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Machiko Kyō

Machiko Kyō
Latest Trailers
Birthday
March 25th, 1924
From
Osaka, Osaka Prefecture, Japan
Actor

Machiko Kyō Biography

Machiko Kyō (Japanese: 京 マチ子 Hepburn: Kyō Machiko, March 25, 1924 – May 12, 2019) was a Japanese actress whose film work occurred primarily during the 1950s. She rose to extraordinary domestic praise in Japan for her work in two of the greatest Japanese films of the 20th century, Akira Kurosawa's Rashōmon and Kenji Mizoguchi's Ugetsu. Machiko trained to be a dancer before entering films in 1949.

The following year, she would achieve international fame as the female lead in Akira Kurosawa's classic film Rashōmon. Kyō starred in many more Japanese productions, including Kenji Mizoguchi's Ugetsu (1953) and Street of Shame (1956), Teinosuke Kinugasa's Gate of Hell (1953), Kon Ichikawa's Odd Obsession (1959), Yasujirō Ozu's Floating Weeds (1959), and Hiroshi Teshigahara's The Face of Another (1966).

Her only role in a non-Japanese film was as Lotus Blossom, a young geisha, in The Teahouse of the August Moon, starring opposite Marlon Brando and Glenn Ford. In her eighties, Kyō continued to perform in traditional Japanese theatrical productions put on by famed producer Fukuko Ishii. Her final role was as Matsuura Shino in the NHK television drama series Haregi Koko Ichiban in 2000.

Kyō was nominated for a Golden Globe for The Teahouse of the August Moon, a great feat for an Asian actress at the time, and was awarded many prizes, including a Lifetime Achievement Award from the Awards of the Japanese Academy. Description above from the Wikipedia article Machiko Kyō, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Machiko Kyō Movies

Machiko Kyō TV Shows

Machiko Kyō Quotes

A Choice Between Death and Shame

Masako: Wait! Stop! Either you die or my husband dies. One of you must die. To have my shame known to two men is worse than dying. I will go with the survivor.

Desire for Authentic Masculinity

Masako: [to Takehiro; She continues laughing, and turns to Tajomaru; She clutches the bandit by his rags; She spits in his face and laughs again; Tajomaru cringes; [sword] It's you two who are weak! If you are my husband, kill this man, then you can tell me to kill myself! But you're not a real man. That is why I was crying. I'm tired of this farce. I thought Tajomaru might find some way out. I thought that if he would save me I would do anything for him! I wanted you to take me away. I would have been yours! But he's not a man, either. He's just like my husband. Remember, a woman loves a real man only. A man has to make a woman his by his ].

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