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Who's Afraid of Virginia Woolf?

Who's Afraid of Virginia Woolf? (1966) - Quotes

Audience Score
77

The Transformation of the Violet-Eyed Venus

Taglines: The Violet-Eyed Venus Becomes a Boozing, Tired, Greying "Virago

Invitation to an Evening of Fun

Taglines: You are cordially invited to George and Martha's for an evening of fun and games.

Bunny Honey's Playful Exchange with Friends

Nick: Here we are.
Honey: Hip, hop! Hip, hop! Hip, hop! Hip, hop!
Nick: Are you a bunny, Honey?
Honey: [giggles] Bunny Honey!
George: Well, now, how's the bunny?
Honey: [giggles] Bunny funny!
George: Bunny funny. Good for bunny!
Martha: Come on, George!
George: Honey, funny bunny.

The Struggle Between Truth and Illusion

Martha: Truth and illusion, George; you don't know the difference.
George: No, but we must carry on as though we did.
Martha: Amen.

Perceptions of Success and Personal Discontent

Nick: To you, everybody's a flop! Your husband's a flop, I'm a flop…
Martha: You're all flops. I am the Earth Mother, and you are all flops.
Martha: I disgust me. You know, there's only been one man in my whole life who's ever made me happy. You know that? One.
Nick: What, the gym instructor or something?
Martha: [pause] No, no, no, no. George. My husband?
Nick: You're kidding.
Martha: Am I?
Nick: You must be! Him?
Martha: Yep.
Nick: George, sure!
Martha: You don't believe it.
Nick: Well, of course I do!
Martha: You always deal in appearances?
Nick: Oh, for God's sake.
Martha: George, who is out somewhere there in the dark. Who is good to me. Whom I revile. Who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. Yes, I do wish to be happy. George and Martha — sad, sad, sad.
Nick: Sad.
Martha: Whom I will not forgive for having come to rest, for having seen me and having said, "Yes, this will do". Who has made the hideous, the hurting, the insulting mistake of loving… me. And must be punished for it. George and Martha — sad, sad, sad.

Confrontation and Threat in a Turbulent Relationship

Martha: I looked at you tonight and you weren't there! Finally snapped! And– and I'm gonna howl it out! And I'm not gonna give a damn what I do, and I'm gonna make the biggest goddamn explosion you've ever heard!
George: You try and I'll beat you at your own game.
Martha: Is that a threat, George, huh?
George: That's a threat, Martha.
Martha: You're gonna get it, baby.
George: Be careful, Martha. I'll rip you to pieces.
Martha: You're not man enough. You haven't the guts!
George: Total war?
Martha: Total!

Conflict and Self-Identity in Relationships

George: You're a monster. You are.
Martha: I'm loud, and I'm vulgar, and I wear the pants in the house because somebody's got to… but I am not a monster! I'm NOT!
George: You're a spoiled, self-indulgent, willful, dirty-minded, liquor-ridden…
Martha: [Crap!] It went SNAP! I-I-I'm not gonna try to get through to you anymore. There was a second back there — yeah, there was a second, just a second — when I could have gotten through to you, when maybe we could have cut through all this, this CRAP! But it's past, and I'm not gonna try.

The Impact of Cruel Words

Nick: That was cruel and vicious…
George: Hmm, she'll get over it.
Nick: … and damaging…
George: She'll recover.
Nick: … damaging to me!
George: To you?
Nick: To me!
George: To you?
Nick: YES!
George: Oh-ho-ho-ho, beautiful! My god, you gotta have a swine to show you where the truffles are!

End of the Dance

George: All right! The dancing's over!
Honey: [applauding] Violence! Violence! Oo-hoo!

Familiar Dance Among Friends and Tension

Honey: They're dancing like they danced before.
George: It's a familiar dance, Monkey Nipples. They both know it.
Honey: [drunkenly] I don't know what you mean.
Martha: [sighs] I like the way you move.
Nick: I like the way you move, too.
George: [to Honey] They like the way they move.
Honey: [drunkenly] That's nice.

The Joy of Dancing Together

Honey: [drunkenly] I want some! I want some dancing!
Martha: That's not such a bad idea.
Honey: I love dancing, don't you.
Martha: With the right man.
Honey: I dance like the wind.

Responsibility and Blame in Relationships

Martha: Well, aren't you going to apologize?
George: Wasn't my fault — the road should've been straight.
Martha: Not that! For making her throw up.
George: I did not make her throw up.
Martha: You most certainly did.
George: I did not.
Honey: [still drunk] No, now, no…
Martha: Well, who do you think did? Sexy, back there? You think he made his own wife sick?
George: Well, you make me sick.
Martha: That's different.

The Intersection of Civilization and Disillusionment

George: Take the trouble to construct a civilization, to build a society based on the principles of, uh… of principle.
Nick: Honey!
George: You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then, all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? "Up yours".

Animal Noises in a Forest Setting

Martha: Hey!
George: Hark! Forest sounds.
Nick: Hmm?
George: Animal noises.
Martha: Heyyyy!

Tension and Frustration in Late-Night Conversations

George: All I said was that our son, the apple of our three eyes — Martha being a cyclops — our son is a beanbag, and you get testy!
Nick: I'm sorry, it's late! I'm tired. I've been drinking since nine o'clock, my wife is vomiting… there's been a lot of screaming going on around here!
George: So you get testy, naturally! Don't worry about it! Anybody who comes here ends up getting testy; it's expected! Don't be upset!
Nick: I'm not upset.
George: You're testy.
Nick: Yes.

Martha's Frustration with George's Stagnation

Martha: [chuckles] George is bogged down in the history department. He's an old bog in the history department. That's what George is. A bog. A fen. A GD swamp!
Martha: [to George] A swamp! Hey, swamp! Hey swampy!
George: Yes, Martha? Can I get you something?
Martha: Ah… well, sure! You can, um, light my cigarette, if you're of a mind to.
George: [Nick's] No. There are limits. I mean, a man can put up with only so much without he descends a rung or two on the, uh, old evolutionary ladder, which is up your line. Now, I will, uh, hold your hand when it's dark and you're afraid of the boogeyman, and I will tote your gin bottles out after midnight so no one can see, but I will not light your cigarette. And that, as they say, is that.
Martha: Jesus!

Jealousy and Impressed Reactions in Conversation

George: I'm very impressed.
Martha: You're damn right!
George: I said I was impressed. I'm beside myself with jealousy. What do you want me to do, throw up?

Martha's Influence on Relationships and Perceptions

Nick: [to Honey] We'll go in a little while.
George: Oh no! No, you mustn't! Martha is changing, and Martha is not changing for me! Martha hasn't changed for me in years! If Martha is changing, that means we're going to be here for days. You're being accorded an honor. You mustn't forget that Martha is the daughter of our beloved boss. She is his right… arm, heh heh. I was going to use another word, but we'll leave that sort of talk to Martha.
Martha: What sort of talk?
Nick: Well, now.
George: Why, Martha! Your Sunday chapel dress!

Motivations Behind Choosing a Teaching Career

George: What made you decide to be a teacher?
Nick: Well, the same things that motivated you, I imagine.
George: Oh? What were they?
Nick: Pardon?
George: I said, what were they? What were the things that motivated me?
Nick: Well, I'm sure I don't know.
George: You just finished saying that the things that motivated you were the same things that motivated me.
Nick: I said I imagined they were.
George: Oh, did you?

The Challenges of Marriage and Opportunity

George: Let me tell you a secret, baby — there are easier things in this world, if you, uh… happen to be teaching at a university, there are easier things than being married to the daughter of the president of that university. There are easier things in this world.
Martha: It should be an extraordinary opportunity. For some men, it would be the chance of a lifetime.
George: There are, believe me, easier things in this world.
Martha: Some men would give their right arm for the chance!
George: Alas, Martha, in reality, it works out that the sacrifice is of a somewhat more private portion of the anatomy.

The Nature of Humor in Relationships

Martha: [laughs uproariously, then settles] I bust a gut! George didn't think it was funny at all.
George: Martha thinks that unless you, as she demurely puts it, "bust a gut", you're not amused, you know. Unless you're… carrying on like a hyena, you're not having any fun.

Choosing Drinks Among Friends

Martha: Fix the kids a drink, George. What would you like to drink, kid– kid.
Nick: Honey? what would you like?
Honey: Ohhhh, I don't know, dear, a little brandy maybe. "Never mix, never worry!
George: Brandy? Just brandy? Simple, simple…
George: What about you, em… em… em…
Nick: Bourbon on the rocks, if you don't mind.
George: Mind? I don't mind. I don't think I mind. Martha? Rubbing alcohol for you?
Martha: Sure! "Never mix, never worry!

Art and Relationships in Conversation

Nick: Ah, who, ah… who did the painting?
Martha: That? Oh, that's by…
George: [laughs stiffly] … some Greek with a moustache Martha attacked one night in a, in a…

Drinking and Banter Between Martha and George

Martha: Oh-ho, you pig.
George: Oink, oink.
Martha: Fix me another drink… lover.
George: My God, you can swill it down, can't you?
Martha: Well, I'm thirsty.
George: Oh, Jesus.
Martha: Look, sweetheart, I can drink you under any goddamn table you want, so don't worry about me.
George: I gave you the prize years ago, Martha. There isn't an abomination award going that you haven't won.
Martha: I swear to God George, if you even existed I'd divorce you.

Conflict in Communication between Martha and George

Martha: You make me puke!
George: [That] wasn't a very nice thing to say, Martha.
Martha: That wasn't what?!
George: A very nice thing to say.
Martha: Oh, I like your anger. I think that's what I like about you most. Your anger.

Perceptions of Humor in Relationships

Martha: [To "Who's Afraid of the Big Bad Wolf"] Who's afraid of Virginia Woolf / Virginia Woolf, Virginia Woolf / Who's afraid of Virginia Woolf…
Martha: What's the matter? Didn't ya think that was funny? I thought it was a scream.
Martha: You laughed your head off when you heard it at the party.
George: I smiled. I didn't laugh my head off.
Martha: You laughed your goddamn head off.

A Dispute Over a Famous Phrase

Martha: [pauses] What a dump. Hey, w-what's that from? "What a dump!
George: How would I know?
Martha: Oh, come on, what's it from? You know!
George: Martha…
Martha: What's it from, for chrissake?!
George: What's what from?
Martha: I just told you. I just did it. "What a dump!" Huh? What's that from?
George: I haven't the faintest idea.
Martha: Dumbbell.

The Pursuit of Excellence

George: Good. Better. Best. Bested.

Buried in Cement: A Reflection on Silence

George: Martha, in my mind, you are buried in cement right up to the neck. No, up to the nose — it's much quieter.

A Humorous Take on Age and Weight

George: [talking to Nick about weight and fitness] Martha is 108… years old. She weighs somewhat more than that.

Request for a euphemism explanation

George: [Honey abruptly stands, looking ill.] Martha, will you show her where we keep the, uh, euphemism?

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