Good Night, and Good Luck

He [Clooney] has found a cogent subject, an urgent set of ideas and a formally inventive, absolutely convincing way to make them live on screen. Full Review

A passionate and rousing piece of filmmaking--a civics lesson with the punch of a good melodrama. Full Review

Like other actors who successfully create a cinematic doppelganger of a real person, Strathairn gets under the character's skin. Full Review

Many movies these days are too long; this one, at 90 minutes, feels too short. That's because its purpose is so sharply defined: a tight close-up, in black and white, of a single, seminal moment -- a black and white moment -- in American history, and American journalism. Full Review

Couldn't be more unlikely, more unfashionable -- or more compelling. Full Review