Terminal

Apologue on the theme of power and the strong means to conquer it wrapped in a yellow structure at the service of political cinema of those years in a futuristic scenario with vaguely Kafkaesque echoes At the time I was interested in a type of metaphorical cinema but on the one hand in which the metaphor was contained within a conventional structure I basically had two archetypes existing both in literature and in cinema on whose variation revisiting I wanted to work the theme of the double and the theme of Jekyll Hyde By mixing the two I arrived at the story of the film one entering the life of another