Malady of the Infinite

A desaturated image of Edvard Munchs painting Der Schrei der Natur The Scream of Nature is overlaid with several monochromatic images of landscapes and seascapes The film uses an original soundtrack employing a discordance between sound and images to explore the incongruity between the auditory and visual sensory modalities The soundtrack in the film is a constant distraction in terms of visual perception and vice versa ie the images in the film are a constant distraction in terms of auditory perception