Highlights
Mortal Kombat II - Exclusive Interviews
Mortal Kombat II
Forbidden Fruits - Exclusive Interview
Forbidden Fruits
Remarkably Bright Creatures - Sally Field and Lewis Pullman Exclusive Interviews
Remarkably Bright Creatures
Avengers: Doomsday - Official Poster
Avengers: Doomsday
Off Campus Season 1 - Absolutely Obsessed with Justin Kohl Clip
Off Campus
House of the Dragon Season 3 - Tom Glynn-Carney at the World Premiere After-Party
House of the Dragon
Star Wars: The Mandalorian and Grogu - Summer is made for Star Wars Clip
The Mandalorian and Grogu
House of the Dragon Season 3 - Emma D’Arcy at the World Premiere After-Party
House of the Dragon
Off Campus Season 1 - Let Me Help Clip
Off Campus
Dune: Part Three - Javier Bardem as Stilgar
Dune: Part Three
Toy Story 5 - Sheriff Joke Clip
Toy Story 5
Evil Dead Burn - Hunter Doohanand and Luciane Buchanan at the Los Angeles Fan Event
Evil Dead Burn
Love Story Season 1 - Love Always Risks Heartbreak Clip
Love Story
The Odyssey - Zendaya at the World Premiere
The Odyssey

Gena RowlandsQuotes

Gena Rowlands
Birthday
June 19th, 1930
From
Madison, Wisconsin, USA
Actor

Faces - Questioning Payment in Relationships

Freddie: By the way, Jeannie, what do you charge?
Jeannie Rapp: Freddie... Aw, Freddie... Aw, Freddie... Aw, no, Freddie... Don't spoil it, Freddie, please.
Freddie: Spoil what? Honey, I'm game for anything. I just wanna know how much you charge. It's legitimate, isn't it? I know I have to pay. I'm not too schooled in these thngs, but I know that somewhere along the line, your little hand is going to find its way into my pocket. You're shocked, aren't you, old Dickie, old pal? What do you think she is? You think she's some clean towel that's never been used? My God, Dickie, you think you don't pay? How many times a week does Maria ask you for some money? Money, child, is a necessity, and don't you think that you don't work for it and pay for it. My God, what, what is this? He thinks I'm insulting you. I'm offering you. Hell, look, what's the matter? If I went to one of those fancy restaurants, I'd probably tip the headwaiter, the waiter, the busboy, and a hundred bucks goes flying down the drain--and I couldn't have any more fun than I could with Jeannie here.

Faces - Perceptions of Happiness Based on Body Image

Jeannie Rapp: Skinny people are not like fat people. Fat people are jolly. Right?
Richard Forst: Wrong. Skinny people are happy because they're not fat.

Faces - Redefining Beauty Standards in Conversation

Richard Forst: You're not fat.
Richard Forst: You're voluptuous.

Faces - Emotional Tension Between Richard and Jeannie

Jeannie Rapp: You're a son-of-a-bitch, do you know that?
Richard Forst: Why am I a son-of-a-bitch?
Jeannie Rapp: Because you get to me.

Faces - The Complexity of Authenticity and Seriousness

Richard Forst: Jeannie, do me a favor. Don't be silly anymore. Just be yourself.
Jeannie Rapp: But I am myself. Who else would I be?
Richard Forst: I'm serious.
Jeannie Rapp: Definition of serious: Blah blah blah blah...

Opening Night - Professionalism Over Personal Relationships

Maurice Aarons: You're not a woman to me anymore. You're a professional. You don't care about anything, do you? You don't care about personal relationships, love, sex, affection.
Maurice Aarons: I have a small part. It's unsympathetic. The audience doesn't like me. I can't afford to be in love with you.
Myrtle Gordon: Good night.
Maurice Aarons: Yeah, good night.

Opening Night - The Absence of Hope in the Play

Sarah Goode: Just please tell me what this play doesn't express.

Opening Night - Theatrical Passion and Conflict Between Generations

Nancy Stein: I never bothered you. You want to kill me. I devoted my life to you. To movies, to music, to theatre. I'm 17 years old. I like sex. I like to turn people on. And that's what the theatre is: sex. It's like getting laid.
Myrtle Gordon: Um, what did you do to her?

Lonely are the Brave - The Dilemma of Freedom and Capture

Jerry Bondi: Maybe you'd be better off if they caught you.
Jack Burns: Maybe, but I'd like to put it off for as long as possible.

Lonely are the Brave - The Benefits of a Good Drunk

Jerry Bondi: Jack, what are you going to do?
Jack Burns: Well, about every six months, I figure I owe myself a good drunk. It rinses your insides out, sweetens you breath and tones up your skin.

Lonely are the Brave - The Illusion of a Perfect World

Jerry Bondi: [[world; [rules] Jack, I'm going to tell you something. The ] that you and Paul live in doesn't exist. Maybe it never did... out there is the real world. And it's got real borders and real fences, real laws and real trouble. And you either go by the ] or you lose. You lose everything.
Jack Burns: You can always keep something.

Lonely are the Brave - The Burden of Loneliness and Love

Jack Burns: [[God; [blessing] I didn't want a house. I didn't want all those pots and pans. I didn't want anything but you. It's ]'s own ] I didn't get you.
Jack Burns: Cause I'm a loner clear down deep to my guts. Know what a loner is? He's a born cripple. He's a cripple because the only person he can live with is himself. It's his life, the way he wants to live. It's all for him. A guy like that, he'd kill a woman like you. Because he couldn't love you, not the way you are loved.

Lonely are the Brave - The Burden of Fences in Open Land

Jack Burns: [[hate] A westerner likes open country. That means he's got to ] fences. And the more fences there are, the more he hates them.
Jerry Bondi: [[nonsense; [life] I've never heard such ] in my ].
Jack Burns: [[signs] It's true though. Have you ever noticed how many fences there're getting to be? And the ] they got on them: no hunting, no hiking, no admission, no trespassing, private property, closed area, start moving, go away, get lost, drop dead! Do you know what I mean?

Lonely are the Brave - Rejection of Conventional Relationships

Jerry Bondi: [[Believe] ] you me, if it didn't take men to make babies I wouldn't have anything to do with any of you!

Lonely are the Brave - Anticipation of an Old Friend's Arrival

Jerry Bondi: [[horse] I was expecting you, Jack. Isn't that odd? I heard a ] and I knew it was your horse.

Paulie - Facing Change and Saying Goodbye

Ivy: [to Paulie, as she is on the verge of dying] The doctor said that I really shouldn't drive around anymore. So, you'll just have to go ahead without me. Los Angeles is due west from here right into the setting sun.
Adolescent Paulie: Well, I'll be your eyes. I can watch the road for you. Besides, I can't go without you.
Ivy: [to herself, as she tries to find her comb] Oh, of course, you can. Listen, I'm not really a fond of "goodbye"s, dear. So, I think you should go. Just right now. And you'll send me a postcard, when you get there. Okay? Now, where did I put my comb? I know it's around here, someplace.
Ivy: [to Paulie] Oh! Thank you.
Narrator: And so, I stayed.
Ivy: [to Paulie] Are we nearly home yet?
Adolescent Paulie: Go to your right here. There you go.
Ivy: You know what you are, Paulie? You're my seeing-eye parrot.
Ivy: You've been a dear friend to me, Paulie. We're birds of a feather, you and I. Betwixt and between, that's us. So, what do we have tonight? Is it pretty?
Adolescent Paulie: Oh, very pretty. There's more orange now, and it's getting darker. Just a little gold left.
Ivy: The sun must be almost set. Can you see any stars yet?
Adolescent Paulie: Not yet.
Narrator: And then one day, the cat got her.
Adolescent Paulie: [sighs; turns around, and notices the finished masterpiece of Paulie Ivy has made] Oh.
Narrator: There are things in life you put off, because you think you can do them later. But, the real thing Ivy taught me was, that you'll have to learn to live it like there may not be a "later".

Paulie - Perspective on New Jersey and Mobile Homes

Ivy: But, you know, what's the matter with New Jersey? It's nice, if you will just give it a chance.
Paulie: Why does your house have wheels?
Ivy: Houses are a lot cheaper with wheels.
Paulie: I was thinking more along the lines that houses with wheels can go to places.
Ivy: Well, not anymore, I'm afraid. Earl and I used to travel all of the time, you know. But things change. He had even crazier ideas than you have got. We always used to talk about going to The Grand Canyon, but we just never got that far. Yow know, Earl said that if you stand right at the edge just when the sun comes up, it's like seeing the first sunrise in the whole world.
Paulie: He was kind of poetic, wasn't he?
Ivy: For an ex-Marine.
Paulie: Hmm, you miss Earl.
Ivy: Oh, let's not talk about that.
Paulie: You miss Earl.
Ivy: Eat your dinner.
Paulie: Like I miss Marie.

Paulie - Departure from Jersey

Ivy: Are you ready?
Paulie: I'm ready.
Ivy: So long, Jersey!
Paulie: So long, Jersey!
Narrator: I thought flying was scary - until I drove with Ivy. Now, that's scary.

Paulie - A Conversation About Help and Safety

Ivy: Oh! Oh.
Paulie: You know, maybe your house shouldn't have wheels.
Ivy: Oh, dear. All right, all right. I'll go get some help. You stay here. You know, it's... Don't be frightened. Let's see.

Paulie - Exploring Opportunities and Overcoming Past Experiences

Ivy: [to Paulie] That's it. Very good. You know, you should learn how to fly, Paulie.
Adolescent Paulie: Well, the last time someone suggested that, it didn't work out so good.
Ivy: You were missing out on doing something that was probably pretty great.
Adolescent Paulie: Hey! Why don't you try it, and let me know? Aren't you tired?
Ivy: Mmmm... Well, a little bit.

Paulie - Negotiating the Price of Paulie

Benny: [to Artie] How much do you want for him, Artie?
Artie: A lot more than ten bucks, baby. You'd have to grift for more than a year to make his numbers.
Ivy: [to Paulie, Artie, and Benny] Okay, which one of you three is the proprietor?
Artie: [to Ivy] Very funny, toots. Uh... What have you there?
Ivy: Oh, this? This is... This is my easel.
Artie: Mmm-hmm.
Ivy: It's a fine one. My late husband go it for me, and I really hate to part with it, you know.
Artie: Yeah, whatever. Uh... Dead husband aside. Uh... Do you wanna pawn, or sell?
Ivy: Well...
Tween Paulie: [to Ivy] The real question is, aren't you prepared to throw in that potholder on your head?!
Ivy: [to Artie] Well, that was extremely rude! Did you teach him to do that?
Benny: [to Ivy; points at Artie] Uh... No. No, that's the thing. The dirty mouth is all his.
Tween Paulie: [to Ivy] What are you looking at?!
Ivy: [to Artie] You know, I think I'll take him with me.
Benny: [to Ivy] Well, I don't think so, lady. You see, I saw the bird first.
Ivy: [as Artie and Benny look at each other] Oh, no, no, no. I'm... I'm afraid you are not the right owner for him. Uh... You know, somebody has got to teach this beautiful bird some manners. Then it might as well be me.
Tween Paulie: [belches] But, what's wrong with my manners?! BUUUUURRRRRPPPPP!

Playing by Heart - Desire and Honesty in Relationships

Hannah: And you really didn't sleep with her?
Paul: No.
Hannah: And you didn't want to sleep with her?
Paul: Good God, yes, I did.

Tempest - Regret Over Missed Television Moments

Phillip: [[home; [w:Guy Lombardo|Guy Lombardo] I should have stayed ] and watched ] on television.
Antonia: [[dead] Guy Lombardo's ].
Phillip: Really?
Antonia: Yeah.
Phillip: How sad.
Antonia: Yeah.
Miranda: Who's Guy Lombardo?