Who's Afraid of Virginia Woolf? poster

Who's Afraid of Virginia Woolf? Quotes

"You are cordially invited to George and Martha's for an evening of fun and games"

NR 1966 · 2h 11m
77
Audience
77
Audience
31 quotes
Request for a euphemism explanation
George Martha, will you show her where we keep the, uh, euphemism?
[Honey abruptly stands, looking ill.]
The Transformation of the Violet-Eyed Venus
Taglines The Violet-Eyed Venus Becomes a Boozing, Tired, Greying "Virago
End of the Dance
George All right! The dancing's over!
Honey Violence! Violence! Oo-hoo!
[applauding]
Choosing Drinks Among Friends
Martha Fix the kids a drink, George. What would you like to drink, kid– kid.
Nick Honey? what would you like?
Honey Ohhhh, I don't know, dear, a little brandy maybe. "Never mix, never worry!
George Brandy? Just brandy? Simple, simple…
George What about you, em… em… em…
Nick Bourbon on the rocks, if you don't mind.
George Mind? I don't mind. I don't think I mind. Martha? Rubbing alcohol for you?
Martha Sure! "Never mix, never worry!
Tension and Frustration in Late-Night Conversations
George All I said was that our son, the apple of our three eyes — Martha being a cyclops — our son is a beanbag, and you get testy!
Nick I'm sorry, it's late! I'm tired. I've been drinking since nine o'clock, my wife is vomiting… there's been a lot of screaming going on around here!
George So you get testy, naturally! Don't worry about it! Anybody who comes here ends up getting testy; it's expected! Don't be upset!
Nick I'm not upset.
George You're testy.
Nick Yes.
The Nature of Humor in Relationships
Martha I bust a gut! George didn't think it was funny at all.
[laughs uproariously, then settles]
George Martha thinks that unless you, as she demurely puts it, "bust a gut", you're not amused, you know. Unless you're… carrying on like a hyena, you're not having any fun.
A Dispute Over a Famous Phrase
Martha What a dump. Hey, w-what's that from? "What a dump!
[pauses]
George How would I know?
Martha Oh, come on, what's it from? You know!
George Martha…
Martha What's it from, for chrissake?!
George What's what from?
Martha I just told you. I just did it. "What a dump!" Huh? What's that from?
George I haven't the faintest idea.
Martha Dumbbell.
Jealousy and Impressed Reactions in Conversation
George I'm very impressed.
Martha You're damn right!
George I said I was impressed. I'm beside myself with jealousy. What do you want me to do, throw up?
Bunny Honey's Playful Exchange with Friends
Nick Here we are.
Honey Hip, hop! Hip, hop! Hip, hop! Hip, hop!
Nick Are you a bunny, Honey?
Honey Bunny Honey!
[giggles]
George Well, now, how's the bunny?
Honey Bunny funny!
[giggles]
George Bunny funny. Good for bunny!
Martha Come on, George!
George Honey, funny bunny.
Art and Relationships in Conversation
Nick Ah, who, ah… who did the painting?
Martha That? Oh, that's by…
George … some Greek with a moustache Martha attacked one night in a, in a…
[laughs stiffly]
The Joy of Dancing Together
Honey I want some! I want some dancing!
[drunkenly]
Martha That's not such a bad idea.
Honey I love dancing, don't you.
Martha With the right man.
Honey I dance like the wind.
A Humorous Take on Age and Weight
George Martha is 108… years old. She weighs somewhat more than that.
[talking to Nick about weight and fitness]
The Intersection of Civilization and Disillusionment
George Take the trouble to construct a civilization, to build a society based on the principles of, uh… of principle.
Nick Honey!
George You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then, all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? "Up yours".
Drinking and Banter Between Martha and George
Martha Oh-ho, you pig.
George Oink, oink.
Martha Fix me another drink… lover.
George My God, you can swill it down, can't you?
Martha Well, I'm thirsty.
George Oh, Jesus.
Martha Look, sweetheart, I can drink you under any goddamn table you want, so don't worry about me.
George I gave you the prize years ago, Martha. There isn't an abomination award going that you haven't won.
Martha I swear to God George, if you even existed I'd divorce you.
Conflict and Self-Identity in Relationships
George You're a monster. You are.
Martha I'm loud, and I'm vulgar, and I wear the pants in the house because somebody's got to… but I am not a monster! I'm NOT!
George You're a spoiled, self-indulgent, willful, dirty-minded, liquor-ridden…
Martha It went SNAP! I-I-I'm not gonna try to get through to you anymore. There was a second back there — yeah, there was a second, just a second — when I could have gotten through to you, when maybe we could have cut through all this, this CRAP! But it's past, and I'm not gonna try.
[Crap!]
Animal Noises in a Forest Setting
Martha Hey!
George Hark! Forest sounds.
Nick Hmm?
George Animal noises.
Martha Heyyyy!
Martha's Influence on Relationships and Perceptions
Nick We'll go in a little while.
[to Honey]
George Oh no! No, you mustn't! Martha is changing, and Martha is not changing for me! Martha hasn't changed for me in years! If Martha is changing, that means we're going to be here for days. You're being accorded an honor. You mustn't forget that Martha is the daughter of our beloved boss. She is his right… arm, heh heh. I was going to use another word, but we'll leave that sort of talk to Martha.
Martha What sort of talk?
Nick Well, now.
George Why, Martha! Your Sunday chapel dress!
Confrontation and Threat in a Turbulent Relationship
Martha I looked at you tonight and you weren't there! Finally snapped! And– and I'm gonna howl it out! And I'm not gonna give a damn what I do, and I'm gonna make the biggest goddamn explosion you've ever heard!
George You try and I'll beat you at your own game.
Martha Is that a threat, George, huh?
George That's a threat, Martha.
Martha You're gonna get it, baby.
George Be careful, Martha. I'll rip you to pieces.
Martha You're not man enough. You haven't the guts!
George Total war?
Martha Total!
Responsibility and Blame in Relationships
Martha Well, aren't you going to apologize?
George Wasn't my fault — the road should've been straight.
Martha Not that! For making her throw up.
George I did not make her throw up.
Martha You most certainly did.
George I did not.
Honey No, now, no…
[still drunk]
Martha Well, who do you think did? Sexy, back there? You think he made his own wife sick?
George Well, you make me sick.
Martha That's different.
Buried in Cement: A Reflection on Silence
George Martha, in my mind, you are buried in cement right up to the neck. No, up to the nose — it's much quieter.
Perceptions of Humor in Relationships
Martha Who's afraid of Virginia Woolf / Virginia Woolf, Virginia Woolf / Who's afraid of Virginia Woolf…
[To "Who's Afraid of the Big Bad Wolf"]
Martha What's the matter? Didn't ya think that was funny? I thought it was a scream.
Martha You laughed your head off when you heard it at the party.
George I smiled. I didn't laugh my head off.
Martha You laughed your goddamn head off.
The Struggle Between Truth and Illusion
Martha Truth and illusion, George; you don't know the difference.
George No, but we must carry on as though we did.
Martha Amen.
The Impact of Cruel Words
Nick That was cruel and vicious…
George Hmm, she'll get over it.
Nick … and damaging…
George She'll recover.
Nick … damaging to me!
George To you?
Nick To me!
George To you?
Nick YES!
George Oh-ho-ho-ho, beautiful! My god, you gotta have a swine to show you where the truffles are!
The Challenges of Marriage and Opportunity
George Let me tell you a secret, baby — there are easier things in this world, if you, uh… happen to be teaching at a university, there are easier things than being married to the daughter of the president of that university. There are easier things in this world.
Martha It should be an extraordinary opportunity. For some men, it would be the chance of a lifetime.
George There are, believe me, easier things in this world.
Martha Some men would give their right arm for the chance!
George Alas, Martha, in reality, it works out that the sacrifice is of a somewhat more private portion of the anatomy.
Martha's Frustration with George's Stagnation
Martha George is bogged down in the history department. He's an old bog in the history department. That's what George is. A bog. A fen. A GD swamp!
[chuckles]
Martha A swamp! Hey, swamp! Hey swampy!
[to George]
George Yes, Martha? Can I get you something?
Martha Ah… well, sure! You can, um, light my cigarette, if you're of a mind to.
George No. There are limits. I mean, a man can put up with only so much without he descends a rung or two on the, uh, old evolutionary ladder, which is up your line. Now, I will, uh, hold your hand when it's dark and you're afraid of the boogeyman, and I will tote your gin bottles out after midnight so no one can see, but I will not light your cigarette. And that, as they say, is that.
[Nick's]
Martha Jesus!
Familiar Dance Among Friends and Tension
Honey They're dancing like they danced before.
George It's a familiar dance, Monkey Nipples. They both know it.
Honey I don't know what you mean.
[drunkenly]
Martha I like the way you move.
[sighs]
Nick I like the way you move, too.
George They like the way they move.
[to Honey]
Honey That's nice.
[drunkenly]
Invitation to an Evening of Fun
Taglines You are cordially invited to George and Martha's for an evening of fun and games.
Motivations Behind Choosing a Teaching Career
George What made you decide to be a teacher?
Nick Well, the same things that motivated you, I imagine.
George Oh? What were they?
Nick Pardon?
George I said, what were they? What were the things that motivated me?
Nick Well, I'm sure I don't know.
George You just finished saying that the things that motivated you were the same things that motivated me.
Nick I said I imagined they were.
George Oh, did you?
Conflict in Communication between Martha and George
Martha You make me puke!
George wasn't a very nice thing to say, Martha.
[That]
Martha That wasn't what?!
George A very nice thing to say.
Martha Oh, I like your anger. I think that's what I like about you most. Your anger.
Perceptions of Success and Personal Discontent
Nick To you, everybody's a flop! Your husband's a flop, I'm a flop…
Martha You're all flops. I am the Earth Mother, and you are all flops.
Martha I disgust me. You know, there's only been one man in my whole life who's ever made me happy. You know that? One.
Nick What, the gym instructor or something?
Martha No, no, no, no. George. My husband?
[pause]
Nick You're kidding.
Martha Am I?
Nick You must be! Him?
Martha Yep.
Nick George, sure!
Martha You don't believe it.
Nick Well, of course I do!
Martha You always deal in appearances?
Nick Oh, for God's sake.
Martha George, who is out somewhere there in the dark. Who is good to me. Whom I revile. Who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. Yes, I do wish to be happy. George and Martha — sad, sad, sad.
Nick Sad.
Martha Whom I will not forgive for having come to rest, for having seen me and having said, "Yes, this will do". Who has made the hideous, the hurting, the insulting mistake of loving… me. And must be punished for it. George and Martha — sad, sad, sad.
The Pursuit of Excellence
George Good. Better. Best. Bested.