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Viewer Score

100
Viewer score based on 2 votes.

Critic Score

81
Critics' score based on 8 reviews.
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Critic Reviews

A riotous, rapturous explosion of sound and color, Black Orpheus is less about Orpheus's doomed love for Eurydice than about Camus's love for cinema at its most gestural and kinetic.Full Review

Ann Hornaday
Washington Post

It really is not the two lovers that are the focus of interest in this film; it is the music, the movement, the storm of color that go into the two-day festival. M. Camus has done a superb job of getting the documented look not only of the overall fandango but also of the buildup of momentum the day before. (Review of Original Release)Full Review

Bosley Crowther
The New York Times

Camus's film remains a revivifying experience - and a mid-winter oasis. Born and bred in France, Camus made other films, and lots of French TV, but Black Orpheus may still be the greatest one-hit-wonder import we've ever seen.Full Review

Michael Atkinson
Village Voice

A film that art-house audiences in 1959 loved madly. And who can blame them? A buoyant, searingly colorful retelling of the Orpheus and Eurydice myth set in Rio de Janiero, writer-director's Marcel Camus' movie is a romance heightened by its backdrop.Full Review

Michael Wilmington
Chicago Tribune

Pic is somewhat cerebral, being mainly helped by the fresh playing of the cast, especially Yank actress Dawn. Color is excellent, and director Marcel Camus gives this movement. (Review of Original Release)Full Review

Variety
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