Simplistic plotting, pedestrian visuals and poorly-handled melodrama do lend the project a cheap, made-for-TV feel, which is underscored by the fact that Danes and Marsden don’t seem obliged to turn in their best work. show more
Familiar faces in supporting roles don't do much for the commercial prospects of this modest film, which feels like a made-for-TV version of the prototypical Sundance-aspiring quest for identity. show more
Though darker elements loom in the shadows, nothing in this painfully sincere film is remotely affecting; just think of it as “My So-Called Strife.” show more
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