Roman J. Israel, Esq. - Miscommunication in a Professional Setting
George Pierce:
Roman, Roman! Jesus, I heard about what you did in the kitchen. Salinas is our number two. And not only that, while you were schooling Sanchez in a crowded elevator...
Roman J. Israel, Esq.:
Hey, the man doesn't understand character evidence.
George Pierce:
You'll find a quiet corner. I sent you an e-mail today to come to my office.
Roman J. Israel, Esq.:
I'm sorry, when people send e-mail, they seem to think it goes straight to your brain.
George Pierce:
You better take what I'm saying seriously, because I'm being very sincere with you.
Roman J. Israel, Esq.:
I think you knew what you were getting when you brought me in, George.
George Pierce:
I thought you were functional.
Roman J. Israel, Esq.:
I think you brought me in to put your feet to the fire cause you're tired of treating low-income clients like dollar signs, and maybe because you remember what it feels like to actually care. That's what I think, George.
George Pierce:
Hell no, I hired you to make a buck. Which is why I thought you took the job.
Roman J. Israel, Esq.: [chuckles dryly]
I need money. Badly. Of course. But what I really need, George, is an ally. I've been waiting to meet someone of your high caliber, and yes, I am selective. So what I'm offering to you, right out here, now, is the chance to partner with me. On a piece of groundbreaking litigation I've been working on for over seven years now. Inside this case, is arguably the most important legal brief in modern legal history. A sweeping federal challenge that could yield nothing less than a grand new era of social reform, and I say that with all due confidence. The constitution guarantees us the right to a fair trial, but there can't be any fairness is ninety-five percent of all cases never get heard. Criminal cases never get heard by a jury or a judge. I am building a wholly original class action lawsuit with over thirty-five hundred names, all former clients, aimed at the heart of-of-of plea bargain reform. I'm talking about reforming the system where prosecutors are trying to pull sentences out of their hat, where actual guilt or innocence is being completely replaced by fear of having your day in court. Where people are being forced... George, to plead guilty, under the threat of overly harsh, and coercive sentences. It's a job for a legend, or someone who wants to be one.
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American Outlaws - Tension Among Outlaws Over Cole's Capture
Bob Younger: [[brother; [temper]
They took Cole! They came up. They made the same offer they made you folks. Our little ] Jim tried to chase them off. One of the detectives hit him in the head and knocked him out. Cole lost his ].
Frank James:
Oh lord...
Bob Younger: [[temper]
Well he just lost his ] a little!
Jesse James: [[kill]
How many of them did he ] Bob?
Bob Younger:
Two.
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American Outlaws - A Threat of Power and Freedom
Jesse James:
If I can get you today, then you damn sure know I can kill you anytime I want now that I'm free. You sleep on that for the next twenty years.
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American Outlaws - Reflections on Growth and Maturity
Jesse James: [to Zee]
You got big. I mean, you aged. What I mean is in a good way you got big and older.
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American Outlaws - Politeness in the Face of Crime
Jesse James:
Just because we're robbing a bank doesn't mean there's no reason not to be polite.
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The Way Back - The Complexity of Freedom and Prison
Valka:
Prison is okay. Debt is bad. But there are many prisons, they don't find me.
Zoran:
What about America?
Valka:
Oh, it's not for me, freedom. I wouldn't know what to do with it, I swear to God.
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The Way Back - The Irony of Stalin's Promises
Valka:
Don't you know what "Stalin" means, funny man? Means man-of-steel. He takes from rich, and gives to poor.
Zoran:
Yes, of course he does. Then he takes both of them, and puts them in Gulag for 25 years.
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S.W.A.T. - Unexpected Orders After Shift End
Daniel "Hondo" Harrelson:
Technically, our watch has been over for 12 hours.
Jim Street: [dons radio gear; looks at Hondo]
So?
Hondo: [understands; prepares weapon]
Yeah... What the hell. Mount up!
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S.W.A.T. - Profit Sharing Strategy for Unusual Items
Deacon "Deke" Kaye:
We need to sell that shit on eBay.
Jim Street:
I only have one.
Deke:
We'll split the profits fifty-fifty, corner the market. Break em down like a shotgun - The Polish Penetrator!
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S.W.A.T. - Card Game Strategy Discussion
Daniel "Hondo" Harrelson: [Deke shoots a card]
Ten of spades. Spade flush. Not good enough.
Jim Street:
Hondo, isn't that a straight flush?
Hondo: [reads cards through binoculars]
Hold the phone. Six, seven, eight, nine, ten of spades. Straight flush. Deke!
Deacon "Deke" Kaye: [smiles as Hondo evaluates his shots]
Beats four aces in Compton any day!
Michael Boxer:
I think that works in Orange County too!
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S.W.A.T. - Sibling Concerns and Perceptions of Age
Michael Boxer:
I just want to know what you did to my little sister.
Jim Street:
She's 28, Boxer, okay? And trust me, she's not so little.
TJ McCabe: [laughing]
Oh no, you didn't...
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S.W.A.T. - Team Loyalty Amidst Chaos
Brian Gamble:
Let's get the hell outta here, huh? I need a cocktail.
Jim Street:
I'm staying.
Gamble: [In disbelief]
You're what? Wha-? After that?
Street:
A couple of months, Fuller will find some new asses to chew out, and we'll be back on the team.
Gamble:
Fuller is the cockroach in this department, brother, and he's not gonna give us any second chance.
Street:
What are you gonna do, piss away all the hard work you did to get here?
Gamble:
Piss WHAT away, Jimmy? The cage? C'mon man, we're better than that and you know it. Gonna come with me? Well, a real partner wouldn't have to ask that, would he?
Street:
A real partner would step up to what he did at the bank.
Gamble:
Yeah, I saved the hostage.
Street:
You disobeyed the hold.
Gamble:
No. I saved that hostage.
Street: [shouts]
You disobeyed the hold! You made the decision yourself, and you shot a hostage, Jesus, Brian!
Gamble: [shocked]
Wow, you sound a lot like Fuller. Is that what you two were talking about in there? You rat me out, you cut a deal to get back on the team, Jimmy?
Street:
Did I cut a deal?
Gamble:
Yeah, did you?
Street:
How many times have I covered up for your goddamn stunts?
Gamble: [shrugs; picks up badge; tosses badge to Street]
That's what a partner's supposed to do... You just picked a paycheck over me, bro.
Street:
You just picked yourself over everything else.
Gamble: [slaps locker in anger]
You wanna stay here, be Fuller's bitch? You go right ahead, but I can't do it, nope, can't do it. Goddmanit goddamnit god-'-damnit, Jimmy.
Street:
Partners for five years, this is how you wanna end it?
Gamble:
Nuh, uh. I didn't end it. You sold me out to the press.
Street: [tosses badge back to Gamble, who comes over and grabs Street by the shirt in anger]
You know, I never realized until now how full of shit you are.
Gamble: [pushes Street back and breaks a mirror behind him]
Fuck you and SWAT.
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S.W.A.T. - Consequences of Choices in Law Enforcement
Brian Gamble:
That woman is alive because of what we did.
Capt. Thomas Fuller:
Yeah, alive and suing the city for millions. The Chief said if he's gonna pay, somebody else does, too, and it sure as hell isn't gonna be me.
Brian Gamble:
C'mon Fuller we get...
Capt. Thomas Fuller: [Interrupting]
*Captain* Fuller.
Brian Gamble:
Captain Fuller, we get two seconds to make a decision! You get two months to sit there and tear it apart?!
Velasquez:
SWAT means "Special Weapons *And* Tactics". Where were your tactics out there?
Jim Street:
Saving a woman from getting shot. That's where are tactics were.
Gamble:
Every cop in this department knows that we did the right thing.
Fuller:
Sometimes, doing the right thing isn't doing the right thing.
Sgt. Howard:
What the hell does that mean?
Fuller: [stern; turns to Street and Gamble]
Sergeant... You disobeyed a direct order, end of story. You're both off SWAT.
Velasquez:
Captain. They're two of our best officers.
Fuller:
Well I'm not sticking them back in the field after a stunt like that.
Gamble: [Becoming angry]
Oh, I'm sorry, I didn't know that saving lives was goddamn stunt!
Fuller: [Becoming angry with Gamble]
Hey, you've got a big mouth, and apparently you're quick on the trigger, and *that* is why your ass is in a sling!
Velasquez:
Captain Fuller, if you're really gonna put them off SWAT at least keep them in the division. Give'em a shot at getting back.
Fuller:
Fine, stick'em in the gun cage. Get'em out of my sight.
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Alexander - Acknowledgment of Tyranny by Alexander
Alexander:
Cleitus spoke true. I am a tyrant.
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Alexander - Confrontation with a Harsh Critic
Alexander:
No one, not my vilest enemy, has ever spoken like you to me!
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Alexander - A Father's Lament for His Son
Alexander:
My poor, poor, ill-fated son.
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Alexander - A Plea for Hephaestion's Presence
Alexander:
Don't leave me Hephaestion!
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Alexander - Legacy of Titans Remembered Through Time
Alexander:
May all those who come here after us know when they see this altar, that titans were once here.
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Alexander - Return to Macedon
Alexander:
Men of Macedon, we're going home.
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Alexander - A Son's Tribute to His Father's Valor
Alexander:
Go on your way, father, rejoicing that with every step you may recall your valour.
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Alexander - A King's Reflection on Loyalty and Legacy
Alexander:
Yes, you're right Crateros. I should have sent you veterans home sooner, and I will. The first of your shall be the Silver Shields, and then every man who has served seven years. Respected, rich, LOVED! You'll be treated by you wives and children as heroes for the rest of your lives. And enjoy a peaceful death. But you dream Crateros! Your simplicity long ended when you took Persian mistresses and children and you thickened your holdings with plunder and jewels... Because you have fallen in love with all the things in life that destroy men! Do you not see? And you, as well as I, know, that as the years decline, and the memories stale, and all your great victories fade, it will always be remembered, you left your king in Asia! Because I will go on...with my Asians!
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Alexander - Enduring Hardship Through Battle and Sacrifice
Alexander:
You know there’s not a part of me without a scar or a bone broken by sword, knife, stone, catapult, and club. I’ve shared every hardship with all of you.
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Alexander - Facing Fear in Uncharted Territory
Alexander:
You break my heart, you men... afraid!? Of course you have fears, we all have fears. Because no one has ever come this far before.
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Alexander - Acceptance of True Self in Love
Alexander:
Hephaestion loves me as I am, not "who".
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Alexander - Contempt for the Wisdom of History
Alexander:
What disturbs me most is not your lack of respect for my judgment, but your contempt for a world far older than ours.
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Alexander - Confronting Superiority and Ambition
Alexander:
Aristotle be damned! By Zeus and by all the gods, what makes you so much better than them, Cassander! Better than you really are! In you and those like you is this.
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Alexander - Seeking Home Beyond Illusions and Death
Alexander:
Each land, each boundary I cross, I strip away another illusion. I sense death will be the last. Yet still I push, harder and harder to reach this..."home." Where has our eagle gone? We must go on Ptolemy, until we find an end.
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Alexander - Ambition Beyond Mortal Limits
Alexander:
Were we gods we'd breach these walls to the Eastern Ocean.
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Alexander - A Declaration of Love for Hephaestion
Alexander:
It is you that I love Hephaestion, no other.
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Alexander - Struggling with Identity and Perception
Alexander:
When I was a child my mother thought me divine and my father weak... which one am I Hephaistion? Weak or divine?
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Alexander - The Importance of Actions in Life
Alexander:
In the end, all that matters is what you've done.
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Alexander - A Request for Companionship
Alexander:
Stay with me tonight, Hephaestion.
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Alexander - Cost of Life Before Birth
Alexander:
It's a high ransom she charges for nine months lodging in the womb.
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Alexander - Surpassing My Father's Aspirations
Alexander:
I've taken you farther than my father ever dreamed!
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Alexander - Rejecting My Father's Legacy
Alexander:
I am not my father!
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Alexander - Call to Arms for Freedom and Glory
Alexander:
You've all honored your country and your ancestors and now we come to this most distant place in Asia where across from us Darius has at last gathered a vast army, but look again at this horde and ask yourselves, who is this great king who pays assassins in gold coins to murder my father, our king in a most despicable and cowardly manner? Who is this great king Darius who enslaves his own men to fight? Who is this king but a king of air? These men do not fight for their homes. They fight because this king tells them they must. And when they fight, they will melt away like the air, because they know no loyalty to a king of slaves! But we are not here today as slaves. We are here today... as Macedonian free men! And all their arms, their numbers, their chariots and their fine horses will mean nothing in the hands of slaves. Some of you, perhaps myself, will not live to see the sun set over these mountains today, for I will be in the very thick of battle with you. But remember this, the greatest honor a man can achieve is to live with great courage, and to die gloriously in battle for his home. I say to you what every warrior has known since the beginning of time: conquer your fear and I promise you you will conquer death! Someday I promise you, your sons and grandsons will look into your eyes. And when they ask you why you fought so bravely at Gaugamela, you will answer, with all the strength of your great, great hearts: "I was here this day at Gaugamela...for the freedom...and glory...of Greece!" Zeus be with us!
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Alexander - A vow of loyalty beyond death
Alexander:
If you were to fall Hephaestion, even if Macedonia were to lose a king I would avenge you, and follow you down to the house of death.
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Alexander - Claiming Victory in Asia
Alexander:
I didn't cross Asia to steal this victory, Cassander." And right not my butt.
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Alexander - Doubt in a Leader's Capability
Alexander:
(Of his father Phillip) This is the man who is going to take you from Macedonia to Persia?! He can't even make it from one couch to the next.
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Alexander - A Promise of Future Confrontation
Alexander:
I promise that I will beat you one day, Hephaistion.
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Dumbo - Holt Farrier Encourages Dumbo's Performance
Holt Farrier: [to Dumbo]
Alright, Dumbo, give me a showstopper.
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The Banshees of Inisherin - Gratitude for a Friend's Help
Colm Doherty:
Pádraic. Thanks for lookin after me dog for me, anyways.
Pádraic Súilleabháin:
Anytime.
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The Banshees of Inisherin - Conflict and Consequences of Friendship
Colm Doherty:
So, let's just call it quits and agree to go our separate ways, for good this time.
Pádraic Súilleabháin:
Your fat fingers killed me little donkey today. So, no, we won't call it quits. We'll call it the start.
Colm Doherty:
You're jokin me.
Pádraic Súilleabháin:
Yeah, no. I'm not jokin ya. So tomorrow, Sunday, God's day, around 2:00, I'm going to call up to your house and I'm gonna set fire to it, and hopefully you'll still be inside it. But I won't be checkin either way. Just be sure and leave your dog outside. I've nothing against that gom. Or you can do whatever's in your power to stop me. To our graves we're taking this. To one of our graves, anyways.
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The Banshees of Inisherin - The Evolution of Niceness and Its Longevity
Pádraic Súilleabháin:
Do you know what you used to be?
Colm Doherty:
No, what did I used to be?
Pádraic Súilleabháin:
Nice! You used to be nice! And now, do you know what you are? Not nice.
Colm Doherty:
Ah, well, I suppose niceness doesn't last then, does it? But will I tell ya something that does last?
Pádraic Súilleabháin:
What? And don't say somethin stupid like music.
Colm Doherty:
Music lasts.
Pádraic Súilleabháin:
Knew it!
Colm Doherty:
And paintings last. And poetry lasts.
Pádraic Súilleabháin:
So does niceness.
Colm Doherty:
Do you know who we remember for how nice they was in the 17th century?
Pádraic Súilleabháin:
Who?
Colm Doherty: [[Mozart]
Absolutely no one. Yet we all remember the music of the time. Everyone, to a man, knows ]'s name.
Pádraic Súilleabháin:
Well, I don't, so there goes that theory. And anyway, we're talkin about niceness. Not what's his name. My mammy, she was nice. I remember her. And my daddy, he was nice. I remember him. And my sister, she's nice. I'll remember her. Forever I'll remember her.
Colm Doherty:
And who else will?
Pádraic Súilleabháin:
Who else will what?
Colm Doherty:
Remember Siobhan and your niceness? No one will. In 50 years time, no one will remember any of us. Yet the music of a man who lived two centuries ago...
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The Banshees of Inisherin - A Conversation About Intelligence and Assurance
Pádraic Súilleabháin:
They don't think I'm dim or anything?
Siobhan Súilleabháin:
Dim? No.
Pádraic Súilleabháin:
You don't seem very sure about it.
Siobhan Súilleabháin:
Of course, I'm sure about it.
Pádraic Súilleabháin:
Dominic's the dim one on the island, isn't he?
Siobhan Súilleabháin:
He is, aye. By miles.
Pádraic Súilleabháin:
Uh, hang on, by miles. And then, who's the next dimmest?
Siobhan Súilleabháin:
Well, I don't like to judge people in those terms now, do I?
Pádraic Súilleabháin:
In what terms?
Siobhan Súilleabháin:
In order of their dimness.
Pádraic Súilleabháin:
Well, I know you don't. And neither do I, do I? But try, like.
Siobhan Súilleabháin:
No! I won't try. There's enough judgy people on this fecking island, so no! You're not dim! You're a nice man, all right? So, move on!
Pádraic Súilleabháin:
I'm as clever as you, anyways. I know that at least.
Siobhan Súilleabháin:
Yeah, don't be fecking stupid.
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The Banshees of Inisherin - A Quirky Exchange on Mental Clarity
Pádraic Súilleabháin: [bursting into Colm's house; sits]
How are ya, fatty? Dancing with your dog, is it? Well who else is gonna dance with ya? Your poor dog has no say in the matter. And if you're too rude to be offering me a seat, I'll be taking one of me own accord! How's that for an old hello?
Colm Doherty:
Have you gone fecking mental?
Pádraic Súilleabháin:
Have I gone fecking mental? No I haven't gone fecking mental. Not only have I not gone fecking mental, but I have got ten fingers to prove I'm not fecking mental. How many fingers have you got to prove you're not fecking mental?
Colm Doherty:
Nine fingers.
Pádraic Súilleabháin:
Nine fingers is the epitome of mental.
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The Banshees of Inisherin - Friendship and Maturity in Conflict
Dominic Kearney:
What trouble are ya in with him?
Pádraic Súilleabháin:
He just... doesn't want to be friends with me any more.
Dominic Kearney:
What is he, twelve?
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The Banshees of Inisherin - A Conversation About Time and Regret
Colm Doherty:
I was too harsh yesterday.
Pádraic Súilleabháin:
Yesterday, he says! I know well you was too harsh yesterday.
Colm Doherty:
I just... I just have this tremendous sense of time slipping away on me, Padraic. And I think I need to spend the time I have left thinking and composing. Just trying not to listen to any more of the dull things you have to say for yourself. But I am sorry about it. I am, like.
Pádraic Súilleabháin:
Are you dying?
Colm Doherty:
No, I'm not dying.
Pádraic Súilleabháin:
But then you have loads of time.
Colm Doherty:
For chatting?
Pádraic Súilleabháin:
Aye.
Colm Doherty:
For aimless chatting?
Pádraic Súilleabháin:
Not for aimless chatting. For good, normal chatting.
Colm Doherty:
So we'll keep aimlessly chatting and my life will keep on dwindling. And in 12 years, I'll die with nothin to show for it, bar the chats I've had with a limited man, is that it?
Pádraic Súilleabháin:
I said, "not aimless chatting" I said "Good, normal chatting.
Colm Doherty:
The other night, two hours, you spent talking to me about the things you found in your little donkey's shite that day. Two hours, Padraic. I timed it.
Pádraic Súilleabháin:
Well it wasn't me little donkey's shite, was it? It was me pony's shite. Which shows how much you were listenin'.
Colm Doherty:
None of it helps me. Do you understand? None of it helps me.
Pádraic Súilleabháin:
We'll just talk about something else, then!
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The Banshees of Inisherin - Consequences of Persistent Interruption
Colm Doherty:
If you don't stop talkin to me, and if you don't stop botherin me, or sendin your sister or your priest to bother me...
Pádraic Súilleabháin:
I didn't send me sister to bother you, did I? She has her own mind. Although, I did send the priest though, you have me there.
Colm Doherty:
What I've decided to do is this. I have a set of shears at home. And each time you bother me from this day on, I'll take those shears and I'll take one of me fingers off with them. And I'll give that finger to ya. A finger from me left hand. Me fiddle hand. And each day you bother me more, another I'll take off and I'll give ya until you see sense enough to stop. Or until I have no fingers left. Does this make things clearer to ya?
Pádraic Súilleabháin:
Not really, no.
Colm Doherty:
Because I don't want to hurt your feelings, Padraic. I don't, like. But it feels like the drastic is the only option left open to me.
Pádraic Súilleabháin:
You've loads of options left open to ya. How's fingers the first port of call?
Colm Doherty:
Please, don't talk to me no more, Padraic. Please. I'm begging you.
Pádraic Súilleabháin:
But...
Jonjo Devine:
Shush, like, Padraic. Just, you know, shush, like.
Gerry:
Yeah, I'd shush, like.
Pádraic Súilleabháin:
I will shush. Except me and me sister were thinking, you might just be a bit depressed, Colm. And I tell you this much, fingers just confirms it. Don't you think, Colm?
Colm Doherty:
Starting from now.
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The Banshees of Inisherin - A Conversation About Friendship and Disconnection
Pádraic Súilleabháin:
Now... if I've done somethin to ya, just tell me what I've done to ya. And if I've said somethin to ya or maybe if I've said somethin when I was drunk and forgotten it. But I don't think I've said somethin when I was drunk and I've forgotten it. But if I did, then tell me what it was. And I'll say sorry for that too Colm. With all me heart, I'll say sorry. Just stop running away from me like some fool of a moody school child.
Colm Doherty:
But you didn't say anything to me. And you didn't do anything to me.
Pádraic Súilleabháin:
Well that's what I was thinking, like.
Colm Doherty:
I just don't like ya no more.
Pádraic Súilleabháin: [hurt and disbelieving]
You do like me.
Colm Doherty:
I don't.
Pádraic Súilleabháin:
But you liked me yesterday.
Colm Doherty:
Oh, did I, yeah?
Pádraic Súilleabháin:
I thought you did...
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The Banshees of Inisherin - The Value of Unmoving Moments
Pádraic Súilleabháin:
Some things there's no moving on from. And I think that's a good thing.
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The Banshees of Inisherin - Unexpected Consequences of a Friendship Fallout
Pádraic Súilleabháin:
It was all going fine until he chopped off all his fingers.
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Daredevil - Confronting Fear and Embracing Chaos
Bullseye: [chuckles]
Man without fear Looks like I found something you're afraid of. Let's bring on the pain! Let's bring on the noise!
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Daredevil - Confidence in Personal Abilities
Bullseye:
You're good, baby, I'll give you that. But me? I'm magic.
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Daredevil - Desire for a Distinctive Costume
Bullseye:
I want a bloody costume!
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Daredevil - Confidence in Unfailing Accuracy
Bullseye:
I missed. I NEVER miss!
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In Bruges - Finding Purpose in Uncertainty
Ray: [[w:LSD|acid; [w:MDMA|ecstasy]
The rest of the ] and the ]. Can I have me gun back, please? What am I gonna do, Ken? What am I gonna do?
Ken:
Just keep moving. Keep on moving. Try not to think about it. Learn a new language, maybe?
Ray:
Sure, I can hardly do English. That's one thing I like about Europe, though. You don't have to learn any of their languages.
Ken:
Just forget about home for a while. See how the land lies in six years, seven years. Seven years is not that long.
Ray:
It's longer than that boy got. My first fucking job. Great hitman I turned out to be.
Ken:
Some people just aren't cut out for it, Ray.
Ray:
Are you? When are you going back to England?
Ken:
I'll head back in a couple of hours or something.
Ray:
Harry's not gonna be mad at you, is he? For letting me go?
Ken:
I'll sort out Harry.
Ray:
Just tell him I'll have probably killed myself in a fortnight, anyway.
Ken:
You won't, will you, Ray?
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In Bruges - Questioning the Choice of Bruges for Memories
Ray:
What a wanker!
Ken:
He said this whole trip... this whole being in Bruges thing, was just to give you one last, joyful memory before you died.
Ray: [''Laughs'']
In Bruges? The Bahamas, maybe? Why fucking Bruges?
Ken:
I suppose it's cheaper.
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In Bruges - Dispute Over a Gun in Bruges
Ray:
Mine's a bloody girl's gun.
Ken:
I'm keeping it.
Ray:
Pardon me? Gimme me gun back.
Ken:
You're not getting it back. You're a suicide case.
Ray:
And you were trying to shoot me in the fucking head.
Ken:
You're not getting that gun back.
Ray:
Oh, great day this has turned out to be. I'm suicidal, me mate tries to kill me, me gun gets nicked and we're still in fucking Bruges.
Ken:
Listen, I'm gonna give you some money and put you on a train somewhere.
Ray:
Back to England?
Ken:
You can't go back to England, Ray. You'd be a dead man!
Ray: [''Sobs'']
Ken, I wanna be a dead man. Have you been missing somethin'?
Ken:
You don't wanna a dead man, Ray.
Ray: [''Sobs'']
I killed a little boy!
Ken:
Then save the next little boy. Just go away somewhere, get out of this business and try to do something good. You're not gonna help anybody dead. You're not gonna bring that boy back, but you might save the next one.
Ray:
What am I gonna be, a doctor? You need exams.
Ray:
Do anything, Ray. Do anything!
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In Bruges - Unexpected Confrontation in Bruges
Ken: [''Walks up behind Ray sitting on a park bench who holds up gun to head'']
Ray, don't!
Ray:
Fuckin hell! Where the fuck did you come from?
Ken:
I've behind a thing. What the fuck you doing, Ray?
Ray:
What the fuck are you doing?
Ken:
Nothin'.
Ray:
Oh, my God... you were gonna kill me.
Ken:
No, I wa - You were gonna kill yourself!
Ray:
Well... I'm allowed.
Ken:
No, you're not!
Ray:
What? I'm not allowed, and you are? How's that fair?
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In Bruges - A Night of Chaos and Contradictions
Ken:
How did your date go?
Ray: [[w:cocaine|cocaine; [w:skinhead|skinhead]
My date involved two instances of extreme violence, one instance of her hand on my cock and my finger up her thing, which lasted all too briefly - isn't that always the way? - one instance of me stealing 5 grams of a very high quality ] and one instance of me blinding a poofy little ], so, all in all, my evening pretty well balanced out. Fine.
Ken:
You've got five grams of coke?
Ray: [''Shakes head'']
I got four grams on me and one gram in me which is why me heart is going like the fucking clappers as if I'm about to have a heart attack, so if I collapse any minute now please remember to tell the doctors it might have something to do with the coke.
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In Bruges - Defending Principles in Complex Situations
Ray:
I don't hit women. I would never hit a woman, Chloë! I'd hit a woman who was trying to hit me with a bottle! That's different, that's self defense, isn't it? Or a woman who could do karate. I'd never hit a woman generally, Chloë. Don't think that. God, you're pretty.
Chloë:
I have to make a call.
Ray:
Oh no. You've gone off me, haven't you? Just cause I hit that fucking cow.
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In Bruges - Debate Over Bruges' Worth in Film
Chloë:
This movie, I think it's going to be a very good one. There's never been a classic movie made in Bruges until now.
Ray:
Of course there hasn't. It's a shithole.
Chloë:
Bruges is my home town, Ray.
Ray:
Well, it's still a shithole.
Chloë:
It's not a shithole!
Ray:
What? Even midgets have to take drugs to stick it.
Chloë:
Okay. So, we've insulted my home town. You're doing very well, Raymond. Why don't you tell me some Belgium jokes while you're at it?
Ray: [[w:Belgian chocolate|Chocolates; [w:Belgitude|child abuse; ''Sees Chloë's shocked expression'']
Don't know any Belgium jokes, and if I did I think I'd have the good sense not to... hang on. Is Belgium where there's all those child abuse murders lately? Then I do know a Belgium joke. What's Belgium famous for? ] and ], and they only invented the chocolates to get to the kids. What?
Chloë:
One of the girls they murdered was a friend of mine.
Ray: [''After a long pause, feeling bad'']
I'm sorry, Chloë.
Chloë:
One of the girls they murdered wasn't a friend of mine. I just wanted to make you feel bad. It worked! Quite well.
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In Bruges - Debate on Deadly Skills and Misconceptions
Ken:
Well, technically, your bare hands can kill somebody too, they can be deadly weapons too. I mean, what if he knew karate, say?
Ray: [[w:Crossing guard|lollipop man]
You said he was a ]!
Ken:
He was a lollipop man.
Ray:
What's a lollipop man doing knowing fucking karate?
Ken:
I'm just saying.
Ray:
How old was he?
Ken:
About fifty.
Ray:
What's a fifty-year old lollipop man doing knowing fucking karate! What was he, a Chinese lollipop man? Jesus, Ken. I'm trying to talk about...
Ken:
I know what you're trying to talk about.
Ray:
I killed a little boy. You keep bringing up a fucking lollipop man.
Ken:
You didn't mean to kill a little boy.
Ray: [''Pause'']
I know I didn't mean to... but because of the choices I made, and the course that I put into action, that little boy isn't here anymore, and he'll never be here again. I mean here in the world, not here in Belgium. Well he'll never be here in Belgium either, will he? I mean, he might've wanted to come here when he got older. Don't know why. And that's all because of me. He's dead because of me. And I'm trying to... trying to get me head around it, but I can't. I will have always have killed that little boy. That ain't ever going away. Ever. Unless... maybe I go away.
Ken:
Don't even think like that.
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In Bruges - Judgment Day and Its Consequences
Ken: [''Looking at a surreal [[w:Hieronymus Bosch|Bosch; [w:The Last Judgment (Bosch, Bruges)|It's Judgment Day]
] painting] ], you know?
Ray:
Oh, yeah. What's that then?
Ken:
Well, it's, you know, the final day on Earth, when mankind will be judged for all the crimes they've committed and that.
Ray:
Oh. And see who gets into Heaven and who gets into Hell and all that.
Ken:
Yeah.
Ray:
What's the other place?
Ken:
Purgatory.
Ray: [[w:Tottenham Hotspur F.C.|Tottenham; ''Pause'']
Purgatory... Purgatory's kind of like the in-betweeny one. You weren't really shit, but you weren't all that great either. Like ]. Do you believe in all that stuff, Ken?
Ken:
In Tottenham?
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In Bruges - Balancing Culture and Fun in Bruges
Ken:
We are doing what I want to do, got it?
Ray:
Of course, which I presume will involve culture.
Ken:
Oh, we shall strike a balance between culture and fun.
Ray:
Somehow I believe, Ken, that the balance shall tip in the favour of culture, like a big fat fucking retarded fucking black girl on a see-saw opposite... a dwarf.
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In Bruges - Disappointment in Tourist Attractions
Overweight Man:
Been to the top of the tower?
Ray:
Yeah. Yeah, it's rubbish.
Overweight Man:
It is? Guide book says it's a must see.
Ray:
Well you lot ain't goin up there.
Overweight Man:
Pardon me? Why?
Ray:
I mean it's all windy stairs. I'm not being funny.
Overweight Man:
What exactly are you trying to say?
Ray:
What exactly am I trying to say? You's are a bunch of fuckin elephants!
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In Bruges - Discussion on Perspective and Views
Ken: [''Preparing to climb the the belfry'']
Coming up?
Ray:
What's up there?
Ken:
The view.
Ray:
The view of what? The view of down here? I can see that from down here.
Ken:
Ray, you are about the worst tourist in the whole world.
Ray: [[w:Dublin|Dublin]
Ken, I grew up in ]. I love Dublin. If I'd've grown up on a farm, and was retarded, Bruges might impress me, but I didn't, so it doesn't.
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.
In Bruges - Fear of Eternity in Bruges
Ray: [''Voiceover''; [w:Christmas tree|Christmas tree]
There's a ] somewhere in London with a bunch of presents underneath it that'll never be opened. And I thought, if I survive all this, I'll go to that house, apologize to the mother there, and accept whatever punishment she chose for me. Prison... death... didn't matter. Because at least in prison and at least in death, you know, I wouldn't be in fuckin Bruges. But then, like a flash, it came to me. And I realized, fuck man, maybe that's what hell is: the entire rest of eternity spent in fuckin Bruges. And I really, really hoped I wouldn't die. I really, really hoped I wouldn't die.
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In Bruges - A Request for Personal Space
Ray:
Back off, shorty!
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In Bruges - Changing perceptions of identity and violence
Ray:
Exactly at what point was it that all skinheads suddenly became poofs? It used to be, you were a skinhead, you just went round beating up Pakistani twelve-year olds. Now it seems a prerequisite to be a fucking bumboy!
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In Bruges - Decision to Leave Bruges for London
Ray:
This is my vote of what we should do. We give it another day, two days max, then we check the papers again and if there's still nothing in em, we phone him and say, "Harry, thank you for the trip to Bruges, it's been very nice, all the old buildings and that, but we're coming back to London now," and hide out in a proper country where it isn't all just fucking chocolates.
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In Bruges - A Descent into Chaos and Confusion
Ray: [''Voiceover''; [w:London|London; [w:Bruges|Bruges; ''Pause''; [w:Belgium|Belgium]
After I killed them, I dropped the gun in the Thames, washed the residue off my hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter, the instructions came through. "Get the fuck out of ], yous dumb fucks. Get to ]." I didn't even know where Bruges fucking was. It's in ].
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The Lobster - Desire for Silence Amidst Chaos
David: [as the Biscuit Woman screams in pain in the distance]
What happened?
Heartless Woman:
She jumped from the window from 180. There is blood and biscuits everywhere.
David: [he pauses]
I hope she dies right away. On second thought, I hope she suffers quite a bit before she dies. I just hope her pathetic screams can't be heard from my room, because I was thinking about having a lie down, and I need peace and quiet. I was playing golf, and the last thing I need is some woman dying slowly and loudly.
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The Lobster - A Quiet Place for Reflection and Finality
Loner Leader:
Can you imagine why I brought you to this quiet place today?
David:
No.
Loner Leader:
Because I think it's the perfect spot for your grave.
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The Lobster - Unexpected Encounter in the Woods
Loner Leader:
Where were you? I was looking for you.
David:
I was masturbating behind those trees over there.
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The Lobster - Choosing Longevity: The Lobster's Perspective
Hotel Manager:
Now have you thought of what animal you'd like to be if you end up alone?
David:
Yes. A lobster.
Hotel Manager:
Why a lobster?
David:
Because lobsters live for over one hundred years, are blue-blooded like aristocrats, and stay fertile all their lives. I also like the sea very much.
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Minority Report - Echoes of Precognition and Repeated Visions
Danny Witwer:
I thought they stopped the murder?
Jad:
That's just an echo. Precog déjà vu. Some of the really bad ones, the precogs see over and over again.
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Minority Report - Searching for Flaws in a Tragic Context
John Anderton: [about Witwer's father]
What does he think about your chosen line of work?
Danny Witwer:
I don't know. He was shot and killed when I was 15 on the steps of our church in Dublin. I know what it's like to lose someone close, John. Course, nothing is like the loss of a child. I don't have any children of my own, so I can only imagine what that must've been like. To lose your son – in such a public place like that. At least now you and I have the chance to make sure that kind of thing doesn't happen to anyone –
John Anderton:
Why don't you cut the cute act, Danny boy, and tell me exactly what it is you're looking for?
Danny Witwer:
Flaws.
John Anderton:
There hasn't been a murder in 6 years. There's nothing wrong with the system, it is--
Danny Witwer:
Perfect. I agree. But if there's a flaw, it's human. It always is.
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Minority Report - Certainty in the Face of Risk
John Anderton:
Why'd you catch that?
Danny Witwer:
Because it was going to fall.
John Anderton:
You're certain?
Danny Witwer:
Yeah.
John Anderton:
But it didn't fall. You caught it. The fact that you prevented it from happening doesn't change the fact that it was going to happen.
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Fantastic Beasts and Where to Find Them - Unwelcome Presence Acknowledged by Percival Graves
Percival Graves:
Tina, you're always turning up where you're least wanted.
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