing in your study. On the table is a bottle of Suntory whiskey. Got it? Look slowly, with feeling, at the camera, and say it gently – say it as if you were speaking to an old friend. Just ] ], "Here's looking at you, kid" Suntory time.
Ms. Kawasaki: [''to Bob, in English''] Umm. He want you to turn, looking at camera. Okay?
Bob: [''to Ms.. Kawasaki''] That's all he said?
Ms. Kawasaki: [''in English''] Yes. Turn to camera.
Bob: [''to Ms. Kawasaki''] All right. Does he want me to turn from the right, or turn from the left?
Ms. Kawasaki: [to director, in Japanese] Uh, umm. He's ready now. He just wants to know if he's supposed to turn from the left or turn from the right when the camera rolls. What should I tell him?
Director: [''to Ms. Kawasaki, histrionically in Japanese''; ''to Bob, in Japanese''] What difference does it make! Makes no difference! Don't have time for that! Got it, Bob-san? Just psych yourself up, and quick! Look straight at the camera. At the camera. And slowly. With passion. Straight at the camera. And in your eyes there's... passion. Got it?
Ms. Kawasaki: [''to Bob, in English''] Right side. And with intensity. Okay?
Bob: [''to Ms. Kawasaki''] Is that everything? It seemed like he said quite a bit more than that.
Director: [''to Bob, in Japanese''] Listen, listen. This isn't just about whiskey. Understand? Imagine you're talking to an old friend. Gently. The emotions bubble up from the bottom of your heart. And don't forget, psych yourself up!
Ms. Kawasaki: [''to Bob, iṇ English''] Like an old friend. And, into the camera.
Bob: [''to them both''] Okay.
Director: [''in Japanese, gesturing condescendingly''; ''in English''] Got it? You love whiskey. It's Suntory time. Okay?
Bob: [''to them both''] Okay.

A Question About Farewells and Frights

Bob Harris: Aren't you gonna say, "Have a good fright?

A Farewell and Missing Jacket

Bob Harris: Charlotte, I'm down in the lobby and I'm leaving now. Um, I was calling to see if you still have my jacket. If you could you bring it down, but you're not there, so this is good-bye, and, uh... So, I guess, good-bye and enjoy my jacket which you stole from me.

Comparing Bathroom Cleanliness Standards

Bob Harris: My bathroom is messier than yours.

Question about color in a foreign setting

Bob Harris: Which one's burgundy?

Improving Language Skills Through Communication

Bob Harris: My Japanese is getting better. We started speaking English.

Seeking Clarity in a World of Confusion

Bob Harris: You want more mysterious? I'll just try and think, "Where the hell's the whiskey?

Perspective on Distance and Closeness

Bob Harris: I don't get that close to the glass until I'm on the floor.

Embracing Moments of Relaxation

Bob Harris: [repeated line; [w:Suntory|Suntory] For relaxing times, make it ] time.